Missing (dir. Nick Johnson & Will Merrick).

[Its] first half is mostly a lot of sophisticated thriller fun commenting on the true crime genre’s influence on culture from the point-of-view of a savvy zoomer. When things get cooking towards the climatic third act, so many logic-defying beats descend into a non-sensical series of truly baffling series of events more in line with cheap horror tricks that betrays the tight missing person drama it starts off as.