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#wonder woman #tim sale
So there are two bits of Wonder Woman news:
Gail Simone is going to be writing a Wonder Woman/Conan cross-over and I’m pretty excited about that. It’s my head-canon now that Conan is her brother. Zeus/Odin/Crom all the same, right.
And speaking of: James Robinson is going to be writing the story of Wonder Woman’s brother soon for DC. I’m going to join fans in asking “What?” as being baffled that DC’s book for their highest-profile property right now is going to focus on someone other than the title character. But I don’t have the fan-rage others seem to have for Robinson. I’ve enjoyed a lot of what he’s done and I’ll wait and see.
IT’S A PROCESS
The ‘Poochie’ header gag is originally from Wonder Woman #117 (v1, October 1960).
Arriving spaceships go ‘MMZZZZZZZZZZ’ and when they depart it sounds like ‘SSSSSSSSSMM’. That’s just science.
Greg Rucka is coming back to Wonder Woman and bringing artist Liam Sharp with him. Here’s a look at the art via DC Comics.
What do you think? Are you looking forward to reading Wonder Woman? (Hint: I think you should).
Warner Brothers was set to produce an animated series for DC's Wonder Woman in 1993 called Wonder Woman and the Star Riders. She would be teamed with an all female group of heroes. The idea had a costume redesign and had Diana ride a unicorn rather than an invisible plane. Art was created and test model toys were created for possible production. However, the idea only made it as far as a mini comic book one-off put in Kellogg's cereals. Fans wouldn't get to see her make an animated comeback again until 2001 in Justice League.
Amazing World of DC Comics #15 Spotlighting Wonder Woman (DC, 1977). Cover by Mike Nasser.
Love this cover
I speculate Diana’s next move was to have Barbie twist Ken’s head off.
Nearly 8000 reblogs of this panel to date since it was originally posted on that account and no creator credits to be seen. For shame. It isn’t mystery Golden Age art from when creators were given $20 dollars and shown the door, folks. It’s from two years ago. Make an effort if you can. Credited exposure leads to interest and sales and more great stuff by the creators you appreciate.
Wonder Girls was written by William Messner-Loebs, art by Lee Moder and Dan Green, lettering by Dezi Sienty with coloring by Chris Beckett. From DC Retroactive Wonder Woman: The 90s #1 (October 2011).
Effective reviews of the Retro Wonder Woman issues here: Carole A. Strickland - Wonder Woman Synopsis.
I just bought my Wonder Woman comic and these were the last two pages. Wonder woman makes me extremely happy.
I miss this sort of wonder woman so much. And this scene is just miles better than the similar one from Justice League: War.
![[whispering to date while watching Wonder Woman when Wonder Woman first appears on the screen] “That’s Wonder Woman.”](https://64.media.tumblr.com/a2be45a3cb31b73a47a191e33adc771a/tumblr_ovqkec7Sut1qzox0ro1_250.gifv)
[whispering to date while watching Wonder Woman when Wonder Woman first appears on the screen] “That’s Wonder Woman.”
I really liked how the tweaking of the poem Footprints worked out for this. Wonder Woman appeals to one of her patron Gods then is enlightened when she realizes she doesn’t really need them. As a character and symbol Wonder Woman kicks ass.
And for those that don’t get the point and think Hera abandoned her, the lesson is: when Wonder Woman didn’t need any help she left Hera behind. Maybe they missed the ‘stood on your own’ part. There is also a reference to ‘panels of her life’ and not 'scenes’ because comic book character. This isn’t a jab at Christianity or religion either. This is, however.
Footprints was adapted by me for the cover of Wonder Woman #13 (Dec 2012) published by DC Comics.
Wonder Woman #13 issue Credits: Original cover art: Cliff Chiang, Story: Brian Azarello, Art: Tony Akins & Dan Green, Colors: Matthew Wilson, Letters: Jared K. Fletcher.
“Union Busting,” “Court Stacking,” “Deregulating,” and more badges you can earn in our new oligarchy.
By Ivan Ehlers
