Couldn't sleep so I found this thread of a guy wanting to fuck a demon and everyone trying to convince him it's a bad idea.
He's up to fucking ghosts too, a true monsterfucker:
"I dont care about being cosmically weak I'm just tryna fuck demons"
@anankeanderos / anankeanderos.tumblr.com
Couldn't sleep so I found this thread of a guy wanting to fuck a demon and everyone trying to convince him it's a bad idea.
He's up to fucking ghosts too, a true monsterfucker:
"I dont care about being cosmically weak I'm just tryna fuck demons"
Agares - Provides knowledge of all tongues, brings back runaways or can prevent desertion, can cause earthquakes, and bring about the downfall of important men causing them to lose their position, public honor, and respect of others.
Aim - He spreads destruction by means of fire. Also teaches cunning and shrewdness, and will answer questions of things unknown.
Alloces - A warrior who may be sent to revenge yourself from secret enemies.
Andras - Very destructive, he can bring ruin to an enemy in the twinkling of an eye, causing him financial havoc and personal despair.
Andrealphus - Can transform humans into birds at will. Also teaches mathematics.
Andromalius - Knows all—recovers lost articles, finds money, and reveals any secret plots of intrigues planned against the possessor.
Asmoday - Confers invisibility, answers any questions, and enables the petitioner to know the innermost thoughts of those he meets.
Bathin - Transports one from one place to another at the speed of light by supernatural means. Tells the virtues of all stones and herbs.
Bifrons - Can move corpses magically, and coerce spirits of the dead to assist the magician or answer inquiries. Is capable of enlightening one on astrology, mathematics, herbs, and stones.
Camio - Will teach the tongues of all animals so that they may be understood, and can also reveal the mysteries and secrets of the other worlds.
Corcell - Produces great noises, confusion, and indecisiveness in one’s foes. Gives knowledge of geometry, art, literature, history.
Dantalion - Produces hallucinations in others if requested, influencing the minds of men against their will and without their knowledge. He can reveal the innermost thoughts and desires of others.
Decarabia - Knows all pertaining to the powers of plants and stones.
Focator - Causes winds to blow, ships to sink, and death by drowning.
Furfur - Bestows love of battle, causes thunder and lightning, and can reveal the secret thoughts of others.
Glasya-Labolas - Can cause murder and death, make men invisible. He knows all ancient wisdom and occult secrets, can teach all sciences.
Haagenti - A powerful alchemist who can change any metal into gold, and water into wine.
Halphas - Causes wars, punishes sinners, and can make those who have wronged the magician suffer the tortures of the damned.
Haures - Protects the magician against other spirits. Knows all secrets and will bring harm to one’s foes.
Leraie - Causes wounds not to heal, starts battles. He can be persuaded to break up rival’s love affairs and even marriages.
Malphas - It is claimed that he helped Solomon build many things. Causes anything to be made by magical forces.
Murmur - Causes souls of the dead to appear and answer any questions the petitioner may ask. Also teaches philosophy.
Ose - Transforms the petitioner into any form he desires. Will bring delusions and insanity to others if asked, and the person affected will not be aware that he has been changed.
Paimon - Confers upon the magician the power to influence and control those he wishes to subjugate. Will produce familiars to serve the possessor, and can bring any honor desired upon one.
Purson - Tells past and future, reads the thoughts of others and conveys the message to the possessor.
Raum - Creates love and reconciles enemies. Can also demolish a reputation, destroy property, and will steal money to bring to the possessor.
Ronove - Teaches languages, and humbles an enemy who does not show partiality toward the petitioner.
Sabnock - Can cause wounds not to heal, arguments to inflame, and turn a small dispute into a full-scale battle. He controls military camps and protects soldiers.
Samiginia - Gives account of the dead souls that died in sin, and teaches all liberal sciences.
Seere - Controls time to suit himself and the wishes of the sorcerer who calls upon him. Can cause things to happen instantly magically.
Shax - Can cause one to become deaf, dumb, or blind. Will steal money or possessions, and can lead the way to almost any hidden things or stolen goods. Can create a familiar to assist the owner.
Sitri - The Prince of love and lust. Will cause any man to love a woman, or any woman to desire a man. Compels women to display themselves in the nude to the one who calls him.
Valefor - In charge of occult medicine, curing all ills magically. Can make a man skilled with his hands and sharp with his brains. Can change men into animals at will.
Vepar - Controls the sea. Can cause storms, death, and disaster.
Vine - The only spirit which will tell a magician the identity of other sorcerers and witches. Knows ail secrets and can destroy the enemy or defend the magician against the attacks of others.
Zagan - Can change liquids—water into wine, wine into blood. He can bring to one’s mind the humor and wit in all happenings.
*Please don’t dabble in darker magic unless you are well protected and have done your research.
Source : Anna Riva - Secrets of Magical Seals
can we please see a BUFF mothman?? from totally anon
HAHAHA I see you Anon, I see you
Hi, here’s some new hi-res phone wallpapers made from my recent art! As always, they’re free for personal use ♥ (For folks on mobile there’s a link to the full-size files in my FAQ!)
19 days official art by Old Xian
fanart by: 吉川流https://www.weibo.com/u/1876279531
happy Dragon boat festival,hope everyone gets delicious mochi dumplings
original art by Tan Jiu
The Anatomy of a mermaid
yes, thanks.
i hate when people draws mermaid’s tail like it was some sort of goddamn suit on normal human legs like this:
it just doesnt work
yeah we wouldnt want to make our mermaids too unrealistic
this asks more questions than it answers. they don’t really have vestigial legs, like those aren’t even motile fins, so why do they still have fully formed hips, why hasn’t the pelvic bone changed significantly? and where did the tail come from?
whales as we know them evolved from land animals that went back out to sea, and it’s all spine all the way down to the tail fin. the pelvis is vestigial to the point of being tiny and unrecognizable, and the rear leg structure is //gone//. and by the time they evolved all that, their forelegs had turned into proper fins and they didn’t have hourglass figures, because they built up walls of insulating fat and blubber where it was needed most - around the vital organs.
which brings us to the walrus. as you can see the skeletal structure and the external appearance are fairly ursiform - the rear legs are basically still in there forming the tail, and the pelvis is intact, and above that it may as well still be a land animal. if mermaids did exist, as hominids who went back out to sea, and if they hadn’t evolved into basically dolphins, then a walrus skeletal system, complete with vestigial thigh bones inside a kind of muscle skirt, and with significant fat and blubber deposits //on the main body// would be most likely. which is to say, mermaids with human torsos and seagoing lower bodies would waddle around on their tails, have clearly defined thigh structures, and would be a hell of a lot rounder above and about the waist than they’re usually depicted.
which begs the question, then, if you see a mermaid and it’s a skinny little thing with a slinky waist and an eel-like tail and a perfect bosom and a coy smile, //why does it look like that//? because whatever that is? it is not a land animal that readapted to the sea. it is not your distant kin. it is a sea creature that adapted //to get your attention//.
maybe it’s all an illusion, a frilly mane, an hourglass shape, and narrow antennae that mimic the shape of human arms, waving lonely sailors into the water, only to realize too late the bioluminescent patterns of lipstick and pert breasts are to distract from what lies behind them - viselike jaws and row after row of stiletto teeth.
or maybe it’s all soft tissue, the gelatinous bell of a jellyfish folded into a pleasing shape, luring the unwary down to be caught up in a tail that is nothing more than thousands of barbed lines of stinging neurotoxin cells.
or it could be that the tail goes deep into a shadowy well, and the beautiful woman is a mask for a single enormous jaw, the internal skeleton just the endless spine and ribs of a vast and hungry sea snake.
or, perhaps most terrifyingly, the face is real but not the face of the eyes looking out of it - a human mask for an intelligence both cold and calculating, wearing an inviting smile to bring you within reach of the dagger behind it’s back. waiting to slice the skin off of you because it needs a new disguise, because it is shaped like you but does not look like you, because it must pass as you so it can go among you, so that by starlight it may go on land and into town, where your kin are sleeping, unsuspecting.
Jesus Christ back up a minute buddy
I am 100% on board with eldritch horror mermaids.
Naga!Shiro/Lance based on @keirdark’s fun (and very nsfw) fic here! :D
Hifumi drunk again…
vld behind the scenes 3 lotura Kiss scene
Old Xian update of [19 Days] translated by Yaoi-BLCD. Join us on the yaoi-blcd scanlation team discord chatroom or 19 days fan chatroom!
Previously, 1-54 with art/ /55/ /56/ /57/ /58/ /59/ /60/ /61/ /62/ /63/ /64/ /65/ /66/ /67/ /68, 69/ /70/ /71/ /72/ /73/ / 74/ /75, 76/ /77/ /78/ /79/ /80/ /81/ /82/ /83/ /84/ /85/ /86/ /87/ /88/ /89/ /90/ /91/ /92/ /93/ /94/ /95/ /96/ /97/ /98/ /99/ /100/ /101/ /102/ /103/ /104/ /105/ /106/ /107/ /108/ /109/ /110/ /111/ /112/ /113/ /114/ /115/ /116/ /117/ /118/ /119/ /120/ /121/ /122/ /123/ /124/ /125/ /126/ /127/ /128/ /129/ /130/ /131/ /132/ /133/ /134/ /135/ /136/ /137/ /138/ /139/ /140/ /141/ /142/ /143/ /144/ /145/ /146/ /147/ /148/ /149/ /150/ /151/ /152/ /153/ /154/ /155/ /156/ /157/ /158/ /159/ /160/ /161/ /162/ /163/ /164/ /165/ /166/ /167/ /168/ /169/ /170/ /171/ /172/ /173/ /174/ /175/ /176/ /177/ /178/ /179/ /180/ /181/ /182/ /183/ /184/ /185/ /186/ /187/ /188/ /189/ /190/ /191/ /192/ /193/ /194/ /195/ /196/ /197/ /198/ /199/ /200/ /201/ /202/ /203/ /204/ /205/ /206/ /207/ /208/ /209/ /210/ /211/ /212/ /213/ /214/ /215/ /216/ /217/ /218/ /219/ /220/ /221/ /222/ /223/ /224a/ /224b/ /225/ /226/ /227/ /228/ /229/ /230/ /231/ /232/ /233/ /234/ /235/ /236/ /237/ /238/ /239/ /240/ /241/ /242/ /243/ /244/ /245/ /246/ /247/ /248/ /249/ /250/ /251/ /252/ /253/ /254/ /255/ /256/ /next/
Artist Brian Coldrick’s series Behind You is an ongoing look at the very common fear that someone is lurking just out of your field of vision—perhaps prepping to do something not very nice.
You can visit my creepy section for more: http://sixpenceee.com/tagged/creepy
What the fuuuuuck
FUCK NO but also yes
The faceless old women who secretly lives in your home
Here’s some of the most amazing and invaluable advice you’ll most-likely ever get from one of my good colleagues and legends in comics/gaming, creator JOE MADUREIRA. It’s what i’ve been preaching to you aspiring artists since i arrived on DA, but i think his POV says it perfectly: *WARNING: SOME MATURE LANGUAGE* “DO YOU REALLY WANT TO BE A SUCCESSFUL ARTIST? Or a successful WORKING PROFESSIONAL? Believe it or not there is a difference. I’m not usually a soapbox type guy, I don’t like instructing people, and I think I’m a terrible teacher. But hey, it’s Friday and I’m in a strange mood. So here goes: I’ve noticed that a good number of my fans happen to be aspiring artists themselves. This is for all you guys. I get asked constantly: “Where should I go to school?” “What classes should I take?” “What should I study for anatomy?” “What pencils and paper do you use?” “Should I be working digitally now instead of traditionally?” “How do I fix my poses? Learn composition? Perspective?” “When am I going to develop my own style?” “Who were your influences?” “Teach me how to draw hands!” The list goes on…
Here’s the deal. All of that stuff *is* important, and it may nudge you in the right direction. A lot of it you will discover for yourself. What works best for one person doesn’t work for another. That’s the beauty of art. It’s personal. It’s discovery. DON’T WORRY ABOUT ALL THAT CRAP! Instead I’m going to answer the questions that you *SHOULD* be asking, but aren’t. These are things that have only recently occurred to me, after doing this for 20+ years. These things seem so obvious, but apparently they elude a lot of people, because I am surprised at how many ridiculously talented artists are ‘failing’ professionally. Or just unhappy. The beauty of what I’m about to tell you is that it doesn’t matter what field you’re in or what your art style is.
In no particular order:
1) DO WHAT YOU LOVE. If you are passionate about what you’re doing, it shows. If you’re having fun, it shows. If you’re bored, IT SHOWS. Some guys are able to work on stuff they have zero interest in, and still pull off great work, but I find that when I do this my motivation takes a huge hit. And Motivation is key. Money is not a great motivator. It’s temporary like everything else. And honestly, I’ve gotten paid the most money for some of the shittiest work I have ever done. That may sound awesome, but it’s not. And here’s why… 2) You MUST stay Excited and Motivated. Have you noticed that there are days you can’t draw a god damned thing? And some days you feel like you can draw anything? It’s 4am but you don’t notice because you are in the ZONE. Your hand is racing ahead of your mind and you can do no wrong?! Maybe it’s some new paper you got. Or a new program you’ve been wanting to try out. Or you just found some amazing shit on DeviantArt, or watched some movie that just makes you want to run straight to your board. This relates to the above because while it is possible to involve yourself in projects you aren’t excited about—maybe you need the cash, or think it will look good on your resume, whatever it is—it’s not going to last. You need to stay fresh. Expose yourself to new things. New techniques. You should be getting tired of your own shit on a fairly regular basis. Otherwise other people will. 3) Check your Ego. If you think you’re the shit, you’re already doomed. You may be really, really good at what you do, but there’s someone better. Sorry. There’s always plenty to learn, even for us old dogs. So when I meet young upstarts who have this sense of entitlement, or a know-it-all attitude, I just have to laugh. Some of the biggest egos I’ve ever witnessed were from people who have accomplished the least. Meanwhile, most guys who are supremely talented AND successful, and have EARNED the RIGHT to have an ego and throw their weight around, don’t. Why is that? It’s because…
4) RELATIONSHIPS ARE IMPORTANT. This may be one of the biggest lessons I’ve had to learn. Early on, I didn’t value my relationships with people. Creatively or otherwise. I felt like I didn’t need anyone’s help and I could figure everything out on my own. Let’s face it, many of us become artists because we are reclusive, social misfits. We’d rather stay inside and draw shit than go outside and play. We like to live inside our own minds. Why not?! It’s awesome in there! And sometimes we don’t want to let other people in. But like I said—you can’t do it alone. I can honestly say that as much as I try to stay current, as much as I try to push my work and draw kick ass shit that will excite people, I would not be where I am today if it weren’t for all the other people I’ve met and learned from along the way. Guys who pulled strings for me. Took risks on me. Believed I was the right guy for the job. You need to manage your relationships. You need to network, and meet people. Drawing comics is still a pretty good place for reclusive types—but if you want to work in big studios—Making games, Films, animation, basically any other type of job on the planet, you’d better start making some connections. Be likeable. Be professional. That doesn’t mean be an opportunistic ladder climber. Fake people lose in the end. Be yourself, but be professional. It’s no secret that when people are hiring, our first instinct is to bring in people we know. It’s human nature. I don’t like unknowns, even if their portfolio is awesome. If we have a mutual connection, if they have great things to say about you, you’re in. If you have AMAZING artwork to show, and I call your last employer and they tell me what a pain in the ass you are to work with, you’re done. Talent and skill only get you so far. I am literally amazed at how often I meet guys that are total assholes and think they are going to get anywhere. 5) Here’s the BIG ONE. The greatest obstacle you will ever have to overcome IS YOURSELF. And the Fear that you are creating in your own head. Stay positive. Stop defeating yourself. There are artists I know that are so damn good they make me pee my pants. I look up to these mofos. I study their shit and I want to draw like them. And they are almost NEVER working on their DREAM project. And—big surprise, they aren’t happy in their job. “Why NOT?! WTF is WRONG WITH YOU?!” is usually my reaction. And the answer is almost always “The market isn’t great right now” “Other stories/games/comics like mine don’t do very well” “The shit that’s hot right now is nothing like mine, It’s just going to fail.” “I’m not sure I’m good enough.” “I need the money.” “Too Risky.” “I tried it before and failed. ” It doesn’t matter what words they use, they are afraid for one reason or another. I know. I’ve been there. But here’s the deal. YOU NEED TO TAKE RISKS. Guess what? YOU ARE MOST LIKELY GOING TO FAIL. If you want it—REALLY want it, that won’t stop you. You will learn A LOT. My good friend Tim constantly jokes about how I jump out of planes without a parachute and worry about the landing on the way down. You may think that I’m lucky, that it’s easy for me to say because I’m already successful, that I’m in a different situation than you all are. But it’s not true. Risk is risk, no matter what level you’re at. If you’re already successful, you just take even bigger risks. But they never go away. Everything in life is Risk vs. Reward. Not just in your career. LIFE. You’d better get used to it. I didn’t know what the hell I was doing when I got into comics. I left the #1 selling book at the time ( Uncanny X-men ) to work on Battle Chasers during a time when ‘Conan’ was about the only fantasy comic people knew. And no one was buying it. I wanted to work in games, so I started a game company. I had NO IDEA WTF I was doing. I just wanted it, really bad. We tanked. It failed. No big surprise. But the people I worked with got hired elsewhere and rehired me. I started ANOTHER game Company. We had 4 people and a dream, and some publishers wouldn’t even meet with us, because their ‘next gen console’ teams had 90+ people on them. I literally got hung up on. “Stick to handheld games, it’s smaller, maybe you can handle that…” one MAJOR publisher told us. I don’t blame them. But we didn’t let it stop us. Thank god we didn’t listen to them. Vigil was born. Darksiders happened, AND we got to make a sequel. It stands shoulder to shoulder with the best games in the industry, and the most elite and experienced game dev studios in the world. How is that possible?!!! Hardly any of us had even worked on a console game before. I’ll be honest, I was thinking we would fail the whole time. I just didn’t care. If I had to play the odds on this one, I’d bet against us.
Why am I telling you all this shit? This is not me patting myself on the back. It’s just stuff that has somehow only dawned on me recently when it’s been staring me in the face for so long. I feel like I need to wake you guys up!!! I’ve been limiting myself. I’ve gotten afraid. I’ve taken less risks. I saw my career going places I didn’t want to go. I wasn’t happy and I wasn’t excited. And I’ve realized, that all that stuff I just talked about is the reason I am where I am today. Not because I have a manga style, or I draw cool hands, or there’s energy in my drawings, or all the other things people rattle off to me. There are other guys that do all that same shit, and do it better. And amazingly, those same guys constantly tell me “Man, I wish I could do what you are doing.” “SO DO IT!!!!!” PLEASE listen to me—because I want you guys to make it. I want to look to one of you people for inspiration some day when it’s 2am and I need to keep drawing. Stop worrying about all the other stuff—the pencils, the paper, the anatomy, all that shit. It will only get you so far. You’ve already got most of what you need. I hope this helps some people. From the bottom of my heart, thank you for all the support over the years. You are all one of the greatest motivating forces in my life and my career. Sappy but true. Ok, let’s go draw some shit!!!“
Always worth re-reading.