✧・゚: *✧・゚:*MOON PRISM POWER, MAKE UP*:・゚✧*:・゚✧
me doing normal human activities: is this allowed? is this allowed? am i allowed to do this? is this allowed? i don’t want to get in trouble can i do this is this allowed?
house plants
remember: ghosts are typically immune to physical Things, such as fists or spears, because their bodies are not made of things. experts suggest using un-things when facing them in battle, like an un-spear, or a mildly breezy afternoon, or Concepts
*sucker punches a ghost with the feeling of longing*
[ID: Two screencaps from Taskmaster. Mel Giedroyc, confronted with a pile of hundreds of peas on a table, says, “I’m gonna funnel them.” She starts swiping handfuls of peas off the edge of the table, directly into her mouth. End ID.]
90% of writing advice can be thrown out the window for your first draft.
Show don’t tell? Ignore.
Basic grammar and punctuation? Unnecessary.
Physical descriptions of characters? Don’t need to bother.
Solid plot? That’s for later.
The words don’t come as fast when you’re thinking of the best way to put them together. It doesn’t have to be pretty, or much more than inconsistent nonsense. The point is to have it exist.
Effective storytelling is for subsequent drafts! Go write some nonsense!
As a hyper-perfectionist human, THIS is a piece of advice I wish I’d internalized a hell of a lot sooner. If I hadn’t overwhelmed myself by considering every little thing, starting over when it gets “too messy”… there’s no doubt in my mind I’d have a first draft by now.
Now, passion is the only thing I care about in my first draft.
when i’m writing fiction, the main rule i try to stick to is that: the first draft is where i write what’s important to me.
this usually means character arcs and deep ethical and political debates for me, but for some people it’s gonna be physical description or in-depth plotting or Whatever
your subsequent drafts are where you fill in the gaps and make things make sense, but that first draft should be everything you personally care about, and don’t worry much about the rest
You ALL be regretting writing, or attempting to write, that book or script about the serial killer.
Prosecutor: “The defendant googled ‘How does a murderer clean up the scene?’ is that not highly suspicious?!”
Sobbing writer: “But it was for my pulp crime novel! And I still can’t get a publishing deal!”
My worst fear has been realised.
I’m not saying this to be a mean stick in the mud, but this isn’t going to affect fiction writers lol. Researching your crime noire novel (or, let’s be honest, fan fiction) isn’t going to get you arrested. The case reported on had this used to create a profile of narrowed down suspects related to a vandalism, without needing a specific warrant. When this gets used further, it will be primarily to profile activists (especially black activists) based on who searched for organizing efforts related to certain protests, or some similar measure against dissent. It’s not going to be used directly against you in court unless a warrant is issued, which has been a factor for years now.
As with most privacy concerns these days, the issue isn’t so much what it will do to any one specific person, but how it empowers law enforcement to enact wider authoritarian controls on populations using such enformation. More invasive methods of monitoring become more widespread and ubiquitous reprisals.
Regardless, you should already be moving away from using google as your primary search engine.
Stop using Google and instead use alternative search engines:
Also
- install the TrackMeNot extension, which provides a constant stream of fake input to pollute data to the point of making it unusable.
- be extra extra careful when you’re looking for directions. Cops are all over travel planning apps and map apps, looking for people who drove to or looked for a bus to a protest sight. It’s a treasure trove of data and almost every site that provides travel planning shares their data with cops.
openstreetmap.org for a substitute to google maps
Shamanic Princess by Atsuko Ishida / Flowery Orange Pekoe artbook, 1998
idk what it is about sitting in chairs and having both feet on the floor but it’s so uncomfortable and awful and i’ll never willingly do it if there’s literally any other option
Sailor Moon by Kazuko Tadano / Animage magazine (09/1993)