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Pasifika Film

@pasifikafilm / pasifikafilm.tumblr.com

A blog dedicated to highlighting and promoting different forms of media by and about Pacific Islanders.
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Mauka to Makai (2018) directed by Alika Maikau and Jonah Okano

Kaipo loves his cousin Akamu, but worries when he notices him begin to slip and sell hard drugs again, after a period of sobriety. Other members of his family and community try to influence him as well but ultimately it will be Akamu's decision on how to continue to live his life.

To support the filmmakers, you can purchase this film on vimeo.

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“At the start, people used to look at me, you know, in utter disbelief when I talked about filming and I think it was because there are not only no Māori filmmakers in the country, but the fact that I was also a woman. 
I always have this desire to do things not well, but as brilliantly as possible. Once the work shows that you’re capable of doing something, then all of the other prejudices about race and sex may, perhaps, fall away.”— Merata Mita
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reblogged
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lilybarthes
None of the Polynesian races, including the Maori people, come from a literary heritage. So it suits me to make pictures on celluloid that were formerly pictures of the mind, memory pictures, pictures of the imagination, that the story teller uses all the time to make his stories more interesting and exciting. With the invention of film, the fact that you are able to transpose these pictures of memory, imagination and reality, mix them all up and make a story from them that you can see with your eye rather than with the mind’s eye, is, I think merely a continuation of the oral tradition. That’s how I see my work

Merata Mita, quoted in Chloe Cull’s Considering Merata Mita’s Legacy (via lilybarthes)

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Misadventures of a Pacific Professional is a six part web series created by wife and husband duo Tupe Solomon-Tanoa’i, and Esera Tanoa’i.
The series centres on Alofa Williams (played by Lagi Farani) - a young Pasifika woman climbing the corporate ladder. Alofa is constantly bumping up against unconscious bias in the workplace, and must find an authentic way of dealing with it. This prompts an internal struggle between the part of Alofa that was raised to be humble, and the part of her that descended from warriors.
“We have two main goals in telling this story. The first is to diversify the narrative around Pacific women,” says Solomon-Tanoa’i. “The second is to hold a mirror up to NZ society so that people might become more aware of their unconscious bias and be better placed to do something about it.”
Director of Misadventures Reina Va’ai says “As more Pacific people gain access to opportunities in education, our narrative is beginning to change. We are making valuable contributions in so many different spheres of society. As we enter these spaces, predominantly occupied by Palagi people, we are disturbing the status quo. This story is one that encourages us all, regardless of your background, to acknowledge the issues that minorities face. To not be a passive bystander but to stand up and be part of the solution.”
The series is available for streaming here. 
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dafidol

A Study Of A Samoan Savage, 2015”- Yuki Kihara

“ A Study of a Samoan Savage is a response, in part, to recent perceptions of Polynesian men as powerful but primitive players in Rugby culture, a phenomonen that echoes19th century treatment of Pacific peoples as athletic specimens, ripe for scientific study. Kihara’s presentation of large format photographs, a life-size projection and rare archives reassesses the disciplinary agendas that enabled the objectification of the Pacific body. In particular, 19th century anthropologists used anthropometry to help classify, compare and standardise human specimens. The gathering of data and specimens played an important role in colonial exploration and expansion-

 Kihara co-opts photographic and anthropometric processes to subvert the colonial impulse. Central to this new body of work is the figure of Polynesian demi-god, Maui, performed here by the Samoan artist Ioane Ioane. As Kihara reminds us, brown bodies are still being objectified and collected, but in these images, Maui claims the upper hand, defiantly looking back at us. He challenges our view and, in doing so, Kihara reclaims these images, making us re-examine who is looking at who, and what we think we see.” 

Source: dafidol
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Vai is a portmanteau feature film made by nine female Pacific filmmakers, filmed in seven different Pacific countries: Fiji, Tonga, Solomon Islands, Kuki Airani (Cook Islands), Samoa, Niue and Aotearoa (New Zealand). It is about the journey of Vai, played by a different indigenous actress in each of the Pacific countries. In each of these Pacific nations ‘vai’ means water. Watch the trailer here.

Vai (2019) directed by: Nicole Whippy, ‘Ofa-Ki-Levuka Guttenbeil-Likiliki, Matasila Freshwater, Amberley Jo Aumua, Mīria George, Marina Alofagia McCartney, Dianna Fuemana, Becs Arahanga

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