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Porcelain and Steel

@mitha / mitha.tumblr.com

I'm Stephanie - you may also know me as Drissa from Moon Guard!
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Anonymous asked:

Describe the first time this character met their romantic partner. What were their first thoughts? Was it love at first sight or more like vague annoyance?

              More like deep-seated resentment.

             When Ary met Reli, she had just recently come back to Silvermoon after the fall of The Broken Blade Syndicate. There had been a bounty out for her tongue, Vineta had lost hers, Ahlia’s was split, Drissa was stuck under D’s tyranny, and Vamp and Arth didn’t trust that someone wouldn’t come after Ary given her association to the guild. Because of Ary’s status as a medic, she didn’t know many of their secrets, but the rules of the organization had been pretty clear. If you decided to defect, for whatever reason, then you would pay the price.

              So, because of that, Ary’s brothers began to look for someone who could protect her and experience in that line of work. Out of everyone they sought out, Reli was their best choice. He didn’t take people’s shit; he was strong, capable and needed the coin. Reli was someone they thought could go head to head with Ary’s stubbornness and unpredictability.

              And she HATED it. Ary saw it as her brothers’ believing she wasn’t capable – that she was still a child who needed a babysitter, and not a woman who could look after herself. So, initially, the reception between the two was incredibly cold. Occasionally Ary would reach out, Reli would snap, she’d try to argue with him… rinse and repeat.

              But, over time, the two began to bond. Extended periods of time stuck together will do that to people, and the two slowly realised that they could get along. It took a couple of years, but eventually they were able to call each other their best friend.

              The romance thing is scary and new and I think the both of them are sort of just avoiding it as an actual topic until something comes up. LOL.

[ tagging for mention – @dreaming-reli, @ahlia-whispervale, @sunblossom@setheron for the boys. Vineta is my rogue. c: ]
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puka23
When you’re faced with the tough choices, it comes down to you. What can you live with? What can you leave behind? Right or wrong… you have to decide… what you’re willing to go down fighting for. The choice is yours.

Meredith Grey (Grey’s anatomy)

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isei-silva

Rollover

Get up!
Were those? Yes.
The horns are blaring, they’re on the go, they’re leaving and you’re not up yet! Get up!
You can’t be left behind again, you did it so far, right? You can do it again. Come on, it’s just some pain, some stupid pain, you’ve been roughed up worse! Just sit up, ignore the pangs and–
Image
–UGH!
Not now! Oh Light it’s bleeding. It’s bleeding bad. Alright, calm down. You’ve patched yourself up before, you’ll be fine. It hurts. I know. Ignore it. Light, it hurts. Get up. Get up get up they’re leaving get up
No! They’re leaving…!
Wait. Wait for me! I can do it! I’ve tried, oh Light I’ve tried! I can do it, wait for me! Please!
Please, please…! Just, wait…!
Please.
Not again.
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Rapunzel was Raised to Not Show Physical Affection

We’ve all seen that Gothel makes Rapunzel come to her for hugs, but today I realized it goes deeper than that. Gothel doesn’t want Rapunzel showing physical affection unless she has been given specific permission. Opening her arms is that unspoken permission.

For example, towards the beginning, when she’s reminding Gothel that it’s her birthday tomorrow, she grabs her arm in exuberance. Gothel is put out and then pries Rapunzel’s hands off her arm, all the while pretending she doesn’t remember (or care) that her birthday - something Rapunzel is extremely excited about - is fast approaching.

She also uses Rapunzel’s need for physical affection, deliberately taunting and “teaching” her with it by pretending to offer it, then taking it away immediately.

The first bazzilionty times I saw this movie, I always assumed Rapunzel was relieved to see Gothel towards the end of Mother Knows Best just because she was scared.

But now I realize it’s not only because she’s scared, but because Gothel is now giving Rapunzel permission to seek the creature comfort of physical contact that she so desperately needs after the gamut of fear she’s run.

Eugene, on the other hand, starts showing physical affection as soon as he starts feeling any affection for Rapunzel at all. He uses it as a comfort. Yet Rapunzel keeps her hands to herself.

It continues when he gives her the little flag, touching the small of her back in an affectionate way. But her hands (and attention) are full at this moment.

In fact, the first time she realizes she’s touching him, and he’s touching her, and there’s affection and enjoyment buzzing between them, she’s the first to pull away.

She’s alarmed at first, then apologetic and sheepish. Sorry I was touching you, Eugene. And he politely takes a step back, tuned in to her discomfort and giving her a little more space.

But that is why the moment on the boat is so important, and why Rapunzel has the reaction she does.

In taking Rapunzel’s hand, out of the blue (as far as she can tell), it’s sending her a clear message that he feels the same about her that she does about him, and that physical affection is both alright and wanted. That he will seek out her attention in a way Gothel never has. And from this moment on, she touches him often, holding hands for the rest of the song, brushing his hair from his face as he lay dying, and never letting go of his head, even after he’d died in her arms. Not to mention kissing him when he lives again, holding hands on the balcony while they wait for her parents and end-of-movie smooching.

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whateverdun

if you’ve ever left me a message asking me if I’m okay, or liked a post in which I was ranting about my bad day, or liked a selfie, or just anything nice like that- just know that I remember you, I am grateful for you, and you made my day better with your tiny gesture.

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Two Steps Back

She’d practically flown to the scene on wings of anticipation at the slightest hint that there would be patients requiring her skills. Months, months, since she’d truly worked, in a clinic or otherwise, and her fingertips tingled where she longed to direct her magic again. 

And yet here she was, feeling more useless than she’d felt in a long time. 

Feainne clenched her fists, her nails biting into her palms hard enough to leave little white crescents embedded in her skin. 

Swallow the frustration, control your breathing, stress is power. 

..stress is only power if you’re actually allowed to DO anythin-

She quashed that thought before it had a chance to take hold of her mind. Steady, cerebral, focused. The woman slumped onto the floor, leaning back against the cot she’d requisitioned in the makeshift infirmary, and buried her face in her arms. 

Thoughts whirled around her skull like debris in a hurricane. Was I too severe? But he was difficult…Am I cut out for this job? I never was as good as the others were at the bedside…What if I were kinder? Do I care enough? Am I heartless?

No, no. None of that. Do your job and do it well; not everything goes to plan.

She peered around the corner at the patient in question. Deyaenus. His words stung, no matter how many times she’d had combative patients in the past. Simply mistrust or a true doubt of her abilities, she didn’t know. 

Rolling her shoulders, Feainne took in a deep breath, set her jaw, and stood up once more. Carving familiarity and routine out of this stormy, unfamiliar place was her best option to perform better the next time. She pulled her golden locks back into the neat, elegant bun in which she normally wore them, and rounded the corner to relieve Drissa of her shift. 

@@isei-silva  @mitha for the mentions! Thank you for the RP today. 

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Emotional Manipulation Tactics

  • Discrediting you by making other people think that you’re crazy, irrational or unstable.
  • Using a mask of confidence, assertiveness, and/or fake compassion to make you believe that you “have it all wrong.” Therefore, eventually you begin to doubt yourself and believe their version of past events.
  • Changing the subject. The gaslighter may divert the topic by asking another question, or making a statement usually directed at your thoughts, e.g. “You’re imagining things—that never happened!”  “No, you’re wrong, you didn’t remember right.”  “Is that another crazy idea you got from your (anyone)?”
  • Twisting and reframing. When the gaslighter confidently and subtly twists and reframes what was said or done in their favour, they can cause you to second-guess yourself—especially when paired with fake compassion, making you feel as though you are “unstable,” “irrational,” and so forth.  For example, “I didn’t say that, I said _____” “I didn’t beat you up Johnny, I just gave you a smack around the head—that’s what all good fathers do.”  “If you remember correctly, I was actually trying to help you.”
  • Minimization: The disturbed character frequently trivializes the nature of his wrongdoing. Manipulators do this to make a person who might confront them feel they’ve been overly harsh in their criticism or unjust in their appraisal of a situation.
  • Lying: Consider also “lying by omission
  • Denial: The tactic of denial is not primarily a “defense” but a maneuver the aggressor uses to get others to back off, back down or maybe even feel guilty themselves for insinuating he’s doing something wrong.
  • Selective Inattention: This is when aggressors actively ignore the warnings, pleas or wishes of others, and, in general, refuse to pay attention to everything or anything that might distract them from pursuing their agenda.
  • Rationalization: A rationalization is an excuse an aggressor makes for engaging in what they know is an inappropriate or harmful behavior. It can be an effective tactic, especially when the explanation or justification the aggressor offers makes just enough sense that any reasonably conscientious person is likely to fall for it. It is a powerful tactic because it not only serves to remove any internal resistance the aggressor might have about doing what they want to do (quieting any qualms of conscience they might have) but also to keep others off their back. If the aggressor can convince you they’re justified in whatever they’re doing, then they’re freer to pursue their goals without interference.
  • Diversion: A moving target it harder to hit. When we try to pin manipulators down or try to keep a discussion focused on a single issue or behavior we don’t like, they’re expert at knowing how to change the subject, dodge the issue or in some way throw us a curve.
  • Evasion: Closely related to diversion, this is a tactic by which a manipulator tries to avoid being cornered on an issue by giving rambling, irrelevant responses to a direct question or otherwise trying to skirt an issue. A subtle but effective form of evasion is the deliberate use of vagueness.
  • Covert Initmidation: Aggressors frequently threaten their victims to keep them anxious, apprehensive and in a one-down position. They are adept at countering arguments with such passion and intensity that they effectively throw their opponents on the defensive. Covert-aggressive personalities primarily intimidate their victims by making veiled (subtle, indirect or implied) threats. This way, they throw others on the defensive without appearing overtly hostile or initimidating.
  • Guilt-tripping: One thing that aggressive personalities know well is that other types of persons, especially neurotics, have very different consciences than they do. They also know that the hallmark qualities of a shound conscience are the capacities for guilt and shame. Manipulators are skilled at using what they know to be the greater conscientiousness of their victims as a means of keeping them in a self-doubting, anxious and submissive position. The more conscientious the potential victim, the more effective guilt is as a weapon.
  • Shaming: This is a technique of using subtle sarcasm and put-downs as a means of increasing fear and self-doubt in others. Covert-aggressives use this tactic to make others feel inadequate or unworthy, and therefore, defer to them. It is an effective way to foster a continued sense of personal inadequacy in the weaker party, thereby allowing an aggressor to maintain a position of dominance.
  • Playing the Victim Role: This tactic involves portraying oneself as a victim of circumstance or someone else’s behavior in order to gain sympathy, evoke compassion and thereby get something from another. Convince your victim that you’re suffering in some way, and they’ll try to relieve your distress. One vulnerability of the conscientious, sensitive and caring soul, is that it’s easy to pay on his or her sympathy.
  • Vilifying the Victim: This tactic is frequently used in conjunction with the tactic of playing the victim role. The aggressor uses this tactic to make it appear he is only responding (i.e. defending himself against) aggression on the part of the victim. It enables the aggressor to better put the victim on the defensive.
  • Playing the Servant Role: Covert-aggressives use this tactic to cloak their self-serving agendas in the guise of service to a more noble cause. It’s a common tactic but difficult to recognize. By pretending to be working hard on someone else’s behalf, covert-aggressives conceal their own ambition, desire for power, and quest for a position of dominance over others.
  • Seduction: Covert-aggressive personalities are adept at charming, praising, flattering or overtly supporting others in order to get them to lower their defenses and surrender their trust and loyalty… Appearing to be attentive to needs of approval, reassurance and a sense of being valued can be a manipulator’s ticket to incredible power over others.
  • Projecting Blame: Aggressive personalities are always looking for a way to shift the blame for their aggressive behavior. Covert-aggressives are not only skilled at finding scapegoats, they’re expert at doing so in subtle, hard to detect ways.
  • Feigning Innocence: This is when the manipulator tries to convince you that any harm they did was unintentional, or that they really didn’t do something that they’ve been accused of doing.
  • Feigning Confusion: Closely related to feigning innocence, this tactic is when the manipulator acts like he doesn’t know what you’re talking about or is confused about an important issue you’re trying to bring to his attention.
  • Brandishing Anger: A deliberate display of anger can be a very calculated and effective tool of intimidation, coercion and ultimately, manipulation. Moreover, when it comes to understanding aggressive personalities, it’s a mistake to think that anger necessarily precedes aggression… Aggressive personalities use overt displays of anger to intimidate and manipulate others. They’re not angry to start. They just want what they want, and they get angry when denied. Then, they’ll use whatever tactics will remove the obstacles in their way. Sometimes, the most effective tactic is brandishing sufficient emotional intensity and rage to shock another person into submission.

Excerpts from “In Sheeps Clothing: Understanding and Dealing with Manipulative People” by George K. Simon, Jr, PhD. Little Rock, AR: AI Christopher & Company. Original printing, November 1996; Ninth printing, September 2007.

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