Avatar

ThreeWaysDivided

@threewaysdivided / threewaysdivided.tumblr.com

Casual Fangirl. Sometimes Writer. Occasional Artist. Infrequent Gamer. Thinker of Thoughts. Purveyor of General Nonsense.
Avatar

Hello and welcome to the mess!  I’m ThreeWaysDivided, also known as 3WD.

Statistically you are here from either my Young Justice: Deathly Weapons fanfic (in which case yes, I’m still writing it, it’s just that Life Happens So Much) or the Van Gogh quote (in which case, in the interest of not deceiving you: this is not a quote/inspo blog, I do that sometimes but for the most part we post nonsense here, sir).

Anything important we should know about you?  

I am a legal adult and have been for several years, and if that is something you have boundaries about then that is A-Okay.

Are you in other places?

I am!  You can find me writing on Fanfiction.net and Archive of Our Own, and goofing about on DeviantArt and Discord (ThreeWaysDivided#3586).

What can we find here?

Madness.  A rather quiet sort of madness involving plentiful food and plushies, in which we at least try to be balanced and approach things in good faith but still - this way lies madness.

But I suppose you mean content…

Fanfiction (#my writing)

As mentioned, my main fic is Young Justice: Deathly Weapons, a YJ x DP crossover (FFN | AO3).  The #young justice: deathly weapons tag will give you all the content, asks etc. about it, or use #yj:dw if you only want to see chapter release posts and my ‘official’ art pieces.  

If you want to know what I’m up to you can take a peek under #writing update, or send an ask should you need to tap the glass more vigorously.  There is also a discord server.

Wondering if you can make something for, or use part of my work in a thing?  See my Transformational Works Permission Statement.

Talking About Writing (#writing advice)

Sometimes I write my own thoughts, sometimes I share other posts, either way here we talk about the meta of story-telling, analyse how stories and writing techniques work, chat about tropes and all that good stuff.

Big Essays (#scattered thoughts)

Ever wondered what those long Youtube media videoessays would look like if produced by someone with no film or editing skills?  Ever thought they were just too audiovisual and wished you could read a transcript instead?  Boy do I have a thing for you!

Art (#my art), Cooking (#3WD Cooks) and Fabric Craft (#sewing)

Sometimes I paint, sometimes I draw, sometimes I bake and sometimes I sew my own pokedolls, whatever takes your fancy.

Fun/ Cool/ Inspiring Anecdotes (#amazing stories)

None of these are mine, they’re just stories I found around and think are Neat.

Short Stories (#original writing)

Cool original fiction pieces by other writers.

Animal Shenanigans (#animal shenanigans)

Sadly I do not own animals but I love seeing the wild things they get up to.

Interesting Quotes (#quote of the day)

Because sometimes I am an inspo blog.

Photography (#photography)

A collection of other’s photos, mostly of natural world stuff, especially birds, flowers and insects.

Fandom Nonsense

In which there be art, meta, fic and other assorted delights.  Tagged by fandom, most commonly Danny Phantom, BatmanYoung Justice, Avatar: The Last Airbender, Fullmetal Alchemist, My Hero Academia, Hollow Knight, Dan Jones & Dragons, Marvel and The Dragon Prince.

Is there anything I might need to watch out for?

I try to keep my blog relatively “all ages” so you won’t see explicit or graphic content, NSFW or even much swearing here.  That said sometimes I do talk about heavy or challenging topics such as mental health, loss, relationships and abuse.

I try to tag appropriately so everyone can sort and filter according to their needs but if you need an extra tag on a post then please feel free to let me know.

Avatar

Hobson Heckled into Historical Haute-Couture

Continuing the Dan Jones & Dragons gala parade with Hobson, the Flower Crowns' oft-harried Halfling Warlock (played by the ever-wholesome Dan Floyd). Is he trying to massage away the realisation that letting his literally-half-brained patron choose his gala attire might have been a mistake? Is Valse giving him a headache over something else entirely? Did he use Detect Magic in a room full of powerful items and accidentally flash-bang himself? Yes.

More Flower Crowns Gala Outfits: Morenthal | Gelnek

As always, design talk under the cut:

#Dan Jones and Dragons#DJ&D#The Flower Crowns of E'lythia#Hobson Bunce#Hobson (Forget-Me-Not)#A Party to Forget#Very fun challenge to communicate the character of someone posing in an outfit defined by a different character's style sensibilities#After so long learning from Dan's content it was really nice to end up using some of those lessons to draw his DnD guy#Albeit somewhat ironic as Hobson's pose is the one I've been the least confident about to date#Dan J. was *very* kind to Hobson with his official gala art#I have been less kind but considering what the 1800s had to offer I could have done MUCH worse to the poor small man#Me and my program's airbrush tools got VERY well-acquainted rendering all that silk and satin#Valse very nearly bedazzled the poor fellow#Pretty funny that my motivation with designing Gelnek's outfit was: this could be fashionable#And then with Hobson's it was: this could ABSOLUTELY be worse#Luckily Trilby was there to stave off the impending threat of a 1800s beaver hat and wasp-waisted jacket combo#In my earliest concept sketch he was going to be wearing some Elizabethan/ Shakespearean-era nonsense#which very much would not have been a good time for him#Another challenge with trying to put Hobson into something unfashionable is that Dan J drew him real cute with nice eyes#He could be wearing a potato sack and he'd still have terminal baby disease#This man's smallness absolutely destroyed me mentally (in the best way)#I put him next to Morenthal in a to-scale drawing and spent the next 30 minutes being VERY NORMAL about it#DnD#D&D#Halfling#Warlock#my art#fanart#3WD
Avatar
Avatar
frownyalfred

Tips for writing those gala scenes, from someone who goes to them occasionally:

  • Generally you unbutton and re-button a suit coat when you sit down and stand up.
  • You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
  • When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
  • A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
  • Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
  • The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
  • Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
  • Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
Avatar
panakina

As someone who spent over a decade catering luxury events, let me add some back of house info:

  • These events are almost always open bar. They're not trying to make their money back on alcohol. They want you to drink and eat and donate generously.
  • If there are cocktails, there will be at most two on offer, pre-made in large tubs. You cannot order a different version, it is what it is.
  • There are two types of events: cocktail style or seated. The first includes roaming hors d'oeuvres or a fancy buffet with tiny plates called a grazing station. For a long night, the roaming food will get a little bigger throughout the evening and have a 'main' at some point based around a protein.
  • A seated event will usually be more structured and may include multiple courses. Silver service is not in vogue anymore. You are likely to get either alternating meals brought to you like at a wedding, or served banquet style. A good caterer can get a plate to everyone in a 300 person event in about three minutes.
  • Drunk people are the same no matter how expensive their suits. They still laugh too loud, spill their drinks and slip on the dance floor. They are usually less embarrassed about doing coke in the bathrooms.
  • A full scale event that starts at 6pm will have staff arriving at noon to begin setup. Earlier if there's a light show or pyrotechnics. Typically venues don't just have 30 tables and three hundred chairs lying around, let alone table cloths, chair covers, etc. It's all rented and brought in on the day. Bands and DJs will be running audio tests in the background throughout.
  • Most heritage buildings that host these things, like museums and manor houses, aren't really designed for them. They might put down mats so you're not walking in stilettos over two hundred year old wooden floors, the kitchens are weirdly far away, and there are not enough taps. There is never anywhere for staff to sit, so if you open the wrong door you might find half a dozen waiters sitting on upturned milk crates in a room full of million dollar paintings, eating the left over bread.
  • Really old buildings don't have enough bathrooms, which means the staff will be sharing with the guests.
  • Clean up starts the second the event ends, if not sooner. Unattended glasses will start to disappear first, then table decorations. When the timer ticks over, the lights come back on and exhausted staff strip the tables, pack up dirty glasses and unopened wine bottles and have to Tetris it all into the back of a van. The venue is booked for that day only, so everything has to be gone before anyone can go home. A large event that finishes at midnight might take until 3am to be cleared away.
  • These are very long and physically demanding nights for anyone working them. The staff all get to know each other, and will absolutely notice someone trying to sneak in wearing a borrowed uniform. They are not being paid enough to care.
Avatar

The Shaper of Minds and its possible consequences for a certain character

I have finally joined the rest of the internet in losing my mind over a D&D Podcast - in my case, the wonderful Dan Jones & Dragons.  With Episode 26 due to stream on Dan’s Twitch this week, I really want to talk about some of the stuff that came up across the just-finished Gala sessions because the fallout from that has the potential to be incredibly fraught.

THE SHAPER OF MINDS

The relic the Flower Crowns were going after this mission – The Shaper of Minds – is a potentially fascinating narrative device that might as well have been lab-engineered to be my exact brand of personal nightmare fuel.   It’s a small, ornate brass key that can alter any part of the target’s mental faculties/thoughts/memories at will should the wielder touch it to any part of their victim’s skin.

Now, on one hand, there are a heap of interesting (and even benevolent) applications for a tool like that.  It could instantly grant access to skills, languages and knowledge that would otherwise take a person years of study to learn.  It could be used to sort through and resolve memories that had been faded by time, muddied by trauma or forcibly supressed by magical/medical means.  But on the other…

As described and used in campaign so far, the primary function of the Mindshaper is to alter memories (and the attendant personality) with the target having no awareness that their mind has been changed.  It’s basically gaslighting on steroids, except that where a gaslighting victim still retains their original recollection – and has to be manipulated by their abuser into doubting their own perceptions and instead accepting the alternate telling of events (a cognitive dissonance that can eventually lead the person to recognise the manipulation) – the Shaper of Minds entirely replaces the original recollection of events with the version the wielder wants their victim to perceive.  There is no internal conflict between accounts, no inconsistencies that could alert the victim that someone has broken into their head and rewritten their perceived reality.  The person they reshape you to be is the person you believe you always wereAnd all it takes is a single touch.

That is a brand of existential horror that had me on edge all throughout Session 24 (basically from the moment it was implied the key was in play).   Reality may be objective, but each individual person’s internal reality is governed by their perception – their memories – of the events in their life, no matter how incomplete, biased or otherwise skewed that personal perspective may have been.  You have value just by being you because you are not replaceable, but the thing that makes you unique is, in large part, the sum total of those inimitably specific personal memories.  No-one else will perceive the world in exactly the same way you do, and even a few minor changes to just a few of those perceptions can flow on to massive differences in ideals, values, priorities and future choices.  In that regard, the use of the Mindshaper Key isn’t so much an alteration as an obliteration of the victim’s former self and replacement with someone new; even if that new stranger is largely indistinguishable from the original.  And, again, all it takes is a single touch.

[Sidenote:  This made Mister Wick an especially effective antagonist to wield the key, since his Galas functionally trap even targets who are aware of the threat within the rules of high-society behavioural expectations.  Otherwise-innocuous actions like a handshake or private conversation suddenly become incredibly dangerous, while being nigh-impossible for the Flower Crowns to extract themselves from without committing an atrocious faux pas and potentially tipping Wick off.  Perfectly designed stage for a psychological horror-thriller encounter.]

Which of course, brings us to a certain character who fell victim to the key in Episode 24…  [put under the cut for spoiler reasons]

Avatar

Going back over the earlier stream VODs and I really like that the admantine short-sword which Hobson would go on to name "lockpick" was originally given to him by Morenthal after the Mosswing Farm encounter.

It's just one of those many little serendipitous moments in the campaign that organically popped up via roleplay but make a really nice narrative handshake. The party Rogue gave Hobson his lockpick. That's cute.

Avatar
Avatar
libraford

Advice I gave someone today was: 'do it stupid.'

She wants to learn photography. Do it stupid. Take a million photos. Don't think about why they're not good. Enjoy the process of taking photos.

Pick out tge ones you like the most and figure out why you like them. Is it because the subject is centered? Is it because you caught them doing something cool? Is it because the light made cool shadows?

Do it stupid. If you try to do it smart, youll get stuck. If you think too much you'll never get to doing. Do it stupid.

Avatar
reblogged

Why rickrolling is problematic

The post got a bit long so I put it under a readmore. This is important, please read

this post is going around again today for some reason i’m glad people are spreading awareness

Avatar
redhatmeg

As always this is another bullshit take.

Here you have a guy debunking all of the myths presented by OP.

You both are wrong, the links are broken tho so try here or here for more information

Avatar
reblogged

Made this edit to go on a writing critique but it’s buried all the way down the bottom of that, and honestly I just really like the way it turned out and how it captures the themes of Season 1 so I am posting it separately for your appreciation.

Avatar
reblogged

every time i see a post talking about how alfred pennyworth failed bruce for not getting him into therapy as a kid i want to scream.

it did not exist. the idea that children could have PTSD was just starting to be discussed in the late 80s/early 90s at the FRINGE of child psychology, and then trauma therapy even for adults spent an unhelpful 2ish decades dominated by forced-conversation talk therapy. that's a thing that is detrimental to trauma recovery, because if someone doesn't feel safe or in control of the dialogue about their trauma and is repeatedly asked to describe their trauma when they're uneasy, it COMPOUNDS TRAUMA AND FEELINGS OF DANGER.

when bruce was a kid, even the best psychs available would have had training that taught them kids bounce back, that kids don't respond to or handle trauma the way adults do, and that any behaviors post-trauma were almost certainly unrelated mental illness.

i see this esp in fandom circles but a gentle reminder that therapy even when it's good doesn't fix everything. even if bruce had HAD access to good childhood PTSD therapy, he would still have grief, he would still potentially be socially awkward or withdrawn, he might have still decided to be Batman because it's a comic book where being a vigilante isn't as wild as it is irl.

therapy requires honesty, readiness, safety, sound application of theory, an accurate picture of life outside the therapy room (self-reporting is often flawed!), consistency, and more! it can help but it doesn't erase trauma or grief. it's dismissive of the history of trauma therapy to say an adult "should have" had a kid in a therapy approach that didn't exist, and it's dismissive of the actual work of therapy to act like therapy would have made everything ideal. bruce isn't going to be a normal, well-adjusted adult because his parents were murdered in front of him. he could be happy! he could have coping skills! but honestly it would be weirder if he didn't wrestle with residual trauma and grief throughout his life.

and maybe this is just because i love Batman, and love specifically Batman as a symbol/figure of hope and sacrifice and the belief that every life matters, but I don't think the worst ending here is Bruce deciding to give up a lot of his time, energy, and health to work in Gotham AND then choose to parent a traumatized child and actively meet his needs. like you think the alternative is that Alfred is a better parent by getting him into non-existent therapy and then he stays comfortably wealthy at home and is just another rich dude? that's the ideal version? the one who can't help Dick Grayson because Dick Grayson wants to run away and murder a man?

anyway tl;dr alfred should have flaws, yes, but there's a big gap between "flawed human parental figure" and "man who massively failed Bruce in multiple ways, one of which was not putting him in therapy."

just fyi bc i don't think i made it clear: even in the initial decade of acceptance of childhood PTSD, the approach would have been a therapist asking bruce to describe the night his parents died. over. and over. and over. and over.

because of the belief that discussing it would process the trauma.

there were kids in foster care in this era that flat-out refused to go to therapy or speak at all while there because therapy was them being asked to describe, in detail, exactly what the abuse was, on repeat. it hurt a LOT of people even while we were struggling to get better at treating them.

Y’all. PTSD wasn’t even an official diagnosis in the DSM until 1980 (DSM-III). And even then, it was *controversial* in the field, because it was due to an external stressor. (Never mind that ‘refrigerator mothers’ had been blamed for psychotic symptoms for decades at that point because misogyny.)

Plus, you have to think about the fact that, initially, a stressor that met criteria for a diagnosis included things like combat, natural disaster/situation in which your life was in danger, or sexual assault. Although, this wasn’t explicitly stated. The criteria just said ‘Existence of a recognizable stressor that would evoke significant symptoms of distress in almost everyone.’ This was updated in the revised version to specify that a traumatic event included ‘serious threat to one's life or physical integrity; serious threat or harm to one's children, spouse, or other close relatives and friends; sudden destruction of one’s home or community; or seeing another person who has recently been, or is being, seriously injured or killed as the result of an accident or physical violence.’

How old is Bruce Wayne currently? If he’s roughly 30 or older, it’s unlikely he would have had access to treatment with someone who specialized in effective treatment of PTSD in kids. And if he’s younger? What do you think the odds are that a dude two generations older would shatter the stigma norms and take a kid to therapy?

As my elderly father would say: slim to none.

Plus, Bruce was originated in 1915. Talk therapy wasn’t even a thing in the US then. Although there’s evidence that Rhazes, a Persian physician, used a form of psychotherapy based on theory, it wasn’t a thing in the modern ‘west’ until Sigmund Freud in the late 1800’s. And he brought it to the US in 1909, but it wasn’t really popular until the ‘30s/‘40s. And psychoanalysis is not really a peer-reviewed, empirically-supported treatment for PTSD. Even though that standard is not without critique, it’s the one most treatment in the US is currently based on.

And Prolonged Exposure, an empirically supported treatment (that doesn’t mean that it works for everyone, just that it’s better than supportive therapy for the majority of participants in a randomized controlled trial) is based on reversing avoidance. Avoidance is like the lighter fluid of the fire that is PTSD symptoms—while it may help escape pain in the short term, it doesn’t resolve symptoms in the long term.

Being able to revisit traumatic events in a space *where there is objective safety* can help a person reprocess those events in an effective way that wasn’t available to them at the time of the event, when survival was the primary goal. And it’s not the only treatment out there; a person can recover without it (though some studies show that, when added to other emotion regulation skills, it leads to longer-lasting recovery from PTSD than those skills alone).

Anywho. I got started and couldn’t stop talking about two of my favorite things: human psychology and the history of psychotherapy.

If I may add a bit to this incredible analysis:

Here is the current definition of trauma under the criteria for PTSD (for individuals 6 years and older, where Bruce would be even directly after his parents’ deaths) in the DSM-V-TR, the new and current text revision that the field is using:

“A. Exposure to actual or threatened death, serious injury, or sexual violence in one (or more) of the following ways: 

1. Directly experiencing the traumatic event(s). 

2. Witnessing, in person, the event(s) as it occurred to others. 

3. Learning that the traumatic event(s) occurred to a close family member or close friend. In cases of actual or threatened death of a family member or friend, the event(s) must have been violent or accidental.

4. Experiencing repeated or extreme exposure to aversive details of the traumatic event(s) (e.g., first responders collecting human remains; police officers repeatedly exposed to details of child abuse). 

Note: Criterion A4 does not apply to exposure through electronic media, televi-sion, movies, or pictures, unless this exposure is work related.”

The DSM goes on to clarify what types of events and experiences this may include under the Diagnostic Features section, but my main point here is this: We are still, even now, continually growing in and modifying our clinical understanding of what trauma looks like and the many ways it can impact children and adults, both in terms of acute symptomology and long-term effects of prolonged stress. It is only in recent years that diagnostic criteria have been expanded to include not just the direct experience of an event but also witnessing or being indirectly exposed to it. As our understanding grows and evolves, so will our definitions of trauma (as well as the way we use the DSM in treatment, which is a point of controversy for counselors in particular, who strive to use the wellness model instead of the medical model that psychiatry uses in our understanding of pathology, but that’s another issue). So, yeah, PTSD really would not have been a viable diagnosis for Bruce to be given, much less receive adequate treatment for, as a child-- no matter what year you drop him into as an adult.

The generation gap between him and Alfred was also mentioned above, and that’s definitely a factor here. Again, no matter what year you decide to drop Alfred and tiny Bruce into, Alfred would have been raised in a generation of people that, unless they were working directly in the field or had directly received beneficial treatments from it (emphasis on beneficial), would have seriously doubted the efficacy and general need for psychotherapy. A man who was a member of the Baby Boomers or an earlier generation would likely have been socialized to believe that the way you get through hardship is to shove it deep down and move on to rebuild a new life, that the only emotion that it is acceptable for a man to display is anger, that you simply must pick yourself up by your bootstraps and carry on. One of the reasons we are now seeing such a mental health crisis for men in particular is that we have generation upon generation upon generation of men who have experienced deeply traumatizing things but have never learned that there is strength in vulnerability, that bottling things up is not an adequate long-term solution to handling stress and trauma. With this mentality and these generation gaps in mind, Alfred, having experienced his own sudden loss of people he deeply loved in Bruce’s parents, responded to his own grief and pain in the best way he knew how: By setting it aside so that he could focus his care on a grieving little boy who desperately needed him.

Alfred is human, yes, but I fully believe he did the very best he could for Bruce with the knowledge and resources he had at the time. He loved that boy, and all things considered, that love did a lot to serve as a protective factor for Bruce to develop resilience as he grew into an adult.

Last week, for a class, I wrote a case conceptualization for Christian Bale’s Bruce Wayne as he stands at the end of Batman Begins, diagnosing him with PTSD. At this point, Bruce has been Batman for... maybe a week, tops. He’s just turned 30, he hasn’t even met the Joker yet, he’s still establishing himself as a vigilante. For my conceptualization, I had Bruce “complete” the self-report Life Events Checklist (LEC) to identify the types of potentially distressing events he has experienced in his lifetime, and to lend support to my diagnostic rationale, and by the end of the first movie alone, in just one adaptation, Bruce has directly experienced or witnessed the following:

-Fire or explosion

-Transportation accident (for example, car accident, boat accident, train wreck, plane crash)

-Exposure to toxic substance (for example, dangerous chemicals, radiation)

-Physical assault (for example, being attacked, hit, slapped, kicked, beaten up)

-Assault with a weapon (for example, being shot, stabbed, threatened with a knife, gun, bomb)

-Captivity (for example, being kidnapped, abducted, held hostage, prisoner of war)

-Severe human suffering

-Sudden, violent death (for example, homicide, suicide)

-Sudden, unexpected death of someone close to you

-Serious injury, harm or death you caused to someone else

-Other very stressful events or experiences

...Yeah. It’s a lot. And again, this is just in Batman Begins alone. Given this context, it’s an honest miracle that Bruce turned out the way he did-- deeply flawed at times, yes, and still wearing his grief like a shroud, but also incredibly resilient. He was able to take the evil that happened to him in his childhood and turn it around into a force for good as an adult, to commit himself to the perseveration of life and protection of others so that other children won’t have to experience what he did, and that shows a remarkable level of inner strength. Resilience in children has been found to be shaped largely by a stable, safe environment and consistently supportive caregiving, and Bruce had all that in Alfred.

As much as I enjoy some “Bruce goes to therapy as an adult” concepts, and I think he particularly needed to go after losing Jason... he still turned out alright, all things considered, and that’s largely because he had Alfred by his side, showing him deep, unconditional love. No Alfred Pennyworth hate in this house, please and thank you.

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.