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@avani008 / avani008.tumblr.com

we also are daughters of the great, and we have wills and courage of our own.
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Dear Yuletide Writer 2023

Here are some things I think are rad: snark. friendships. sneaky twisty endings. stories with bite. characters with personalities. stories that make their writers happy. mythology. humor. stories that dig into and expand on the canon, whether that’s backstory or minor characters or worldbuilding. brown paper packages tied up with string.

Stuff I’m not so keen on: rape, incest, mentions of RL pandemics/quarantines or cancer? more into het and femslash than slash. no modern AUs for the fandoms I’ve selected this year, as I’m interested in the canon settings; AUs that preserve the canon setting (either canon divergence or trope-based [soulmate, daemons, fantasy elements in non-fantasy canons]) are not just fine but would be much adored!

Treat Policy: Yes, please!

Fandoms Requested: Kandukondain Kandukondain… (2000), New Life Begins (TV), Spymaster series- Joanna Bourne

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avani008

Unusual Fic-Specific Asks for Authors

Send me one of my fics + one of the following:

  • Perspective Flip: I’ll write a scene from [that fic] from another character’s point-of-view
  • BTS: I’ll write a DVD commentary about my personal favorite passage from [that fic]
  • A Thousand Words: I’ll create a photoset/gifset that, IMO, sums up the main themes/concepts I intended for [that fic]
  • Fusion Dance: Send me a possible fusion (coffeeshop, Hogwarts, zombie apocalpyse, etc.) and I’ll translate at least one scene of [that fic] into such a ‘verse
  • For Want of a Nail: Send me a minor detail to be changed (i.e., Character A chooses blue instead of red, Characters B and C swap places in one scene) and I’ll tell you how [that fic] would be different
  • Time After Time: Send me a timestamp sometime in the future after the end of [that fic], or sometime in the past before the story started, and I’ll tell you what happened then
  • The Million Dollar Question: Ask me any random question, big or small, about off-screen events in [that fic] and I’ll answer it!
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Anonymous asked:

omg, not sure if you’ve watched house of the dragon BUT i had this thought that won’t leave me

rhaenyra and alicent and the drama between their kids is probably exactly what would have happened had

a) bhishma had not made his vow and decided to fight for his rights

b) bhishma had been a girl? and girls could inherit?

Yes! This is why as much as people give the Fisher King (and by proxy, Satyavati) a hard time for demanding the vow, they....kind of had a point? The potential for bloodshed and outright anarchy one could have with a full grown heir, and much younger half-brothers was out of control--and again, the Fisher King just refuses to put his daughter into that situation, which is absolutely his right.

Now the results were indeed tragic, but I want to emphasize that it's a tragedy of people trying to do what was best for them in a bad situation, rather than being intentionally vicious/ambitious--and that often gets glossed over for ~drama~

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Anonymous asked:

you know i read somewhere that Devaki and Yashoda were Kaikeyi and Kashaulya in their previous births like Krishna was Ram. idk its something really intresting to think about.

I love considering this, all the more because it is equally poignant either way (ie, if Kaikeyi is Devaki or Yashoda). IIRC, I want to say, Aditi=Kaushalya=Devaki in some retellings, but the various maternal bonds and feelings is fascinating.

(ie, am I almost certainly going to make this the version that hurts?

I.e., Kaikeyi! Yashoda or Kaikeyi!Devaki [who somehow has memories of her past life] reflecting on the fact that they get their son back, but for only a half of his life? And deserved or not, they are never going to really know or understand the other half, ever.

No one does, except Balarama, the son who stormed and raged and never really forgave her for what she did a lifetime ago. And when times goes on, and drives even these once inseparable brothers apart, she doesn't entirely know how to feel about it, not really.)

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‘Indian-ness’ is not a thing that exists. Reading Sanskrit scriptures, for example - I can’t call that Indian, because after all, India is not just Hindu. That ‘Indic’ stuff is not India. The name India was given by Alexander the Great by mistake. The name Hindustan was given by the Islamic conquerers. The name Bharat, which is on the passport, is in fact a name that hardly anyone uses, which commemorates a mythic king. So it isn’t a place that we Indians can think of us as anything, unless we are trying to present a reactive front, against another kind of argument. And this has its own contradictions. For example, when I’m constructing myself as an Indian in reaction to racism, I am very strongly taking a distance from myself. If an Indian asks me what I am, I’m a Bengali, which is very different.

Gayatri Chakravorty Spivak, The Post-Colonial Critic: Interviews, Strategies, Dialogues (via tonguebreaks)

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Anonymous asked:

Can u tell more stories about bhanumati the wife of duryodhana ?

She meets her hundredth brother-in-law a month into the dazzling rush of Hastinapur, mouth and mind full to bursting of new names.

At first glance she overlooks him, at the next, she wonders how anyone might. He resembles her husband strikingly, much more than the rest of his kin. Later she will know this causes them both no little displeasure, but for now she only offers a hesitant half-smile.

”Don't bother,” says Yuyutsu by way of greeting. “I’m no one important. In fact I don’t doubt they’d rather you never had cause to know of my existence. A royal byblow makes for an embarrassing scandal to introduce to a daughter-in-law.”

Well. That is unexpected.

“It happens about once a generation among us Kurus,” he goes on, mercilessly. “A maidservant’s son brought up to speak the truth—or so they say. My uncle, at least, sees it as burden rather than blessing.”

Bhanumati’s smile grows fixed. Yuyutsu sees it, and mistakes the cause.

“Not that you need worry,” he adds. “My eldest brother seems to have escaped that particular proclivity. My next sister-in-law isn’t so lucky; nor the wife of that friend of theirs.”

A problem for another day, another woman; Bhanumati shakes her head.

”Your kindness notwithstanding,” she says, her temples beginning to pound. “I assure you those--proclivities mean little to me, except an escape from your brother's attentions."

"Hmm," says Yuyutsu: a particularly patronizing sound Bhanumati will recall whenever her husband complains to her, years in the future, of how he loathes his half-brother. It might even be the first shared sentiment to bring husband and wife together. "For now, at least."

"For never," Bhanumati retorts, startled into forgetting any semblance of grammar. Her wide-eyed expression is enough to convey her intent; Yuyutsu laughs, raises his hands in surrender, and steps away.

"Say what you will, Princess," he tells her, even as he turns to go. "Only remember: we maid's children ever speak nothing but truth."

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Anonymous asked:

Do you have any ships for the Ramayana? (I mean Ram/Sita and Lakshmila are the og ones, but any fanon ships? My cousin ships Lakshman with Indrajit bcoz enemies to lovers.)

I am quite fond of Indrajit/Sulochana, mainly because my hc! teenage Indrajit is an overwhelmed flaily gremlin who has no idea what to do with calm, composed Sulochana.

But most of the relationship dynamics that most fascinate me, I feel like, are either those in the backstory (the Lanka crew, the Sugriva & Ruma & Vali & Tara horrid dynamic, Dasharatha/Kaikeyi/Kaushalya/Sumitra in varying combinations) -- but also the implied friendships we get? Lakshman & Angad being good enough friends, presumably, that Lakshman names a son after him off-screen; Sita and her sisters, and how in contrast to the husbands they are paralleled with, they very much don't get to spend the rest of their lives together; and Sita and her kids.

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Anonymous asked:

Who is your favorite "unknown" mughal princess? By unknown I mean like women like Gauhar Ara begum, Nadira Banu begum, Zinat un nissa begum who were not documented so well.

*laughs*

Anon, that is a dangerous topic to get me started on. I have quite a few (and I'm omitting some of the big names that I also adore: Arjumand Banu, Mihrunissa, Hamida Banu Begum, etc.)

Khanzada Begum- Babur's sister, and--depending on which version you believe--either abandoned or straight up sold to Babur's enemy Shaybani Khan during Babur's escape. But! she wound up surviving both her marriage to the enemy, and returned to her now-victorious brother, subsequently marrying again under happier circumstances and becoming (according to some sources) the first Padishah Begum* of the empire.

*I feel like people often mistranslate this title as "Empress" or "Emperor's favorite wife," but it could just as often mean a beloved sister or daughter--basically, it was the most important woman in the royal family, and the one who effectively claimed the most power.

Gulbadan Begum - half-sister of Humayan, historian, and straight up nerd. Wrote her brother's biography, and delighted in telling embarassing anecdotes about him like any proper sibling. Loving aunt to Akbar; clever, independent, and fun.

Mah Chuchak Begum - widow of Humayan, ruler of Kabul (initially in the name of her son, apparently later just gave up on the pretense and ruled by herself). A hurdle in the path of the young Akbar's consolidation of the empire, she was unfortunately killed by her son-in-law. That said, years later, after her son had managed to piss off Akbar, her daughter Bakht-un-Nissa Begum wound up inheriting the governship of Kabul and apparently did a bang-up job of it.

Aram Banu Begum- Akbar's younger and favorite daughter, and explicitly a smart-aleck. Apparently Did Not get along with her half-brother Jahangir, to the point that one of Akbar's dying wishes was that the two get along. Never married, but seems to have been more a personal choice, rather than a strict decree against it. Seems to have been A Lot, in the best of ways.

Nadira Banu Begum- wife of Dara Shikoh, arguably in one of the happiest marriages of the dynasty. Dara never married anyone, and like her mother-in-law before her, Nadira joined her husband in exile and revolution. He apparently gave most of the paintings he loved to create to her, which is adorable; and did not survive her death by more than a few months.

Dilras Banu Begum - wife of Aurangazeb; apparently haughty and beautiful, and not a little terrifying. Interestingly, she was a devout Shia while Aurangazeb was a devout Sunni (to be fair, Shah Jahan and Mumtaz Mahal were also a very happy Sunni/Shia pair, but both Dilras and Aurangazeb were famously pious and much more religiously fixated than the prior generation). Died before her husband became Emperor, but her children would succeed him.

Zeb-un-nissa (&her siblings) - daughters of Aurangazeb, and talented poets, scholars, and artists. Particularly notable because while pop cultures has the later Mughal empire portrayed as either a joyless husk, or a decadent waste -- these women were clear contraindications to that generalization.

(I could go on, but these are the first few that come to mind!)

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Anonymous asked:

Hi! I have a question regarding the usage of astras in Hindu mythology. How did a sage choose who to pass down a particular Astra to? Did it depend on caste, with only Kshatriyas and Brahmins allowed to use astras, which is why there was such a great uproar when Karna, believed to be of low caste, was able to summon a variety of astras? But that still doesn't explain the discrepancy between the number of astras a particular Kshatriya or a Brahmin could summon. Like in the Mahabharata, Arjuna, Karna, Bheeshma, Drona, etc lead the pole with respect to number of astras known, and other warriors don't know as many astras as these people do. Which is confusing, because if only Kshatriyas and Brahmins could use astras, then ideally shouldn't all members of both these castes know the same amount of astras? I've seen some sources suggest that astras were handed down only following the establishment of a pupil's character, irrespective of the pupil's caste, because these weapons were so destructive and couldn't just be entrusted to anyone. This explanation does work, except we've already seen this condition violated in the Mahabharata, and without repurcussions to the offender! Drona refuses to teach the Brahmastra to Karna, but caves in to one single pair of puppy-eyes from Ashwatthama, despite knowing he didn't really deserve this knowledge and couldn't be trusted to use it responsibly. And Ashwatthama does go on to use the Brahmastra for less than noble purposes! So how exactly did any sage choose who to pass down an Astra to?

This is an excellent question, and this is my best understanding:

So, for all intents and purposes, astras are more equivalent to cheat-codes for a video game rather than physical weapons (which...you probably already knew lol). And just so, you could end up with an astra from a variety of sources:

  • direct from the source (ie, from the god who possessed it. Arjuna is the best example when he picks up special weapons from Shiva and Indra after meditating long enough to earn it)
  • from your teacher, buuut only if he liked you enough (and it was within his rights to pass it on or deny it for any random reason! Like you said, Drona gives it to Ashwattama and but refuses to teach Karna not because of caste, but because he wants Arjuna to be the best. And as annoyed as Karna is, his only options within that society is to go elsewhere)
  • from a random rishi you pleased/impressed/helped (Rama gets pretty much every divine weapon there is from Vishwamitra after helping to protect his sacrifice

So there doesn't seem to have been any quality control on who actually got the astras, just who you ran into; which is also how villains as well as heroes all seem to possess them. Until the Mahabharata war, it seems to have been chaos--until then the majority of the people who posessed the weapons either died before htey could pass it on any further, or (horrified by the damage) presumably decided to never to do so anymore. Which arguably might have been a secondary goal on Krishna's part.

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AU that Duryodhana born as princess instead prince and engage to Yudhisthira for politic reason bc those elders think it gonna solve throne heir problem

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Oof this would indeed be an A+ set-up for drama and angst, but! Unfortunately, it wouldn't work (at least from the standpoint of the elders arranging it) from a kinship issue:

Yudhisthira and Duryodhana are related through their dads, which makes them (by kinship terms) cousin-siblings; whereas relatives on your mother's side would have been considered not really related to you, and therefore fair game for marriage (see: Arjuna and the Yadavas, Nakula marrying Vijaya, daughter of his maternal uncle Madra, etc).

This is also why no one brings up a marriage between Dushala and any of the Pandavas, and why Draupadi and Yudhisthira are so careful to save Jaydrath's life specifically for Dushala's sake -- as the Pandavas' younger sister (if only in name, for all we know), they are honor bound to ensure her happiness (....which is....still being married to her creeper husband. Yay patriarchy.)

(Do I want all the fic about her troubled relationship with them? Oh, yes.)

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blumineck

This took a LOT more attempts than I was able to show here- there's a full-on blooper reel on Patreon!

again, indian kid here, and me and my sis are like OBSESSED with this franchise. y'know, as one does. and first off, want to point out that as soon as i saw that he was gonna try to pronounce Baahubali, i was like "ooh this'll be good".

so, like, he got close, but like not really. (its pronounced baa-who-buh-lee btw)

also, i've always wondered if this was plausible. like half the shit they do in this movie doesn't obey the laws of physics. refreshing to see something that could happen outside of a Tollywood movie.

Thanks for the pronunciation correction! Sorry for mangling it!

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Anonymous asked:

the tirumala sthala purana is SO fascinating (do check out sridevi nrithyalaya's dance drama on the same! it's GORGEOUS) ̶v̶i̶s̶h̶n̶u̶ ̶a̶n̶d̶ ̶l̶a̶k̶s̶h̶m̶i̶ ̶a̶r̶e̶ ̶s̶o̶ ̶u̶n̶d̶e̶r̶e̶x̶p̶l̶o̶r̶e̶d̶ ̶a̶s̶ ̶a̶ ̶c̶o̶u̶p̶l̶e̶ ̶s̶m̶h̶

Reblogging for the rec--thanks, anon!

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Anonymous asked:

hello! are you taking Hindu mythology fic requests right now?

I am! We've gotten to the point where I feel like the only way out of my writing rut is to force myself through it rather than wait for inspiration, so (allowing for me taking longer than usual, and likely having to warm up to my previous productivity), I am all for it!

Also up for meta. I think that's why I miss most about this community!!

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Dear Yuletide Writer 2022!

Here are some things I think are rad: snark. friendships. sneaky twisty endings. stories with bite. characters with personalities. stories that make their writers happy. mythology. humor. stories that dig into and expand on the canon, whether that’s backstory or minor characters or worldbuilding. brown paper packages tied up with string.

Stuff I’m not so keen on: rape, incest, mentions of RL pandemics/quarantines or cancer? more into het and femslash than slash. no modern AUs for the fandoms I’ve selected this year, as I’m interested in the canon settings; AUs that preserve the canon setting (either canon divergence or trope-based [soulmate, daemons, fantasy elements in non-fantasy canons]) are not just fine but would be much adored!

Treat Policy: Yes, please!

Fandoms Requested: Ponniyin Selvan (2022), Regency Faerie Tales- Olivia Atwater, Spymaster series- Joanna Bourne

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Anonymous asked:

how do you feel about writing a dev and amrita enemies to lovers fic i think they have a lot of potential

I think they do too! I unfortunately just don't think there's enough narrative information yet to really build up characters--and I mean, even casting information. After all, a Hrithik!Dev is going to be very different than a Ranveer! Dev than a hopefully-they-don't-do-this-Ranbir!Dev, and I feel like we'd need that info to even start creating a fanon. But hopefully soon :)

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