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@wolves-in-the-world / wolves-in-the-world.tumblr.com

semi-active Leverage blog (largely ignoring the reboot), main: falderaletcetera || FAQ || Ao3 || wolves or falderal, they/them, adult
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I’m honestly blown away by the number of notes on my Jedi Hardison picture (seriously I’ve been reading tags and reblogs and holy shit you guys are taking this awesome places), so I decided to go for the great Leverage OT3.  Going with some of the ideas people like Venort added, I asked my wife (again) for some input and went to town.

(And yeah, y’all have a point, Hardison would have at least one lightsaber that’s soda-orange.)

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Fluffy E/Q shifter verse prompt:

Set in an AU where Eliot and Quinn are both shifters and Eliot's animal form is a wolf and Quinn's is a cheetah (Quinn's form inspired by AlannaofRoses's amazing and perfect The Pack Long Con verse)

Quinn volunteers at an animal shelter and takes pictures of the tiniest, most pathetic looking puppies and sends them to Eliot with captions like "reminds me of you" or "looks just like you in the morning"

Eliot retaliates by finding videos of kittens doing really dumb stuff (like trying to jump onto a rubbish bin with a swing lid and falling in) and sending them to Quinn with captions like "this you?"

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[ID: Sketch in greyscale of Hardison walking while carrying an unconscious Eliot, who is shirtless and bears multiple injuries, including bruises around his wrists, and on his face, ribs and knuckles, and blood on his face and chest. End ID]

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I am slowly returning after a long time of being away due to illness during which no arting was possible 😭 This was a commission from ages ago, but the account is now deactivated so I don’t know if the person who requested it will see it. But I hope they do, and even if not, I hope it brings some people (obviously not Hardison or Eliot because whump is afoot) joy! 😊

I think it’s going to take a while to get my art brain back to proper functionality, but hopefully will do soon 😅

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I think I'm going slightly mad trying to analyse red widow as good media. I could write up a whole thoughtful post about how moreau and schiller are similar characters seen with very different framings because red widow glosses over the gritty reality of the world the protagonist is born into and gets dragged into after her husband's death, and it would have some merit, OR I could just accept that red widow is just very bad and best watched with one's brain entirely disengaged until a nicholae scene pings as interesting.

(which some of them really are. genuinely, nicholae and moreau make the same "there are assets and liabilities" and "please be an asset" points. nicholae gives a lovely little villain speech about money and trust being the only things that matter in business. his casual murder of a poor sod that I and the protagonist had actually come to like, shrugging it off with "there are many [name]s" like that's some consolation, was delicious. the torture joke he made while someone was trapped in an elevator with him, reminding them that they probably shouldn't be wasting his time, made me clap with joy - and the way the actor can differentiate between genuine warmth and the kind of smile that is 100% a predator's warning with, as far as I can tell, only his eyes, is just so good.)

(I just need to avoid falling into the trap of treating the whole thing, or even just nicholae's character as a whole, as something that stands up to good analysis. no matter how much the creators' love for the story shows in some of it. and no matter how much a talented actor clearly thrived in the role.)

(folks I'm going through the five stages of grief about this fuckin show.)

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