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ditto

@hrududil / hrududil.tumblr.com

atlas . 23 . aotearoa nz . they/them
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ghelgheli

schools like ucla temporarily switching to remote instruction is twofold interesting because first, it is a transparent attempt to wait out the disruptive effects of protest by shifting the learning environment into the private space (a capitalist innovation!) of the student's room, which a protest cannot so easily impinge upon; but second, it is something that would not have been possible before the pandemic, before the mass adoption of technologies that could serve accessibility but are now being deployed by the reactionary project. an ongoing pandemic is not reason enough to let students participate remotely—the threat that truths about imperialism will spill into this environment of "higher education", however, is enough to force them to.

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reblogged

"Famine is a useful word when you do not wish to use words like 'genocide' and 'extermination'."

- Frank O'Connor, Irish author.

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I fucking hate this "capitalism is when you make money, the more money you make, the more capitalism it is" mindset people have gotten. No, an artist selling their own work is not them engaging in capitalism, it's literally a worker owning their own means of production.

Remember capitalism is someone profiting off of someone else's labor though owning capital. It is not simply the act of profiting at all.

Same when people blame 'capitalism' for stuff that's like... commerce. And issues with commerce that have existed longer than capitalism has. We've been trading for a lot longer than we've had capitalism.

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hack-saw2004

i think its so funny that alumni from schools like harvard and columbia that were there during the protests in the 60s-80s are expressing support for students currently protesting against the genocide in palestine, and random zionists that were NOT at these protests in the 60s-80s have the never ending audacity to tell these alumni "well thats different, what you protested was good and what they're protesting is bad." as if protesters against the vietnam war and apartheid south africa were not also demonized, arrested, brutalized, and even killed for their activism. history only remembers them fondly after the damage has already been done.

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zegalba

Mirin Kou: Miniature Wooden Sculptures (2023)

“I carve wooden animals in Aichi Prefecture, Japan. Because I try not to make the same thing twice, every animal make is unique. Just as every person is different, every animal I make is also different.”
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Is it about butchering black girls’ hair to keep white people comfortable? Is it about a woman visiting the same violence on her daughter as was done to her by her mother a generation prior? Is this girl just too… “different” to go into the world unaltered? Does she need to be toned down so she can succeed? Does she need to be defenseless before she is deemed safe by powerful people who would do her harm if given half a reason? Is one of those people holding those scissors?

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lemondoddle

[I.D. digital art of a young girl medusa sitting in a chair in a kitchen, crying as a woman cuts the heads off of medusa’s snakes. the woman’s head is out of frame, but her blonde hair is visible as she pulls three snakes taught, beginning to chop them with scissors as blood spurts. four snakes have been cut already, their remains lying dead on the floor as the rest of the snakes, all sporting pink bows around their necks, cower in fear. the majority of the illustration has been colored in black and deep saturated yellows and oranges, while medusa’s skin and hair are green. her pinafore has the same color palette as the background. her knees are also scuffed, bruised with orange and one of them bandaged. her cut strands of snake hair are not bandaged and continue to bleed. end I.D.]

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david-box

There’s a sequel!

Image ID: A digital illustration of a young Medusa woman braiding her green snakes in front of a mirror and while her eyes are covered with a sleep mask. The mirror is centered in the drawing and surrounded by the orange-pink background. She is wearing a white sleep mask with “closed eyes” on it and a black top with white lacey ruffles at the collar and cuffs. Two snake heads are seen in the mirror while the rest are out of view. The front of the vanity holding the mirror is littered with various dolls and stuffed animals with their eyes crossed out, candy, an image of eyes in a round frame that are also crossed out, nail polish in pink and black, ribbons, and a friendship bracelet plus polaroids. The wall above the vanity is pink and near-white striped and covered in small polaroids or photos taped on the wall and various portraits in yellow frames. The yellow frames show the woman as a young girl holding her arms anxiously with her head cut off from view, covering her face, or simply have dark static backgrounds. There is a sharpie on the lower shelf of the vanity. End iD

From the artist, re: the second image.

With all the times you’ve been put down it may be hard to look at yourself, but I hope one day you can. You’re amazing.
Happy to do a little follow up to my most recent illustration. I got a lot of comments hoping that she was gonna be okay and she will be. Healing takes time.
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