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Untitled

@tritaledkitsune

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yayfeminism

Very informative thread -source

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geekremix

Oh no I’ve been duped. Shit…

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jenroses

Yep.

Wait, how many people didn't know that in-store grade produce was used for processed goods or gets sent to restaurants? It's the same with meat btw. Anything not high grade is sent to places that make the frozen meals you can find in stores. Frozen chicken nuggets are not top of the line chicken....

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this guy would survive in movies

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thenarator

girl i hope you appreciate your boyfriend. he just stood practically on top of a horror movie monster so you could get out of the elevator first. he loves you.

are we going to ignore the actress who got kicked in the face

well thats the price you pay for fucking terrifying someone

This whole post is GOLD

Yea, if you’re an actor and you deliberately try to freak people out then you need to be aware it’s flight or FIGHT. There’s a chance that someone will run away screaming but someone could also square up and try to kick your creepy ass.

By deciding to be a creepy bastard you are accepting the possibility that you might end up getting hurt and I do not feel sorry for you.

But a quick reminder: if you go to a haunted house, DONT GO if you know you react to fear with violence. You’re paying to be scared by these actors; they’re doing their jobs. They don’t deserve to be punched for something you signed off on.

But if you’re an actor or prankster who’s picking targets who didn’t consent ahead of time, be warned, you might get punched.

Every discussion point on this post is gold

Source: forgifs.com
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Hello!

I have a request and an advertisement but mostly a request

I just started up a Wattson instagram account Electrical.Angel and I'm having trouble with both the courage and the results when it comes to finding and asking for permission to repost art. Due to this, I've been limiting myself to images sourced directly from the Apex trailers.

My request, If you have Apex art featuring Wattson, would you be willing to allow me to post it? The artists I've asked have yet to answer me and I do not want to use anything without permission. I promise I'll cite you, as it is your art.

Thanks!
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We are always told to use body language in our writing. Sometimes, it’s easier said than written. I decided to create these cheat sheets to help you show a character’s state of mind. Obviously, a character may exhibit a number of these behaviours. For example, he may be shocked and angry, or shocked and happy. Use these combinations as needed.

You guys, this is such a great chart especially for budding writers. Sometimes it’s more effective to show a character being bored or excited or shocked without explicitly saying so.

Yeess

Useful X3

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maiikawriter

Yesss, thank you for sharing, @ladycressa

Reblogging because Useful!!!

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fmanime

i think edward elric entire military experience can be summarized as john mulaney’s “horse loose in the hospital” bit

there is a CHILD ALCHEMIST LOOSE IN THE STATE MILITARY!

NOBODY KNOWS WHAT THE CHILD IS GOING TO DO, LEAST OF ALL THE CHILD!

HE’S NEVER BEEN IN THE MILITARY BEFORE!

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ink7blot

They interviewed a man who once saw a baby in a restaurant.

WE’VE ALL SEEN A BABY IN A RESTAURANT!!!

THIS IS A CHILD. LOOSE IN THE MILITARY.

And then, for a second, it seemed like maybe we could survive the child, and then, 5 miles under the capital city, an evil homunculus was like, “I have a huge transmutation circle and I’m going to kill everyone to become god!” And before we could say anything, the child was like, “If you even fucking look at Amestris, I will punch you to death with my fists. I dare you to do it. I want you to do it. I want you to do it so I can take my unresolved daddy issues out on you, I’m so fucking crazy.”

This post was written by Roy Mustang

Sometimes it’s not a bad thing, just surprising. Like, “Today the child did alchemy without a transmutation circle,” and everyone is like, “Huh, I didn’t know he could do that.”

The creepiest days are when you don’t hear from the child at all. Those are the days when everyone is like “I think the child has finally calmed down,” and then the child is like “I just uncovered a government conspiracy. I went in that secret lab and snuck in there with my tiny body. I have a tiny body, but don’t you tell me that, or I’ll fuck you up,” and you’re like “That’s what I thought you’d say, you tiny fucking child.”

And then for a second we’re like “Maybe the government will fire the child,” and the child is like “I have dismantled the government.”

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burntreads

And its like, I didn’t know he could do that, that shouldn’t be allowed no matter who the child is.

Some people are like “There should NOT be a child in the military”

And I’m like “Well WE’RE WELL PAST THAT”

Some others are like “If there’s a child in the military, then I can do human transmutation with my daughter!”

And we’re like “Well those two things DON’T ADD UP AT ALL!”

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if you read in a frog paper “specimen was released in the field immediately after capture” chances are very good that what it actually means is

“i dropped the damn frog and despite the fact that we fell all over each other no one could recapture it”

sometimes when i am sad i go read through the tags on this post, because they are 70% other biologists saying things like “AND ALSO FUCK FIELD MICE” and “THAT CRAB ALMOST BROKE MY FINGER” and I am reassured that I am not the only one who has bobbled a wood frog right into their cleavage.

plus six or seven people who just….can’t figure out what a frog paper could possibly be. (guys it’s…a scientific paper. about frogs.)

and this one

which made me laugh despairingly because i mean

bro you don’t even know.

what is the code entomologists use for “i stepped on it, i’m so sorry, it was dark out and the specimen was very small”

“Impromptu dissection was performed under less-than-optimal lighting conditions.”

‘impromptu dissection’ is an alarming phrase in any context and i thank you for it

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inky-petrel

What’s biologist for “the little fucker BIT me and I yote it into the undergrowth on reflex”?

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tawghasa

“Specimen was removed from the study pool due to abnormal interaction responses”

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vilkalizer

I am reblogging this 98% for the second to last comment holy shit I’m fucking choking

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elfwreck

I’m enjoying the tags/replies discussing the proper conjugation of “to yeet.” I am in favor of the decision that the future perfect is “will have yitten.”

Expanding this, NASA has a few gems from their report language:

“Underwent unplanned rapid disassembly” – it exploded, and it wasn’t an explosion we wanted to happen

“Lithobraking maneuver” – it stopped because it hit the goddamned ground.

“Engine-rich exhaust” – the engine bell melted or evaporated, or the engine ejected itself out the back of the rocket without having a very good reason to do so.

“Fishing orbit” – the craft is in the ocean instead of space and we didn’t mean to put it there

“Thrust was observed along an undesired vector” – the engine leaked and the rocket spun off into oblivion.

“Wearing his manager hat” – a moron who shouldn’t be an engineer (a reference to the infamous quote “take off your engineer hat and put on your manager hat” in the meeting in which the Challenger was cleared for launch)

“Received an unrequested transfer” – he’s dead.

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kittydesade

LITHOBRAKING MANEUVER

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baqki

OK to make a font out of your own writing

go here

instead of printing it off just use this blank thing that way you dont have to scan it or anything

so fill that out by pasting it in any art program and whatnot

then save it and upload it to that site

and itll give you an option to download it

so do that and then install it BAM

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kittenmogu

I JUST GOT THIS ON MY TABLET IT’S SO COOL OH MY GOD

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nakadoo
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zeekist

for some reason it refused to recognize the third page of my letters but they were all pretty unnecessary mathematic things anyway so I’m not too worried. still something to keep in mind though, I hope it doesn’t happen for you!

paintfont.com would be a good place to go to quickly make a custom font for your comic!

ehh

It looks just as horrible in real life..even worse with the letter attached…

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trveroman

I’ll try this later.

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roachpatrol

you can also use alternative alphabets

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cobalt-draws

Welp. Guess I know what font I’m gonna be using for comics from now on. B)

Welp. Looks like I have to do this now. So I can use this for Tengri’s asks.

For some reason there is no apostrophe in my set, but it still looks cool.

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changephase

NEAT THING ALERT

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kingloptr

The site is now called https://www.calligraphr.com/en/ but it’s basically the same!

cool post too bad roachie had to ruin it but this is cool!

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70 horrible questions ... Fuck it

01: Do you have a good relationship with your parents? 02: Who did you last say “I love you” to? 03: Do you regret anything? 04: Are you insecure? 05: What is your relationship status? 06: How do you want to die? 07: What did you last eat? 08: Played any sports? 09: Do you bite your nails? 10: When was your last physical fight? 11: Do you like someone? 12: Have you ever stayed up 48 hours? 13: Do you hate anyone at the moment? 14: Do you miss someone? 15: Have any pets? 16: How exactly are you feeling at the moment? 17: Ever made out in the bathroom? 18: Are you scared of spiders? 19: Would you go back in time if you were given the chance? 20: Where was the last place you snogged someone? 21: What are your plans for this weekend? 22: Do you want to have kids? How many? 23: Do you have piercings? How many? 24: What is/are/were your best subject(s)? 25: Do you miss anyone from your past? 26: What are you craving right now? 27: Have you ever broken someone’s heart? 28: Have you ever been cheated on? 29: Have you made a boyfriend/girlfriend cry? 30: What’s irritating you right now? 31: Does somebody love you? 32: What is your favourite color? 33: Do you have trust issues? 34: Who/what was your last dream about? 35: Who was the last person you cried in front of? 36: Do you give out second chances too easily? 37: Is it easier to forgive or forget? 38: Is this year the best year of your life? 39: How old were you when you had your first kiss? 40: Have you ever walked outside completely naked? 51: Favourite food? 52: Do you believe everything happens for a reason? 53: What is the last thing you did before you went to bed last night? 54: Is cheating ever okay? 55: Are you mean? 56: How many people have you fist fought? 57: Do you believe in true love? 58: Favourite weather? 59: Do you like the snow? 60: Do you wanna get married? 61: Is it cute when a boy/girl calls you baby? 62: What makes you happy? 63: Would you change your name? 64: Would it be hard to kiss the last person you kissed? 65: Your best friend of the opposite sex likes you, what do you do? 66: Do you have a friend of the opposite sex who you can act your complete self around? 67: Who was the last person of the opposite sex you talked to? 68: Who’s the last person you had a deep conversation with? 69: Do you believe in soulmates? 70: Is there anyone you would die for?

Something to keep for nights with friends.

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reblogged

i noticed almost every character in overwatch has supportive dialogue lines so i decided to put them all together in one massive audio post and i maybe… got a little too emotional

music: undertale - his theme by toby fox i got all the dialogue lines from here: x

i am 

s o b b i n g 

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mercy-kill

For anyone who might be having a rough time, maybe this will give you the words of encouragement you need to lift your spirits!

“I’m with you!”

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stormybabe

I have to say this is completely legit - someone tried to steal her handbag and she simply went “Fuck this- *suplex*”

My hero

someone teach me this pweeze-ooc

Ok Ladies, here’s the info on this move.

We are blessed with a low center of gravity. This means that when we get ahold of someone and tip over backward like that, it’s easy peasy for us to do. Especially on a guy. Think of it like a fulcum and lever: they’re the lever, we’re the fulcrum, and because their center of gravity is up in their chest, instead of in their pelvis, when we get down low and lean back, whupsy there they tip right over.

Now, here’s the real deal on that particular move. Check out how this gif end, with the guy’s head on the floor like that? How his torso seems straight up and down, his head and neck on the floor, all his body weight and the momentum of having been tossed over her shoulder?

Yeah, he’s pretty messed up from that. In the really real world, if you do that move correctly, toss your whole body into it, seriously oomph it up and give that mugger a throw, you can snap his neck.

All that said, here’s how you do it!

This is something you do fast, ladies. Move quickly and with assurance, and don’t worry about whether you’re strong enough to do it or not: you are. This is about physics, not muscle.

Get low, bend your knees and hips. Our strength is largly concentrated in our lower bodies, and when we put our knees and thighs into a move, we bring some of the largest muscles in the human body to bear. You’d be surprised what you can move with your legs.

When she got low on him, her right arm was around his waist, her shoulder roughly at or under his ass, her left arm wrapped around his left leg. Feet shoulder width apart for a nice stable base, big deep breath in, and lift just a bit while falling backwards. It doesn’t take much strength but it will really mess with the dude’s day. Landing on your head will at the very very least knock you silly for a minute.

Interestingly, we can use these same basic principles to ruin a guy’s day if he’s the one to grab us! Imagine, if you will, mugger dude runs up behind you and bear hugs you in preparation for dragging you into the alley. Scary, right? Yep.

If he lifts you too fast, and you find your feet off the ground, kick him in the shins, scrape your shoes down his legs, aim for the knees and his feet. Toss your head back and head butt him. Bite him. Squirm. Do what it takes to get your feet back on the ground.

Feet on the ground, grab his arms and hold on to them. Don’t let him get away, because this move, ladies, will put him down and out, and if he moves away he may go for a distance weapon, or start using his fists. Hold onto his arms and keep him in close.

Again, feet shoulder width apart. Use your booty and hips now, like you’re trying to hit his not-so-manly bits with your ass, get your hips back, bend your knees and flex your hips. If he’s shortish, you should at this point have picked him up and be balancing him on your back. If he’s tall, you’re now in position to put a crimp in his style in a big way.

Tuck your head to your chest and roll forward, just like you did when you were a kid. Flip yourself forward and let gravity do the rest. You will have your head tucked down, aiming to land on the upper back of one shoulder; he won’t. This means he’ll land on his face, with the full force of his own body weight behind it as well as any momentum you’ve built up. You may very well land on top of him too.

From here, get up, run like hell towards a light source while yelling “help, fire, call 911 (or whatever emergency services number exists in your country)”

Remember, ladies, with just a little understanding of comparative anatomy and physics, you too can put a man on the ground and seriously mess up his day. But then, that’s what he was planning to do to you, so fair’s fair.

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Hopefully More help for Beginners to D&D - I found it a minefield when I first started, so hopefully this will help other novices (and my new players)

EDIT: These are the house rules that we follow when I’m the DM for my group as I use critical fails and success for fun flavour: 

In 5th edition Dungeons and Dragons, rolling a natural 1 or 20 doesn’t necessarily mean a critical failure or success outside of attack rolls. (It’s not the standard.) A crit fail on an attack roll isn’t 5e standard either– penalties don’t inherently occur on a 1. 

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In fairy tales and fantasy, two types of people go in towers:  princesses and wizards.

Princesses are placed there against their will or with the intention of ‘keeping them safe.’ This is very different from wizards, who seek out towers to hone their sorcery in solitude.

I would like a story where a princess is placed in an abandoned tower that used to belong to a wizard, and so she spends long years learning the craft of wizardry from the scraps left behind and becomes the most powerful magic wielder the world has seen in centuries, busts out of the tower and wreaks glorious, bloody vengeance on the fools that imprisoned her. 

That would be my kind of story.

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feynites

When Princess Talia was fourteen, her eldest sister was placed in a tower.

Princess Adina was eighteen by then, and so of a marriageable age. She had grown quite beautiful, though she was more willful than winsome, and she did not care for the notion of the tower very much at all. Their mother did her best to persuade her on the subject. After all, the queen herself had been eighteen when her own parents had sent her to live in that very same tower, to be safely tucked away until her husband could be chosen, and then ride out to claim her. A tradition going back ages and ages.

“It was such a sight,” their mother said, wistfully. “I had been alone for so long. Reflecting upon the nature of the world, and my place in it, and what it would mean to serve my kingdom. And the solitude was difficult. But then one bright morning I saw a vision of a gallant knight riding towards me; and I knew I would never feel lonely again.”

“Then you had best make certain you pick a strong man to be my husband,” Princess Adina had replied. “For if I go to that tower you can bet I will spend my time honing my skills with a blade, rather than staring wistfully out of windows. And any man who thinks to claim me for a bride by anyone’s leave save my own will need to defend himself.”

Their mother had tutted, and their father had rolled his eyes; and when Princess Adina’s belongings were packed with a very pointed dearth of swords or spears or knives, it was Talia who slipped a wrapped sabre into the travel wagons, and it was their middle sister, Devorah, who tied another to the underside of the first food cart to leave for the tower.

Barely a few weeks had passed since Adina left the castle, however, before word began to spread of dragon sightings in the south. The king and queen, of course, saw this is a good sign; and they let it be known that any lord bold enough to slay the dragon would be granted leave to rescue Princess Adina from her tower. It seemed all too fortuitous, for surely any man who could defeat a dragon could handle a willful princess; and Adina could hardly deny the bravery or skill of any such person.

“It is perfect,” their mother had said.

That was before the dragon reached the tower.

Talia had been present when the messenger had arrived, bursting hastily into the hall, and speaking in broken tones about barricades destroyed, and mountains crossed, and ancient enchantments broken as the dragon had forged its way straight to the hidden princess. Rumours abounded of the dragon absconding with Adina; though some varied as to whether she had been seen clutched, terrified, in the menace’s claws, or riding on its back, whooping loudly. (Calling for help, the court agreed - if anything; the confused descriptions of startled shepherds were unlikely to be too reliable, under the circumstances, of course).

The matter of rewards changed, of course, and so it became that any brave soul - lord or no - who could rescue Adina from the dragon could claim the princess for their bride. Talia worried, but she didn’t worry too much. She was of a mind that if the dragon was still alive, then it was likely because Adina wanted it that way; and her sister was, at least, out of the tower she had held such contempt for.

Not six months after the incident, a story came back, too, of a renowned hero who had nearly slain the dragon at its caves in the west; only to be disarmed by Princess Adina herself, who, by his report, made a very rude and anatomically improbable suggestion, before knocking him down a mountainside.

The king and queen seemed convinced the report was nothing but slander; but Talia was inclined to give it far more credence than tales of her sister weeping whole rivers of tears or cowering beneath the dragon’s glare.

It was around that time that Princess Devorah began sneaking out of the palace at night.

Talia discovered this one evening while in the midst of her stargazing. If her eldest sister could be said to be beautiful and headstrong, then it would be easy to claim that the middle sister was plainer, and yet more charming. She owned a pale blue cloak, that suited her quite well; but that stood out, too, in the moonlight, as she slipped away through the palace gardens.

This went on for quite some time before Talia at last confronted her sister, who blushed most tellingly at being discovered.

“I have found my knight,” she admitted. “There is a doorway in the gardens, and it opens to the fairy forest. I did not mean to go, the first night. It was only that I saw the doorway, and I wondered where it went. And I could not help but think that my own time to be locked away in a tower is coming swiftly, and what a thing it might be to escape, and that perhaps fate had given me a chance. But then I got lost in the fairy forest. It was strange and dangerous, and I feared I had been too foolish for words, until my knight found me.”

Talia saw the lovestruck look on her sister’s face, and felt a great well of sympathy for her.

“Fairy folk are strange and dangerous, but Mother and Father are not without pity. If your knight is as noble as he sounds, perhaps they will understand,” she suggested.

But Devorah only sighed, and shook her head.

“Perhaps they would, if my knight were a man. But she is a maiden, as fair as moonlight. And I would have her no other way.”

Talia’s sympathy increased tenfold, at that, for she knew as well that their parents might make some concessions, but that would be a bridge too far for either of them. As she began to offer comfort, however, Devorah turned it back towards her.

Her sister told her, then, of the plan she and her fairy knight had concocted; that when Devorah was taken to her tower, her knight would come, and open a door there; and then Talia’s sister would away with her to the fairy realm for good. The tower would sit empty. The suitor their parents at last settled upon would ride out to find no one waiting for him.

“I planned to tell you,” Devorah assured her, and then offered her a single silver bell. “When it is your time to go to the tower, stand on the highest point and ring that bell. A door will open, and you can come away with us. The fairy realm can be frightening, but my beloved will help us, and as well-read as you are, I am certain you will have more of an idea of what to expect than I ever did.”

Talia took the bell, and hugged her sister, and thanked her; though she admitted that she did not know what she would feel, when it came her own time to go to the tower. But Devorah only said it would be her choice, whichever she made.

And indeed, after a year had passed, her sister went to the tower with none of the fuss nor complaint that Princess Adina had put up. Being as charming as she was, there were no lack of suitors for their parents to choose from; and it was not long at all before the king and queen made an advantageous match with the eldest son of a neighbouring kingdom, just beyond the western mountains where Adina and her dragon still roamed.

When the son came back empty-handed, accusations of trickery abounded. The western kingdom accused the king and queen of withholding their daughter; and the king and queen accused the western kingdom of stealing her to some unknown fate. In the end matters were only settled once a scryer confirmed that Princess Devorah had not been in the tower when her suitor arrived; and then, the dispute was settled with the consolation offer of Talia in Devorah’s place.

The rulers of the western kingdom demanded their princess at once; but Talia’s parents insisted that she was still too young. A compromise was reached. Since the tradition of the family was to ensconce their princesses in towers, and since twice these towers had been breached and the princesses lost, the king of the western lands offered a tower in his own domain. There Talia would stay until she turned eighteen, and was of age to marry the prince.

Even so, the king and queen would not have agreed, but for the fact that the western rulers were renowned for their masterful sorcery and spellwork. Should conflict break out, the armies they could amass would be formidable indeed.

“Sometimes princesses must think of their kingdoms first,” Talia’s mother told her.

And so Talia did think of her kingdom.

She thought of it as she rode with her accompaniment through the mountains, and when a great dragon’s roar split the air; and when her guards scattered in fright, or else were pinned down by the claws of a great, emerald beast, with eyes like flames and wings that sounded of lightning when they clapped. She thought of it when her eldest sister slid down from the dragon’s neck, and rushed to hold her, and begged her not to be afraid.

“You come with us,” said Princess Adina. “The western prince is a monster, and the rest of his family no better. I would not let a pig marry him, nevermind my little sister.”

Talia marvelled at how well-informed her dragon-riding sister seemed to be, but Adina only waved off such questions.

“I go into town all the time,” she said. “No expects to see a princess who was kidnapped by a dragon wandering around a market square.”

“And you spend enough of my coin for them to overlook it, even if they were suspicious,” rumbled the dragon, though it sounded more amused than anything else.

“You are the one who demanded expensive company,” Adina returned.

Talia watched them with fascination, and wondered if they might not be able to fight an army themselves. But her sister was forced to sadly admit that her dragon was nearly more show than substance, and that any well-armed force would take them down with relative ease. Particularly when they could bring magic to bear.

And so Talia thought of her kingdom, as she declined her sister’s offer, and sadly sent both she and her dragon on their way. Then she set about encouraging her guards to come back, and help gather the horses, so they could head out again.

She thought of her kingdom all the way up to the tower itself. It was a bleak spire. Once a sorcerer’s lookout and secluded place of study, according to their guide; who then helped set up the wards and enchantments. Talia thought of her kingdom as she bid everyone goodbye. As she made her way inside with her things, and found that though the place had clearly been cleaned and dusted, it was sparse and severe and cold. Dark stone twisted up the walls, and drafts blew through the ragged edges of the window frames. The lights were magic, at least, but only half of them worked, and there was little in the way of artwork or decoration.

Talia thought of her kingdom as she selected a room on the highest floor, and unpacked her things.

But when at last it was dark, and she was alone, she did not think of her kingdom. She thought of herself, instead, and she wished she had flown away with Adina and her dragon. She wished she could climb to the top of the tower, and ring her silver bell, and escape with Devorah and her knight. She thought of the unfairness of being sent to her tower too soon, and even vindictively imagined having told her parents of Devorah’s escapades, and being spared this fate by forcing her sister to do her duty instead.

And then she felt an awful wretch, for thinking such a thing; and she cried herself ragged until she fell into a deep sleep.

In the morning, her mood was grim.

She woke to the discovery that the usual enchantments were in place, which was something of a relief. Princess Talia was educated in matters of diplomacy, finance, tactics, mathematics, literature, history, geography, and many more besides, but she had no idea of how to boil an egg. The tower gave her meals in the kitchens, and warmed the hearth against the cold; and she spent her first day mostly in that room, with one of the books she’d brought clutched firmly in her hand, wondering how she was supposed to survive years of this without going mad.

Or if, perhaps, the intent of all this business with towers was precisely to drive a princess mad. It would explain a good deal about her mother.

The second night, she cried again, and the one after was much the same; but on the fourth day, she woke to the grey dawn, and the cawing of ravens outside her window; and she decided that if she was going to live in this tower for many days yet to come, then she may as well explore it. She made a point of mapping out all the floors, and figuring out how to reach the highest part, if it ever came to it. And she found that the attic was full of old boxes of clothes. Robes and hats and gloves and scarves, worn things and shimmery things, and a very impressive collection of walking sticks.

That was all well and good, and sorting through it gave her a diversion, at least. She aired out some of the clothes. They were much too big for her, of course, and the tower wardrobe could provide her with some very nice dresses. But she imagined she might tire of very nice dresses, after a while, and some of the robes looked very comfortable.

The real find, however, came the next day, when she discovered the door to the basement.

She had thought that the spareness of the tower was owed to its lack of usual occupancy; but when she found the basement, another answer made itself clear - someone had taken practically everything out of the main rooms, and shoved it all haphazardly into the basement, and closed the door on it.

Talia supposed she could see, on one level, why someone might have deemed the objects in the basement unsuitable for a princess. Though she could not fathom why they assumed a bored princess would not simply go downstairs at some point. She felt inexplicably insulted at the lack of locks on the door; though this feeling swiftly gave way to curiosity, instead.

The rooms contents had not been kindly handled. She tsk’d over books that had been dumped in piles, their pages crinkled and their spines twisted. Some heavy tomes on stands had been left to accumulate dust and cobwebs, and boxes full of glass bottles had been ungently handled, leaving some to crack and leak suspicious liquids that stained the floor. Several rune-marked skulls lined a shelf in the room, and looked to be the only things that had not been touched much. There was strange furniture, and jars of things like powdered unicorn’s horn, which told her plenty about the ignorance of the people who had cleaned up this place, because even she knew that was valuable stuff.

At length, she rolled up her sleeves, and set about organizing it, just as she had done the attic. Though, in this case, the task was much larger. She broke down into its simplest steps. Step One - the books. Going through the mess, she picked out all the books she could find, and did what she could for them. Some were in languages she did not recognize. Even the ones she recognized had uncommon titles, like A Beginner’s Guide to Necromancy, and The Lost Art of Summoning, and A Comprehensive Bestiary of the Northern Wilds.

The books proved not only to be the first step in cleaning up the basement, but also the world’s most sufficient distraction. Talia found herself paging through them out of sheer fascination with the volume of subjects available, and the fact that she knew next to nothing of these topics. Soon enough she had gathered up every book for beginners she could find, and before long she discovered that one of the largest tomes was a dictionary, and she unearthed also a translation guide for one of the unfamiliar languages that seemed common to the texts.

It was, then, slower going for the tasks of dealing with the broken bottles in the crates - in the end she found a pair of thick gloves in the attic, and picked out the ones that were not broken, and shoved the rest - crates and all - into one of the empty closets. 

After a reading a bit more, she then barricaded the closet.

She left the skulls be until she opened up the book on Necromancy, and then she carried them up to a room where the moonlight could hit them. That evening she had her first proper conversation inweeks as she took a chair into the room, and waited for nightfall, and then spoke to some quite interesting and helpful spirits. They were transparent of course, and not all of them were very coherent. But they seemed happy to be out of the basement, and keen enough to help her get a better understanding of some concepts from the books that had been tricky for her.

She organized the jars of ingredients, and discovered several discarded cauldrons, and after some more reading, she went back up to the attic and fetched down the wizard staffs that she had taken for walking sticks, and put them where they’d be closer to hand. In a box under an overturned table she discovered a smashed crystal ball, with a tiny pixie’s skeleton in it; and an unbroken crystal ball which gleamed and glowed only faintly when she held it up to the stars.

It made her think of Devorah and her knight. So that evening she did at last go up to the highest point of her tower, and ring her silver bell.

Sure enough, a door appeared in the basement. She wrapped the pixie skeleton in a piece of black velvet, and tucked the crystal ball under her arm, and opened the door.

Her sister was delighted to see her, though confused as well. It was too soon for Talia to be in her tower. So it was that Talia had to explain what had transpired, and when she did, Devorah was overcome. It made her feel triply awful for her uncharitable thoughts that first evening, to see her sister cry and offer to go back and take her place. 

“You have to stay here with your knight,” Talia insisted. “It isn’t all bad. There are some interesting things in the tower. And if I can talk to you sometimes, as well as the skulls, I probably won’t go mad.”

Devorah blinked back her tears.

“The skulls?” she asked, in a voice that said she was worried her sister’s mental state had already faltered.

So then Talia found herself explaining about the tower, and its basement, and the crystal ball she had brought, and the little skeleton, too. That made Devorah cry a bit more, because she was a kind heart, and she had grown fond of the little pixies in the fairy realm - even the vicious ones. She called for her knight to come, then, and Talia watched as a silvery figure rode up on a white horse that looked more like a ghost than a proper steed, however solid it may have been to the eye.

Devorah’s love looked like moonlight made flesh; slender but sharp as the blade of a knife, and she bowed with courtly grace. She showed less grief over the pixies than the princesses did. But then, her expression seemed to reveal very little at all, until it turned to Devorah. At which point it would soften, and stars would seem to dance in the dark pools of her eyes.

“Who is this prince, who is so perilous a betrothal?” the fairy knight asked.

“I do not know him. I know only his reputation, which had seemed fine enough, until Adina spoke to me,” Talia explained.

“I know a little more of him,” Devorah admitted, frowning. “Adina and I went to one of his sister’s weddings, years ago. You were too young to come along. He was a horrible brat, but then, he was a child. His father wasn’t much better, though.”

The fairy knight looked at the tiny pixie skeletons, and then at once broke the crystal ball. The wisp of a sprite which escaped was small and quick, barely there before it was gone again. But Talia didn’t mourn the loss of the crystal ball. And after a moment, her sister’s knight tilted her head towards her, and went and drew a small vial from her saddlebags.

“This is a poison of sleep,” said the knight. “If you drink of it, you will fall into a trance, and will not wake but for true love’s kiss. In dreams you may find freedom. I would have offered it to Devorah, had she refused me, and her suitor proven cruel. I will offer it to you, now. Should the worst come to pass, drink it.”

The tiny vial was silver and elegant. Pretty enough, even by the reckoning of princesses. Talia took it, with gratitude. And when she left through the fairy door before dawn, and came back into her tower, she felt lighter than she had since leaving home.

For several months, then, the little silver vial rested in her pockets, as she wore dresses but also sometimes robes. Talia learned the few benefits of a life primarily alone, in an empty and unoccupied tower that was locked up tight - though even her mostly-indoor spirit began to long for the feeling of wind in her hair, and grass between her toes, she could also parade around the rooms naked as she pleased. Or clad only in a long robe which railed behind her, as she sang songs with no one to care that they might be off-key, or that they were ones she had overheard drunken servants singing.

She poured through her new books and consulted with spirits, cavorted with her sister and the fairies by night, and one morning she woke up and snapped her fingers in a moment of grand epiphany; and flames darted up at the gesture.

And alone, in the long and quiet days, she learned.

Four months into her stay, Talia discovered how to unlock the tower door. It was a simple spell, in fact. More a matter of tricking the tower into doing as she wished. She strolled the grounds, well away from any guard posts, and found wild vines and strange plants growing in the tower gardens. There was a book of plants inside, and so she dragged it out with her the next day, and set about identifying all the growing things she could not recognize; which, apart from the dandelions, was nearly everything.

She dusted off the cauldron, then, and must have burned herself sixteen different times in attempting to master the various magical recipes involving the garden plants. And plants from the fairy realm, as well. In one of the big, heavy tomes, which always seemed to fight her every time she turned the pages, she discovered a recipe for the sleeping draught which Devorah’s fairy knight had given her; and by the gleam of a full moon, she gathered ingredients from both worlds, and set about trying to recreate it.

Success was difficult to gauge without tasting the end results, though. She was very sure to label her own attempts accordingly, and dared not drink any of them.

It was not a bad life. Not at all. It was lonely, at times, but with Devorah and the spirits, not terribly so. And the freedoms she found were beginning to seem more and more appealing. As time went on, Talia found herself thinking she would much rather stay in her tower than see any shining prince approach from the horizon.

But when at last he came, she was ready for him.

The time almost snuck up on her, but the terrain visible up from the tower window was wide and barren, and one night as she went to bed she chanced to see a campfire burning. And she counted the days in her head, and then fell into a flurry of activity. She readied a fine dress, and packed up her things. She slipped the best staff in amongst her chest of clothes, and packed the skulls in with her jewellery. She slipped the sleeping potion into her pocket, and emptied out the bottom of the crate containing her shoes and slippers; and she did away with half of them, and fit as many of the most important books she could manage in their place. She hid potions ingredients in among her make up, and her own notes were kept safely in her diary. And every spare nook or cranny she could find, she stuffed something she deemed worthy; until the things she had first arrived with had become like a veil for the things she had uncovered since.

“You find yourself in that tower,” her mother had once told her.

And her mother had found her place as queen; and Adina had found a dragon; and Devorah had found her doorway out. As the sound of hoofbeats grew closer, Talia stared towards the horizon of the western kingdom. Her fingers toyed with the stopper of the sleeping draught.

She wondered what she had really found.

Why drink it yourself? one of the spirits had asked her, the first night she had come back from visiting her sister, with the tiny vial in hand. It seems to me that the logical thing to do, in an unhappy marriage, is poison the other person. Especially when that opens a door to you taking his kingdom out from under him.

Such interesting things, her skulls had to say.

And of course, the kingdom she would marry into was one ruled by magic. Sometimes princesses must think of their kingdoms first.

With a wry little twist of her lips, Talia practised her best expression of swooning relief, and waited for her prince.

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vuelosola

What your headache is tellin you

I haven’t seen this post in a min but precisely when I have a headache RN it comes up in my feed

Two quick additions, as someone who suffered from chronic migraines

1. Behind the eyes: eye strain or just long stress. More sleep will definitely make this feel better. 2. Temples: unclench your jaw, as that bone is putting too much pressure on your temples.

This is a fucking life saviour with the amount of headaches I have

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