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Nothing really matters, so why not?

@highladyofnothing-yet / highladyofnothing-yet.tumblr.com

Just a personal blog of everything
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just abruptly remembered that one of my friends had the absolute best college job, which I am still envious of. If it paid more I would quit lawyering right this minute and go get this job; it didn't pay enough to live on, but the temptation remains.

She was on call 24/7 as an operator for the Grammar Hotline.

Which is, yes, a phone line that you could call at any hour of the day or night to have your emergency grammar questions answered.

Literally none of her calls were boring. It was like 80% writers who had worked their way into a grammatical corner and 20% people having the pettiest arguments who needed an arbiter to decide who was right, and 100% of the time she got to be the platonic ideal of a stuffy librarian. Best job ever.

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orderrup

Enjoy queer media on youtube? feeling disillusioned, but still want gay shit?

Behold, my list of youtubers doing pop culture commentary I enjoy, in addition to the ones mentioned in the Hbomb video. A couple have links to my favorite videos of theirs, and the rest are listed in honorable mentions.

Lily Alexandre

Princess Weekes

Kat Blaque

Ro Ramdin

Sophie from Mars

CJ the X

Honorable mentions:

Jessie Gender

Strange Aeons

Nick diRamio

Jammidodger

Council of Geeks

The Leftist Cooks

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this whole plagiarism discussion makes me feel genuinely insane. do these people not enjoy research? not enjoy developing arguments ? no. money and clout is the only thing real for them. hollow people

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i think the best part about hbomberguy forgetting to credit that pixel artist until right after he uploaded the video is that it accidentally became an example of what an honest mistake and its reaction from the creator looks like as opposed to the dishonest mistakes showcased in the video

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locuas642

I never watched James Somerton. but I do remember when there was an increasing criticism ("criticism") of Animated shows like Steven Universe of She-Ra being "female-led queer shows" showing that queer women had an "easier" time getting heard of than Queer men.

And at the time I wasnt sure how much I personally could add to that discussion or how much was my place. but now that I feel I have better words to explain my feelings I can say I always thought it was bull.

Queer women do not have an "easier" time getting heard or getting their shows produced. Steven Universe got cancelled for homophobic reasons, and She-Ra had to be extremely careful with how they made Catradora Canon.

Those shows were also teared apart by "fans" who tried their hardest to make the most bad-faith arguments for these shows.

And yes, it is important to mention, ND Stevenson goes by He/Him while Rebecca Sugar is Non-binary, and that comes with their own set of discrimination, including getting misgendered. At the time, before they were out and everyone acted on the belief they were Cis, the argument was that as queer women, they had an "advantage" compared to other queer men, and also Dana Terrace (who is Cis as far as I know) also received this criticism. Most important, they would be shit takes regardless of that

and it's such bullshit, not just because of how unhelpful it is. How it tries to tear down important works and reduce them as a competition. But because of the deeply misogynistic root on it all: that these shows could only get made for "diversity points." That the only reason they got these shows made wasn't because of the blood sweat and tears of queer people working in an industry that is hostile to them. a negation and erasure of their effort.

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esperderek

Hbomberguy did a pretty good job pointing out how Somerton has tried to take up the air of modern queer creators, stealing the works they made to little or no money or exposure, and using them to bolster his own fame. It's a truly reprehensible act.

But I feel like it's also important to briefly touch on what he stole from the past.

The Celluloid Closet is a backbone text on queerness and cinema. Like, if you're at all interested in the subject, please read the book, and watch the doc. Yes, the language will be outdated. It was written in 1981 and the doc published in 1995. Language evolves. I was fortunate enough to both read the book and see the documentary in the early 2000s, when I attended university.

It was written by Vito Russo, who held a Masters in film and a desire to fight for queer rights after witnessing the Stonewell riots. The Celluloid Closet was first a live lecture presentation, then a book. He would try to get the book made into a documentary in the early years, and after he died, others picked up that torch to carry on his work and to pay respect to the man.

Vito Russo was also one of the co-founders of GLAAD. He was a co-founder of ACT UP. You may have, if you've watched documentaries or seen news stories about the AIDS crisis, seen parts of his speech, Why We Fight. He protested, advocated, and educated even as people he knew and loved died, and he himself was dying.

As Hbomberguy notes in his doc, he would go on to pass in 1990. This was a man who fought his ass off, even while dying, for a better tomorrow and better representation.

The fact that Somerton stole his work is beyond insulting to the queer history, and queer film history, that he purports to give a shit about.

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It’s wild seeing people go “okay it’s clearly Stockholm syndrome” to freed hostages thanking Hamas, saying goodbye and smiling/waving to Hamas as the IOF takes them and then also Israel keeping hostages under tight media supervision and advising them not to speak on their experiences when in actuality what probably happened was during this time the captives learned closely the the propaganda of their government that paints Hamas and Palestinians more broadly as monsterous subhumans wasn’t true. You can’t deny that hostages have consistently reported they were treated well and that the real fear was from the constant bombardments.

Comparing that with Palestinian captives being released after years of torture and abuse, some unable to even recognize their families, mothers crying over the lost years with their children, all of them detailing the horrors they face AND the fact that israel is keeping the bodies of those who died during imprisonment to finish out their sentence, them telling release children that they will be back, banning celebrations and expressions of joy in public at the release of captives as “supporting terrorists”

Idk just the more you see the more warped everything is.

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traycakes

"Stockholm Syndrome" was invented when a hostage complained that the police kept doing reckless things that endangered her life so the hostage-taker kept protecting her from the cops.

She was fully aware he was only protecting her because she was useful as a bargaining chip, however the fact remains the cops were the only danger to her life during the hostage situation. Rather than admit this the cops had someone make up a diagnosis as part of a smear campaign.

So the hostages that have been protected by Hamas while Israel dropped countless bombs in an attempt to kill them do in fact have a connection to Stockholm syndrome.

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weepingchoir

Every time some fash posts about Real Art vs Duchamp's Fountain it's like lol that urinal has been kicking your ass for a hundred years

Marcel Duchamp kicked the bucket 55 slutty, slutty years ago and you can't get him out of your head. You're half as old as he is dead and you are worshiping at his altar, you are drinking his piss. He won.

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mqqqteor

> mom spilled trace amount of curry powder on the floor

> cool ok ill sweep it up in a sec

> go to the bathroom, come back

> curry powder is suspiciously less

> cat is suspiciously yellow

artistic recreation

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"mom's not home, you know what that means" walks around the house talking to the imaginary audience for three hours straight

*watches cringey movie on the big tv instead of my laptop*

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