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Missing: A Hyperfixation

@queenofbooknerds / queenofbooknerds.tumblr.com

A bot wouldn’t have badges. I’m just attached to my cone.
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Bookworm | Geek | Professional Fangirl | Chaotic Neutral
Old enough to know better but young enough to do it anyways (legally an adult)
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corvidcall

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

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ejacutastic

anyone have that one post that's like "I was staying at an airbnb and woke up and saw a mouse eating a truffle. it wasn't my chocolate it was the mouse's chocolate" bc I can't find it

gotta do everything myself around here

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avelera

Pro-writing tip: if your story doesn't need a number, don't put a fucking number in it.

Nothing, I mean nothing, activates reader pedantry like a number.

I have seen it a thousand times in writing workshops. People just can't resist nitpicking a number. For example, "This scifi story takes place 200 years in the future and they have faster than light travel because it's plot convenient," will immediately drag every armchair scientist out of the woodwork to say why there's no way that technology would exist in only 200 years.

Dates, ages, math, spans of time, I don't know what it is but the second a specific number shows up, your reader is thinking, and they're thinking critically but it's about whether that information is correct. They are now doing the math and have gone off drawing conclusions and getting distracted from your story or worse, putting it down entirely because umm, that sword could not have existed in that Medieval year, or this character couldn't be this old because it means they were an infant when this other story event happened that they're supposed to know about, or these two events now overlap in the timeline, or... etc etc etc.

Unless you are 1000% certain that a specific number is adding to your narrative, and you know rock-solid, backwards and forwards that the information attached to that number is correct and consistent throughout the entire story, do yourself a favor, and don't bring that evil down upon your head.

Editor here. Can confirm.

"Two centuries later" just triggers a mental note to check if timing is consistent throughout the book, because it may mean more time jumps are ahead. "200 years later", or heaven forbid, "201 years later" will have me draw up a time line. The more specific the number, the more critical people become.

Strange phenomenon. Well spotted, OP.

actually i think i might have an explanation for this from linguistics? i think folks get more nitpicky if you have specific numbers because of gricean maxims, specifically the maxims of quality and quantity

basically gricean maxims are a set of guidelines that we all carry in our heads that we expect other people to follow when having a conversation in good faith - i’m copying and pasting definitions from someone else because my attempts at summing up quality and quantity weren’t going so hot

The maxim of quantity, where one tries to be as informative as one possibly can, and gives as much information as is needed, and no more.
The maxim of quality, where one tries to be truthful, and does not give information that is false or that is not supported by evidence.

so basically, when you put a rough number in a text, people think subconsciously ‘oh, the exact number isn’t important, because if it was they would tell me an exact number, so i don’t need to worry about this’, whereas if you put something precise in, people’s brains go ‘wait, they think i need to know this information so i’ll remember it, but now it’s later and they’ve said something that contradicts it, so at least one of those times they were lying and i must figure out which time it was’

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Saddest thing ever is reading an academic paper about a threatened or declining species where you can tell the author is really trying to come up with ways the animal could hypothetically be useful to humans in a desperate attempt to get someone to care. Nobody gives a shit about the animals that “don’t affect” us and it seriously breaks my heart

“No I can’t come out tonight I’m sobbing about this entomologist’s heartfelt plea for someone to care about an endangered moth”

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bogleech

This is how I learn there's a moth whose tiny caterpillars live exclusively off the old shells of dead tortoises.

[Image description: text from a section titled On Being Endangered: An Afterthought that says:

Realizing that a species is imperiled has broad connotations, given that it tells us something about the plight of nature itself. It reminds us of the need to implement conservation measures and to protect the region of which the species is a part. But aside form the broader picture, species have intrinsic worth and are deserving of preservation. Surely an oddity such as C. vicinella cannot simply be allowed to vanish.

We should speak up on behalf of this little moth, not only because by so doing we would bolster conservation efforts now underway in Florida, [highlighting begins] but because we would be calling attention to the existence of a species that is so infinitely worth knowing. [end highlighting]

But is quaintness all that can be said on behalf of this moth? Does this insect not have hidden value beyond its overt appeal? Does not its silk and glue add, potentially, to its worth? Could these products not be unique in ways that could ultimately prove applicable?

End image description]

because we would be calling attention to the existence of a species that is so infinitely worth knowing

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rackiera

I was so inspired by this I made it into a piece of art for a final in one of my courses for storytelling in conservation

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ladyofspoons

please reblog for sample size uwu

and remember to put the fate you’ve chosen in the tags

there is a DEEP HILARITY in how i reblogged this to main, majority of folks demand I gain a mystery item, then FOUR HOURS LATER I am presented with coinquest (as seen in previous post if u scroll my blog for a sec)

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inkskinned

oh, i am finally old enough to know why my parents took so long to grab their coats. why they would ask us to get ready to go only to sit down for another round of coffee. what would i tell myself, at 10 years old? it’s okay. sit down with them too. take in the extra hour with your friend and her family. when you get home, write down every moment in your diary. one day you will be older and you will be waving goodbye to your best friend, and you will turn the key to start your beat up little car engine, and you will look back over your shoulder. her hair will be blowing in the wind and she will be beautiful and you will be, for a moment, struck by all of it. what you will feel is so wide and nameless that it will engulf you. and you will think of being 14 and kicking her under the table in math every time you wanted to whisper something behind the teacher’s back. you will think about how long the days felt, and how you could hold her hand whenever you wished, but you didn’t. and you will think about all of the people you could have lingered with. and you will wish, more than you have ever felt a wish, that the universe just gave you that - more time to linger. more time to say - i love you. i know i need to leave, but i don’t want to leave you. and when i go, i am leaving a piece of my heart that lingers too. 

one more round of coffee. the days are so short, and you are so lovely.

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bakwaaas

“The number of hours we have together is actually not so large. Please linger near the door uncomfortably instead of just leaving. Please forget your scarf in my life and come back later for it.” (mikko harvey)

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bruh

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heathyr

everything about this… this statue, the choppy waves, the cliffs behind her, the echo, the drumming….. aesthetic

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tuulikki

Lyrics in Faroese:

Trøllabundin eri eg eri eg Galdramaður festi meg festi meg Trøllabundin djúpt í míni sál í míni sál Í hjartanum logar brennandi bál brennandi bál

Trøllabundin eri eg eri eg Galdramaður festi meg festi meg Trøllabundin inn í hjartarót í hjartarót Eyga mítt festist har ið galdramaður stóð

English translation:

Spellbound am I, am I The wizard has enchanted me, enchanted me Spellbound deep in my soul, in my soul In my heart burns a smouldering fire, smouldering fire

Spellbound am I, am I The wizard has enchanted me, enchanted me Spellbound in my heart’s root, my heart’s root

Did anyone else just get the shivers? Cuz I’m definitely getting the shivers.

Btdubs, the singer is Eivør Pálsdóttir.

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corseque

Reblogging again for the haunting wizard lyrics

shoutout to the faroe island for being the only real viking island left

I know the islands are owned by Denmark but this reminds me so much of Iceland

Fun fact this woman is trying to single handedly preserve this kind of singing in her culture by performing and making people aware of it because it’s been fading with time and she’s afraid if she doesn’t spread it it will disappear and be lost to future generations

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Why did you give the last of your food to that poorly disguised mimic? You were finally at peace with letting go, but now this odd thing won’t leave you alone and is even turning itself into various items in an attempt to aid you.

The mimic is a young one, and you knew that from the moment you laid eyes on it. It was disguised as a crate, but the angles weren’t quite right. The corners were a little lopsided, and if you looked hard enough you could make out the creature’s mouth.

A sigh escapes you as you toss over the last of your rations, not even bothering to stand up as you do so. What’s the point? You think. I’ve been trapped in this cave for days, nobody is looking for me, and the monsters are closing in. Why should I bother even trying? I could just fall asleep now, and let this little mimic eat me too.

The thing is… it doesn’t. It eats your rations, but when you lay down and try to sleep, it doesn’t attack. You do hear it move closer, but you don’t open your eyes until you feel something nudge your hand. As you barely open your eyes, you can see that the mimic has morphed itself into a crude sword. You can’t help but chuckle.

“You’re cute, but I don’t have anything left to give you.” You don’t have anything left to give for yourself either, but you don’t say so.

The mimic doesn’t seem to take no for an answer. It becomes a dagger, then an axe, then a staff, as though it’s trying to determine what your preffered weapon is.

“Listen, I don’t know what you’re trying to do, but it’s not working. I’m not going to pick you up and take you into some other part of this stupid cave system. Nice try, though.”

You turn away from it and attempt to sleep again. As you do so, you find yourself shivering. You really wish, as you doze off, that you had a blanket.

When you wake, much later, you’re surprised to find yourself covered with the warmest blanket you’ve ever had. You quickly sit up, eagerly hoping that someone had cone for you, but the cave is empty. When you look at the blanket, you notice the imperfect edges and the janky seam across the middle.

“…why haven’t you eaten me yet?” You ask the little mimic that’s now laying on top of you. “What’s wrong with you?”

The mimic, still in the form of the blanket, slithers off of you, but it does not respond. Instead, it begins taking the form of weapons again. When it turns into a crooked staff, you reach out, despite yourself. Your fingers wrap around it and you use it to haul your aching, injured body to your feet. “I guess there are probably nicer places to die.”

You know you won’t get far. And you don’t. Especially not without light. The mimic doesn’t seem too bothered, though. When you collapse again, it scuttles off. Perhaps this was simply where it wanted you to take it. Perhaps now you can finally succumb to your exhaustion.

Then, a few minutes later, a misshapen clay cup bumps against your hand. It’s full of water, and there’s a crack in the middle like a jagged mouth. You pick up the cup and you drink, telling yourself it’s only out of desperation. When you set the cup down, that little cracked mouth seems to smile.

This goes on for what feels like days. The mimic helps you limp along through the tunnels, transforming into whatever you may need at any given time. Every time you fall asleep, you expect not to wake up. Yet, you do, usually with a mimic blanket wrapped around you. It brings you food and water when you can.

The biggest surprise comes when one morning, you find you’re pleased to have survived another night. You’re happy to have the mimic keeping you warm. It’s a new feeling, and a confusing one, but it’s not unpleasant.

The other monsters that you know are down here seem to leave you alone for the most part. You aren’t sure why. It crosses your mind that maybe it has something to do with the mimic. Then again, maybe they’re just waiting for you to die. Death is gradually beginning to sound less and less appealing.

The day you catch a glimpse of sunlight down a long and narrow tunnel is the first day you finally feel like your old self again. Your pace quickens, and you don’t need to lean on the mimic’s staff form quite so much. The illusion shatters when you reach the light’s source. A small gap, high above. You curl up on the floor and cry. When you finally have the strength to look up again, your mimic has become a ladder.

Getting up is hard, in your state. Climbing, even more so. But the ladder is the biggest and best transformation the mimic has done so far, and if it wants you to get out, then you can’t let it down.

You feel it push up under you when you reach the gap. It helps you squeeze through, and then… freedom. Fresh air, and sunlight. You lay on your back on the stone, and you pass out.

You wake up at sunset, with a blanket draoed over you. A blanket with a jagged seam down the middle.

Danger. Fear. hide. Become rock. wait… calm. Hungry. find food. Smell food. See light. Dying fire.. Adventurer! Danger! Become box! Imperfect. Noticed. FearFearHumanRaisedHandFearThrowingBracing….

Not hurt. Human sigh. Near food. Danger? Prey?

Gift?

Eat. Filling.

Near human. Human resting. Danger? Observe.

ApproachFearFearFear. Observe. Become sword. Wait.

Nudgefearfearfear. Human sound. Imperfect? Become knife. No? Imperfect. Become axe. No? Imperfect. Become staff. Human sound. Human sound. Human turn. Imperfect?

Wait. Observe.

Human resting…. Human shaking. Puzzle. Human scared? No? Imperfect. Human cold? What do? Fear. Become fire.PainNO. pain. Imperfect. Human shake less. Human cold. Puzzle. Recover. Ideafear. Become blanket. Fear. Touchfearfear.

Touch.

Cover. Warm. Rest.

AwakeMovingFear! Fear! human. Human noise. Retreat. Imperfect.

Observe. Not danger.

Become sword? No? Imperfect. Become weapon? No? Imperfect. Become tool? Become warhammer. No? Imperfect. Human weak. Become small knife. No? Imperfect. Become walking stick. Human reaches. Brace. Touched.

Support. Move.

Human tired. Human injured? Imperfect. No blood. No angles. Darkness? Bad Idea NONONO. Human dry? Unknown. Human stop. Human collapse! Observe. Human in safety. Fix human dry.

Observe. Smell water. Distant. Follow.

Danger. Direwolf in water. Puzzle. Observe. Have height. Idea.

Become stone. Tumble. Pain. Imperfect. Direwolf flee. Perfect enough.

Pause. Recover. Observe. Become bucket. Fill. Climb back up. Spill some. Imperfect. At top. Some water. Perfect enough. Return.

Not back. Smell Direwolf. Fear. Have water. Caution. Observe. Crevice. Pour. Direwolf sound! Fear! Spill! Imperfect! Fear! Become stone! Direwolf approach! Become hard. Direwolf approach water! BadBadBad! Become Problem! Surprise! Bite nose! Bite! Direwolf sound. Direwolf leave. Calm.

Obtain water? Become bucket. No. Imperfect. Large. Become cup. Some water. Perfect enough. Careful. Return.

Brace. Human lift. Human drink. Human resting. Become blanket. Warm.

Time.

Split path. Human confused. Smell. Stagnant. Fresh? Follow fresh. Lead human. Support.

Time.

Smell prey. Hungry. Shake. Human sit. Quiet. Find prey. Split. Support human. Return. Human resting. Feed. Become blanket. Warm.

Time.

Light! Exit! Rush! Approach. Observe. Puzzle. Height. Hole in roof. Problem. Human noise. Human collapse! Human turn. Human noise… problem. problem. problem.

Puzzle? Puzzle. Observe. Climb wall. Difficult. Impossible? No. Approach roof. Reach hole. Puzzle. Observe. Human mimic mimic? Imperfect. Become rope? Imperfect. Human weak. Become staircase? Imperfect. Size.

Puzzle. Puzzle. …Create? Become StaircaseRope? Become… StaircaseRope. Imperfect. Shift. Shift. Puzzle. Shift. Become StaircaseRope.

Human turn. Human pause. Human rise. Human approach. Support human. Human climb. Imperfect. Perfect enough. Human rise. Human pause. Human noise. Human climb.

Human reach surface!

Become blanket. Cover human. Become… friend?

Dude this is an awesome addition. That the mimic thinks so much in terms of ‘perfect/imperfect.’ It makes total sense for something whose schtick is mimicking things as accurately as possible. But the first time it said ‘perfect enough’ was a gut punch at my own perfectionism. So ow

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