Let’s Do It Baby, I Know The Law

怪物 (Monster)

— 2023, dir. Hirokazu Kore-eda

editing is so fun. I'm learning what the story I wrote is about

sometimes after you learn what your story is about, you resolve to write a thematically appropriate sequel. this, unfortunately, means you have another section to edit, and now your story means two things. maybe more. imagine.

This post understands editing like nobody else. Everybody else delete your blogs. I want to be alone with OP so we can talk.

1: Cheese Manakeesh (cheese pies)

2: Homemade Hummus w/ chicken koufta

3: Msakhan (the National dish of Palestine)

4: Sfeeha (meet pies)

Follow her on: twitter instagram youtube tiktok and her own blog for more.

Another quiz for if you were a fictional character how would your fandom treat you (if you think your life is too boring to have a fandom just think of yourself as living the domestic!au of some sci-fi or fantasy)

reblog with your results

you forgot the best part tho

(via @butchmuppet)

no lie, the second half of this post really helped me put a different perspective on my life and greatly the decreased the anxiety i have about my life to come

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little sketch of the gardening scene from "Kiss the Cook" with my Tav and Rolan, by @viennacherries suggestion

did a little paintover of an old design i did for a zine back in 2021 :) gonna make stickers of this soon!

"look at his little beak! c'mere, you doll..."

insta | twitter | inprnt | redbubble

lesbian bed death - goth girls are easy

It frightens and discourages me how pervasive "tribal" stereotypes and imagery are in the fantasy and adventure genres.

It's all over the place in classic literature. Crack open a Jules Verne novel and you're likely to find caricatures of brown people and cultures, even when the characters are sympathetic to the plight of the colonized peoples - incidentally, this is the biggest reason I can't recommend 20,000 Leagues Under the Sea to everyone, despite Captain Nemo being one of my favorite fictional characters of all time.

You can't escape it in modern cinema, either. You'll see white heroes venturing bravely into jungles and tombs to steal from natives who don't know how to use their resources "properly." You'll see them strung up in traps, riddled with sleeping darts, forced to flee and fight their way out. Hell, Pirates of the Caribbean, a remarkably inclusive franchise in many other ways, had an extended sequence of the white heroes escaping from a cannibal civilization in the second film.

And when fantasy RPGs want a humanoid enemy, the "bloodthirsty natives" are the first stock trope they jump to. World of Warcraft is one of the most egregious examples, with the trolls - blatant racist caricatures with faux-voodoo beliefs, cannibalistic diets, Jamaican accents, and a history of being killed in droves by (white) elves and humans - being raided and slaughtered in nearly every expansion.

It doesn't matter how vibrant and distinctive the real-world indigenous, Polynesian, Caribbean, and African cultures are. It doesn't matter how much potential these real civilizations offer for complex and sympathetic characterization. Anything that doesn't make sense to the white western mind is shoved under the same "savage" umbrella. They're different. They're strange. They're scary. They have to be escaped, subjugated, eliminated, ogled at from the safety of a museum.

Modern writers, directors, and developers don't even seem to realize how horrifying it is to present the indigenous inhabitants of a place as "obstacles" for non-native protagonists to overcome. "It's not racist," they say, "because these people aren't really people, you see." And if you dare to point out anything that hurts or offends you as a descendant of the bastardized culture, you're accused of being the real racist: "These aren't humans! They're monsters! Are you saying that these real societies are just like those disgusting monsters?"

No, they're not monsters. But you chose to design them as monsters, just as invaders have done for hundreds of years. Why would you do that? Why can you recognize any other caricature as evil and cruel, but not this?

This is how deep colonialism runs.

JOKER: Folie à Deux (2024) dir. Todd Phillips

stephanie and monica in at home with themselves: same-sex couples in 1980s america by sage sohier, 1987

I am very much not immune to Astarion 🩸