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KEITH'S CORNER

@daintykeith / daintykeith.tumblr.com

Writing articles & tips, some of my art and personal writing.
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Describing Faces

Anonymous asked fuckyourwritinghabits:
How do I describe faces?

Hair, eyes, defining feature. That’s it for most characters, unless you’re describing a romantic interest or the main character has some reason to describe their face in detail (say, in relation to their self-esteem).

What a defining facial feature is:

  • The most striking thing about the character’s face. A chin so pointed you could stab people with it. ‘Foxface’ - long and narrow. ‘Horseface’ - long and broad. A square chin, ears that stick out, etc.
  • Something unique. Piercings, tattoos, scars, and unusual face shape, freckles, etc.

What a defining facial feature is not:

  • Race (You know better than that.)
  • Vagueness. 'Her face was shaped beautifully.’ Okay, what makes it beautiful? 'He had a lovely nose.’ What shape? What size? Vagueness doesn’t help anyone.
  • Cliches (often used to describe race). Almond-shaped eyes. Epicanthal folds (why the hell does anyone mention this*). Skin color. Language that is insulting ('slanty’ eyes, 'swarthy’ skin). Etc.

This is not to imply you shouldn’t mention race, but it shouldn’t be a defining physical feature when talking about someone’s face. That doesn’t mean you can’t describe someone’s facial features because they’re really common for a group of people, but a character isn’t an anonymous person standing in a crowd - a character should stand out and be defined, even if they play a minor role. Hone in your description skills to really capture somebody in quick sentences; that’ll help to get them to stick in the readers mind.

*(I have only seen this done once because it was plot relevant - an international adoptee being revealed that she was actually biracial. In all other uses I’ve seen, it was pointless and irritating to see. Unless it is plot relevant, leave the medical-sounding terms at the door.)

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reblogged

How to create an atmosphere: Supermarket

Sight

  • advertisements for products
  • big signs showing discounts
  • aisles full of colorful products
  • fresh produce
  • employees in matching uniforms
  • all different kinds of costumers
  • with shopping carts
  • with children running around
  • with a stroller or toddlers sitting in the shopping cart
  • with a service dog by their side

Hearing

  • the sound of shopping carts being pushed and bumping into shelves
  • parents calling for their children
  • people talking on the phone
  • a man asking his wife if they still have enough toilet paper at home
  • someone asking the employee where they can find something
  • music interrupted by announcements about promotions the store is doing
  • the surring and beeping sound of the cash register belt
  • the sound of the electronic doors opening and shutting again

Touch

  • the stickiness of the floors
  • the differents textures of each item they think about buying
  • the coldness and often stickiness of the handle of the shopping cart
  • the sudden wetness from some products that are either fresh produce or where the package is leaking

Smell

  • the smell of spilled drinks that someone dropped and left for the employees to clean up
  • the smell of cleaning products from them having to sweep it up
  • the smell of hand sanitizer
  • the smell of different products the costumer holds up to their face and smells to decide if they like it
  • the horrendous smell of deposit machines where you return your not quite empty beer bottles to and the leftover liquid spills everywhere

Taste

  • different samples offered at the supermarket

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reblogged

Here is a free pdf of the players handbook

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

For all your dnd purposes

Here’s a site that has literally every official (and most UA) dnd stuff

including the books and campaigns

and you can add homebrew

Hey rb this!!!

Guys don’t share this kinda thing people may use it to get access to the dnd source books for free instead of paying for them. This is extremely dangerous for the flawless company that wizards of the coast is.

I bought the book for my birthday, but I like to have the actual book in my hand. Still cost too much, but I’ll still be able to save money on the other bits.

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I spy, with my little eye, a photo that was faked by an AI image generator! Can you spot the clues?

FB is turning into a parade of fake AI images churned out by click-farming pages. More misinformation is on the way. Learn some tricks for spotting AI photos!

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novlr

The symbolism of flowers

Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.

Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!

  • Amaryllis: Pride
  • Black-eyed Susan: Justice
  • Bluebell: Humility
  • Calla Lily: Beauty
  • Pink Camellia: Longing
  • Carnations: Female love
  • Yellow Carnation: Rejection
  • Clematis: Mental beauty
  • Columbine: Foolishness
  • Cyclamen: Resignation
  • Daffodil: Unrivalled love
  • Daisy: Innocence, loyalty
  • Forget-me-not: True love
  • Gardenia: Secret love
  • Geranium: Folly, stupidity
  • Gladiolus: Integrity, strength
  • Hibiscus: Delicate beauty
  • Honeysuckle: Bonds of love
  • Blue Hyacinth: Constancy
  • Hydrangea: Frigid, heartless
  • Iris: Faith, trust, wisdom
  • White Jasmine: Amiability
  • Lavender: Distrust
  • Lilac: Joy of youth
  • White Lily: Purity
  • Orange Lily: Hatred
  • Tiger Lily: Wealth, pride
  • Lily-of-the-valley: Sweetness, humility
  • Lotus: Enlightenment, rebirth
  • Magnolia: Nobility
  • Marigold: Grief, jealousy
  • Morning Glory: Affection
  • Nasturtium: Patriotism, conquest
  • Pansy: Thoughtfulness
  • Peony: Bashfulness, shame
  • Poppy: Consolation
  • Red Rose: Love
  • Yellow Rose: Jealously, infidelity
  • Snapdragon: Deception, grace
  • Sunflower: Adoration
  • Sweet Willian: Gallantry
  • Red Tulip: Passion
  • Violet: Watchfulness, modesty
  • Yarrow: Everlasting love
  • Zinnia: Absent, affection

Always loved flower language

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Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

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reblogged

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

Are there any other particularly egregious examples?

This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:

It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).

This book can be downloaded for free on Researchgate, posted there by the author himself:

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neil-gaiman

When you write a book like American Gods you make friends with your doctor and ask him lots of questions about surviving Wisconsin Winters, plunges into cold water and the like.

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Greetings bugs and worms!

This comic is a little different than what I usually do but I worked real hard on it—Maybe I'll make more infographic stuff in the future this ended up being fun. Hope you learned something new :)

If you are still curious and want to learn more about OCD, you can visit the International OCD Foundation's website. I also recommend this amazing TED ED video "Starving The Monster", which was my first introduction to the disorder and this video by John Green about his own experience with OCD.

The IOCDF's website can also help you find support groups, therapy, and has lots of online guides and resources as well if you or a loved one is struggling with the disorder. It is very comprehensive!

Reblog to teach your followers about OCD

(But also not reblogging doesn't make you evil, silly goose)

Oh please, please spread information about this. It's so goddamn important.

I was diagnosed with OCD in December 2021, and it was a living hell. It's nothing like the pop culture representation of it. It was, without question, the worst experience of my life. OCD is a nightmare to have.

Those feelings you have when something horrible happens? Imagine having those feelings day in and day out, because in your mind, those horrible things are being constantly thought about as a very real threat. Your mind tells you to do the compulsion, or they'll come true.

The compulsions aren't something we like doing. The comic is so right about this. You could be rearranging your room a hundred times to get it exactly right because it makes you happy, and still not have OCD. The compulsions are born out of fear, that started rational and then devolved into things that don't make sense at all.

Because I was a psychology student and I'm someone who pays close attention to my mental state, I noticed the horrifying change in my behaviour and forced my family to take me to see a psychologist within a couple of months of symptom onset.

It's been more than two years of medication and therapy, and the OCD doesn't paralyse me anymore the way it used to. Most days, I barely remember it's there, sleeping in my brain and dormant. Treatment is possible, and I'm proof of it.

This is because I saw something was wrong and got help.

But even being a psychology student, until I got the diagnosis, I didn't even consider it might be OCD. I just knew something was off.

Why didn't I think of OCD? Because of the sheer volume of misinformation that's spread about this disorder.

I don't want other OCD sufferers to not seek help simply because of this popular misunderstanding about what the disorder is. So yeah. Please go through the comic, it explains it wonderfully.

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sagegarnish

🦀 Kudos Crab 🦀

If you are scrolling and see Kudos Crab, your fics will be blessed!

You will get good comments and kudos!

You will beat your writers block!

GO AND WRITE!

crab kudos rave

first image is of a tiny crab holding up a pin with the word KUDOS next to the AO3 logo. second image described in alt text

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Writing Strong Opening Lines

This is the kind of information your first line should provide:

  • the name of the character (the speicifcity creates and illusion of reality from the get-go)
  • Notify that something bad is about to happen.
  • Provide a feeling of motion (it doesn’t neccessarily have to be the character moving)
  • Talk about a (small) disturbance to the character’s everyday life.

Types of Novel Openings

  1. Action (in medias res)
  • Jump into the story with no delay - have something interesting happening.
  • “They threw me off the hay truck about noon."

2. Dialogue

  • Show conflict between the characters speaking.
  • “Isn’t it true you ahve a motive to lie?” / “Excuse me?”

3. Raw Emotion

  • Make readers sympathize with the MC, who is experiencing a strong, universal emotion (like sadness, anger, etc.).
  • “I do not look. I don’t ask where. I don’t because Annie’s mother died seven months ago. I stand motionless in the line, looking just like everyone else except for the hot tears that have begun to sting my eyes.”

4. Look-back Hook

  • Suggest that there is a not-to-be-missed story that’s about to be told
  • “The terror, which would not end for another twenty-eight years — if it ever did end — beganm, so far as I can tell, with a boat made from a sheet of newsppaer gloating down a gutter swollen with rain”

5. Attitude

  • When using first-person narration, show some attitude and unique voice.
  • “If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”

6. Prologues - entice the reader to move to chapter 1

  • Action Prologue: Start off with some big scene, often involving death
  • Framing a story - give the reader the view of a character about to look back and tell the story.
  • The teaser - present a scene at the beginning that will happen later on in the book

If you like my blog, buy me a coffee!

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drunkhades

As of today 14028 Aziraphale/Crowley fanfics have been posted on ao3 since the release of season two

Which means that on average 77.5 fanfics are being published per day

That’s 3.23 fanfics per hour

0.05 fanfics per minute

So in conclusion:

Every twenty minutes a new Aziraphale/Crowley fanfic is being written

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suzypfonne

Good! They haven't even started filming S3!

That is the most insane thing I've heard this week

And also the 20 minute thing is an underestimate, for sure. How many are being written and the author is waiting to post until they've finished. How many have been started and the author has just kept them for themselves. HOW MANY ARE WRITTEN ON TUMBLR. HOW MANY ARE JUST SHARED WITH THE AUTHOR'S FRIENDS.

I cannot wrap my head around this, in a great way

So I did a lot of math and the numbers are crazy. As of two weeks ago when I pulled the numbers:

  • There are approximately 365 MILLION words of GOmens fic published on ao3
  • The average fic length is somewhere around 5700 words and the median is closer to 2700
  • According to tumblr users in a poll, only about 47% of all fic written gets published on ao3
  • Therefore, it's actually closer to one fic every ten minutes
  • Or, assuming that the average fic length does not vary significantly accross time periods, 570 words written per minute or about 821k per day

In the time it took you to read this post thread, nearly a thousand words of good omens fanfiction were written somewhere in the world.

Data is under the cut if you're interested:) >more stuff like this<

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power signalling

Kneeling.

  • Ordered to kneel as punishment or as a show of deference.
  • Shoved physically to the ground by hands on their shoulders, maybe a kick to the back of the knee.
  • Picking themself up off the ground but only getting as far as hands and knees.
  • Crawling because they haven't got the strength to stand anymore.
  • Dropping to their knees from exhaustion or despair.

Personal space.

  • Casually invading it.
  • Uninvited touch - from the deeply creepy to something as simple as a firm hand on the shoulder.
  • Standing too close - especially if taller or otherwise physically stronger.
  • Conversely, hurrying to get out of someone's way.

Eye contact.

  • Staring someone down. Who is the first to look away?
  • Averting eyes for one's social superiors. Trying to de-escalate by avoiding eye contact.
  • Too frightened or ashamed to look someone in the eye.
  • Insisting that someone maintain eye contact while you're talking to them. Insisting that someone never look you in the eye.
  • Singling someone out just by looking at them.

More generally, Attention.

  • The room falls quiet when they walk in.
  • Who cuts in, and who gets talked over. Ignoring those who are beneath your attention.
  • The excited attention given to the object of respect and idolization.
  • The careful, wary focus given to a potential threat.
  • Deliberately attending to something else to appear less threatening. Deliberately burying oneself in something else to avoid attracting unwanted attention.

Codified status behaviours.

  • Bowing to one's superiors. Bonus points if there are differentiated kinds of bowing for different status differentials.
  • Soldiers coming to attention when a superior officer comes.
  • Saluting. Who greets whom first?
  • Serving food in a particular order.
  • Standing up when a respected person enters the room.

Non-verbal threats.

  • Just resting a hand on a weapon, or perhaps even just near a weapon.
  • Cracking knuckles or rolling shoulders. Clenched fists. The little come-get-some-then life of the chin.
  • Stepping from a conversational stance into one that's balance for fight or flight.
  • Pointing a weapon at someone. Casually brushing aside a weapon.

Conversely, de-escalation and surrender.

  • Open hands, spread in front of them. Hands above head.
  • (Raised slowly, transitioning from the simple whoa-calm-down gesture to full on surrender as the situation gets tenser.)
  • Going still. Slow, careful movements being sure to keep hands where they can be seen. Laying down weapons.
  • Hands on head. Getting down on the floor. Deliberately making oneself vulnerable to prove non-hostile (or non-resisting) intent.

Alternately, deliberately showing "vulnerability" to demonstrate how little of a threat you consider the other person.

  • The slouch of villainy. Open posture, casual, relaxed in the face of apparent danger.
  • Casually putting weapons away or turning one's back, confident that they won't do anything.

Signs of fear.

  • Flinching. Trembling. Closed defensive posture. Tension. Backing away. Fidgeting. Lip-biting.
  • Arms hugged close to chest. Or refusing to lower defences. Checking for escape routes. Trying to insist that they don't come any closer.

Offer of or requests for help.

  • Extending a hand to help someone up off the ground. Reaching out a hand in silent plea.
  • Do they have to ask for help? Are they willing to accept it? Do they get a choice? Who has plenty and who has to rely on the other's goodwill?
  • Picking someone up off the ground. Carrying them. (Dropping them?)
  • Adjusting someone's clothes. Withholding aid.

A character can vastly expand their area of influence by laying a hand on a table, for example. If you're standing on opposite sides of a large table, and one of you puts your hand down, that can symbolically take you up into the other party's personal space in a much subtler and more deniable way than actually getting up in their face.

This can be used equally well to convey affection or threat.

This is an excellent post! And absolutely critical if you want to hone your showing-instead-of-telling.

Also, @ my writing followers, if you aren't aware of the Emotional Thesaurus - I recommend it, it's a good tool to get inspiration for writing specific emotions when you want to amplify your writing. There's a series of other Thesauruses by them too, but I find I go back to this one most.

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