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Rhosyn Goodfellow

@faerytaleonfire

Author. Runner. Unspeakable eldritch horror. Xe/She/They. https://linktr.ee/faerytaleonfire
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Hello! I’m Rhosyn, and I write queer sci-fi (usually space opera), fantasy (usually urban/paranormal and often bordering on horror), and romance.

Links & Stuff

WIPs

Fortune’s Favor

Be gay. Do crime. Save the galaxy.

Starship mechanic Vita Antares teams up with a crew of career thieves to destroy a planet-killing weapon before it’s sold to the highest bidder. But first, they have to steal it back from her ex.

I’m on the third rewrite of this novel, and I think it might become a series. Because I want every member of the crew to get a chance to tell their story and also someone’s gotta overthrow the space fascists.

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bajoop-sheeb

PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin or that Babel was too heavy-handed just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here

Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn

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youfavfemme

If anyone has any recommendations give them to me please!

Gladly! The pieces on this list aren’t limited to specifically anti-colonial science fiction and fantasy, but they do center related and relevant topics, themes, etc.

  • Anything by NK Jemisin. She is the best speculative fiction writer of her generation and probably the best speculative fiction writer alive. She is easily one of the best writers working right now, across all genres. That’s not hyperbole. She deserves all the hype.
  • Anything by Octavia Butler. She needs no introduction. Her short fiction is incredible; “Bloodchild” is one of the pieces that inspired me to write.
  • An Unkindness of Ghosts by Rivers Solomon. Excellent. Just read it.
  • The Radiant Emperor duology by Shelley P. Chan. It broke my heart and it'll break yours.
  • Babel by RF Kuang. You’ve probably already heard of this book because Harper Voyager marketed the shit out of it and was right to do so. It’s very, very good. Kuang writes a compulsively readable story, that’s for sure.
  • The Empress of Salt and Fortune by Nghi Vo.
  • So Long Been Dreaming: Post-Colonial Science Fiction and Fantasy (anthology) edited by Nalo Hopkinson.
  • Dark Matter: A Century of Speculative Fiction from the African Diaspora (anthology) edited by Nalo Hopkinson.

Severely underhyped books of assorted speculative genres:

  • The Blood Trials by NE Davenport. Given the current chokehold romantasy has on the public it’s insane to me that this book hasn’t sold a billion copies.
  • The Vanished Birds by Simon Jimenez. It’ll change you.
  • The Tiger’s Daughter by K. Arsenault Rivera.
  • The Lesson by Caldwell Turnbull.

Read widely. Read diversely. People of the Caucasian persuasion need to stop getting pissy when the story doesn’t immediately center them and they don’t automatically relate to everything the character says and does and is. Just let yourself get swept in the story—even if it touches on (gasp!) racism—and maybe, just maybe, it’ll reveal something to you.

Or maybe not! Marginalized sff authors do not have to and should not have to educate their readers. But if I see one more white person complain about how Black characters are fundamentally annoying because they complain too much I’m going to fling myself into the sun

Thanks for coming to my ted talk I didn’t want to do it but here I am

Don't forget Aliette de Bodard! Especially her Xuya and Dominion of the Fallen series.

Zen Cho is my other favorite - Sorcerer to the Crown and The True Queen, and also Black Water Sister.

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When you finally won the battle of opening up your WIP to edit but your brain is fighting you on touching the document so you’re in paralysis like

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"We'll fix it in post" is a phrase from the film industry, but it is inherently funnier when it's spoken by a writer because--tragic--you are also the post-production team.

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I am going to take a deep breath and just remind you:

Writing is messy, even for the best authors. It's supposed to feel a little uncomfortable, exhilarating, freeing, natural, and terrifying.

It's supposed to inspire you and feel like a too-heavy backpack.

Sometimes, you're going to love being a writer and sometimes, you'll feel so disconnected, you'll wonder if you were ever a writer to begin with.

Give yourself room to make mistakes and hate your work and return to it with renewed confidence that yes, you will get 1% better next time.

It's what we're all going through. Let's speed up the growing process a little by accepting the entirety of it.

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neil-gaiman

Hello Mr. Gaiman, I have recently read your story "Snow, Glass, Apples" for my Folklore class. I found the concept of an evil snow white and the story being told from the perspective of the queen really interesting. I do have a question though, why did you feel the story couldn't be properly brought to life without the strange sexuality? I understand that the purpose of literature is to get your audience to feel something or be able to take something away from it and that definitely happened with "Snow, Glass, Apples". I do think, however, that this goal could have been portrayed without the sexual references and rape allegories. Is there a reason you decided they were necessary to your story?

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Well, if the prince (for example) isn't a necrophile it makes his being overtaken desire over the corpse of the young princess in the glass coffin and him ordering it to be taken back to his castle rather hard to understand. And so it was necessary to establish his kink as part of the story.

Mostly it was just trying to follow through the central question of "What if the Wicked Queen actually wasn't wicked? What if we got her story? What if she was justified in cutting out Snow White's heart?" The central idea wasn't "How can I do weird sex stuff in a story?" It was "How can I make this feel real in a story about a woman dealing with a young vampire princess and a necrophile prince."

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esamastation

"Why did you stop writing this story"

Because my focus is a very heavy irregular boulder rolling down a uncharted hill and when it comes to a stop I got a snowball's chance in hell of shifting it at will.

"When/will I continue that story?"

Ask the boulder, it's down a ravine somewhere down thataway.

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