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We'll build a better one

@bellsybuilds / bellsybuilds.tumblr.com

Bluebells aka Bellsyblue β€’ She/Her β€’ Occasionally πŸ”ž Working blog for my fanworks. Check AO3 for final versions.
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I’ve decided time is better spent than cross-posting my writing to this blog, so here’s where you can find me at various places:

  • AO3 for all my fanfic
  • Twitter (sfw) for meta discussion, shitchat, and good vibes (if you need to reach out, DM there is the best place)
  • Twitter (nsfw) for the fic discussion, previews, but also feels, gore and relentless thirst πŸ˜‚
  • Tumblr (sfw) for fandom appreciation
  • Tumblr (nsfw) for explicit content and brainstorming

I’m going to instead use this blog to store my writing resources and inspiration, maybe some writing vent, anything I feel like to do with my writing, really.

Header image by @radio-silents, used with permission.

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best trope is the one where the character’s godlike power is also killing them btw. they don’t even lift a hand to kill the monster but now they’re delirious with fever. they save a friend’s life and said friend immediately finds them emergency medical care. they raze the enemy to nothing and it takes far too long to find their pulse with all the bruising. their friends just constantly having to patch them up and worrying over which feat will be their last. et cetera

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I regret marrying you, Lizzie. Cause I’ve put you through so much. I’ve put you through all of this. Ruby. Everything that is to come. When you married me, you married a man and you married a curse. You have shared my fate. That is my regret. But know this, Lizzie. In this moment, in this room… I love you.

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I understand the "I will die for you" ship dynamic, but what about the "I will not let you die, I will not let myself die- we will, at any cost, survive" kind of couple?

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froody

We thought my grandma had a tumor in her heart and it turns out she was born with a small hole in her heart (she was born at home in rural Appalachia in the early 1940s and had two older sisters who died within days of birth, spotty childhood medical care) and her body somehow fixed it. Built up scar tissue until her heart no longer had a hole. She gave birth to two children, lived a normal life and only had this diagnosed in her 70s. How cool is that? How badass is the human body?

My great grandma cut her leg and contracted tetanus in the 1930s and survived lockjaw untreated. It kills about 25% of the people it infects. It’s crazy to me that if either of these ladies weren’t so strong and badass, I wouldn’t be here.

It’s weird to think that your existence on this earth is dependent on a whole lineage of β€˜near misses’ going back through eternity. A young lady falling in a stream while doing the washing and managing to pull herself out before her many shirts weighed her down and drowned her. A young man contracting the plague and being a part of that rare population that survived it, living the rest of his life knowing death was so very close. A man being shot with an arrow in war and laying fevered for weeks before his body fought off the infection and he hobbled home to his wife. A little baby girl being so fevered she loses her hearing but recovers and goes on to lead a full life. And backwards further. A young Neanderthal boy breaking his arm quite badly and being unable to hunt but being loved and cared for just the same. A little human girl wandering off and losing toes to frostbite 60000 years ago but returning home to her family and surviving. Surviving.

I actually don’t think that is necessarily true. You’re the product of the strongest communities in your lineage and those who were shown human kindness. You’re the product of midwives making the effort to correct a breech baby and saving your great great great grandmother’s life. You’re the product of neighbors lending their neighbor food in times of famine. You’re the product of the hunter-gatherer tribes taking the time and effort to care for their sick and injured. You’re the product of mercy, grace and the human collective. I think the ability for strength, resilience and endurance lives within us all. There may have been stronger people through history who didn’t have the luck, community and connections your ancestors did.

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janetm74

You’re the product of mercy, grace and the human collective.

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A Beginner’s Guide to Multiple Point of View

(Just starting out with point of view? Read How to Choose the Right Point of View for Your Story for an introduction to the five basic points of view.)

What is multiple point of view?

In multiple point of view, we get the perspectives of multiple characters within a single story. You have three options with multiple point of view:

  • Multiple first person (The Poisonwood Bible by Barbara Kingsolver)
  • Multiple third person (Song of Ice and Fire by George R.R. Martin)
  • Mixed multiple, which uses both third and first person (Strange as This Weather Has Been by Ann Pancake)

Unlike third person omniscient, stories written with multiple point of view don’t shift viewpoint characters within a chapter or section. Instead, each part is written entirely from the perspective of a different character.

When to Use Multiple Point of View

Multiple point of view is great for novels where you need to cover a lot of ground, either metaphorically or literally speaking. It can work well for thematically complex work, mysteries, and sprawling epics of all genres.

Multiple points of view doesn’t work so well for short stories. That’s because in a short story you don’t have enough time to fully explore multiple perspectives. If you need a wider view for a short story, third person omniscient is probably a better choice.

When used well, multiple point of view can allow you to widen and complicate your story world. It’s not the right choice for every story, but if you decide it’s the right choice for yours, here are 5 tips for success.

5 Tips for Success with Multiple Point of View

1. Use a separate chapter for each point of view character

Not only will this keep readers from getting confused, it allows them to more distinctly bond with each character or narrator.

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