I’m all for crossovers if they benefit the individual books. But it was feeling more and more like the individual characters were being bent towards the event in ways I didn’t think were appropriate. I mean to make Reed Richards a bad guy in Civil War… I just never bought into that. And that Captain America would surrender to a mob? I never bought into that. The more you have characters doing things that they wouldn’t do, because you want it for an event, I just had an increasingly hard time with that. And you can see why after a while, I pulled back from that. Which is why I hid in Thor. I said, ‘I’ll do this book but don’t touch me with the other events.’ It was a character that nobody wanted to write because nobody knew how do deal with him. They offered it to Mark Millar, who ran screaming into the night, they offered it to Neil Gaiman. I said, ‘I’ll write him.’ And my idea was, ‘leave me the fuck alone.’ Just write this character… I called [Marvel Publisher] Dan Buckley and said, ‘I heard what your plans are for this. Everything I’ve done, it’s going to be shot to hell.’ Similar to how Spider-Man was shot to hell with One More Day, which was Joe Quesada’s thing. And that’s when I said, ‘I just can’t do this anymore.’…
