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@badbrushblog / badbrushblog.tumblr.com

Digital tools and resources for Manga Studio 5 and Clip Studio Paint. Downloads at gumroad.com/ArminNelsyn
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Anonymous asked:

Any plans for brushes for Procreate?

Thanks for asking! I currently don’t have a tablet to run Procreate, but I’ve liked what I’ve seen of it. Maybe someday in the future? If I were to pick up a decent tablet I’d definitely be curious about the sorcery behind Procreate’s brushes. 

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Anonymous asked:

Hello! I recently downloaded your loose inkers brush set and am having difficulties with it. I put it into my Manga studio 5 just fine and when i use my mouse the brush works just like its supposed to- but when i use my pen on my tablet (which has no troubles with the regular brushes) it doesn't change size and keeps the brush a very tiny grainy pixel size. This is the first brush set I have ever tried. Thank you!

Thanks for downloading! Brush size dynamics are controlled for tablets with pen pressure and pen tilt. Try turning off Pen Tilt in your Tool Settings.

Pen Tilt (for tablets that support it) changes brush dynamics when the pen is held at different angles. With it on, holding the pen at an acute angle constrains the brush to a thin line:

With Pen Tilt off, brush size is only controlled by Pen Pressure and gives more thickness variety:

If you’re still having issues after Pen Tilt is off, try these other things:

1. Increase the Minimum Value slider next to Pen Pressure in Tool Settings.

2. Adjust your pen pressure settings to match your drawing style. There’s a tutorial for this at Frenden’s blog here.

3. If all else fails, check your tablet’s settings and make sure drivers are up to date.Hope one of these works!

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foervraengd

MS5/CSP resource masterpost

Okay so more and more ppl have started to use ClipStudio/MangaStudio, but a lot of you peeps seems to not be aware of stuff like software updates or where to find help for troubleshooting the program etc.

Smith Micro(the western distributor of CSP) as well as Clip Studio’s Official distributor are actively sharing resources and tutorials via their social medias. If you want to know when next sale or update is, it’s good to follow these on social media.

So here’s list of CSP/MS5 links that everyone who actively use the program should bookmark in their browser:

ClipStudio’s free materials page <— Occasionally CSP uploads new fun custom brushes and a lot of them are really nice.

MangaStudio/Clip Studio TWITTER <— this is where you’ll be up to date w updates and sales etc.

MangaStudio/Clip Studio YOUTUBE <—- has video tutorials on how to install, update, use all of the cool tools etc. If you’re new to the program go here.

Doug Hills on Twitter <—- the guy behind most of the youtube guides. Very involved within the MS5/CSP community.

MangaStudio/CSP FORUM <— Yes they have a forum and it is active, if you have very specific questions or have encountered an issue/bug etc in the program, you can get help and good advice here. This is where you can find the ppl working w the western distribution of the program, and they know the program very well and they’ve helped me out many times before.

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I just wanted to say a big thanks for your amazing paint brush pack set. I am so in love with it, seriously. I definitely see the time, patience, and love you put into making these just beautiful brushes. I really don't know how to express a real cool heartfelt thanks, but have a super duper happy stressfree day!

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So I’m waaaay behind in messages after tumblr changed asks and mail, but I just gotta say this made my day! Thanks for the kind words about my brush packs!

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reblogged
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doozigitis

Come on Bats, it’s at least a little bit funny.

Painted with the paint and splatter brush packs from http://badbrushblog.tumblr.com/. I just love how the oils handle! 

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badbrushblog

Art by the super-talented Doozigitis. Blown away by her work! Atmosphere, story, perspective - this is just an amazing piece all around. Great use of the Clip Studio paint pack and splatter brushes too. Do yourself a favor and check out the rest of doozigitis’ art!

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IN THE LAB - DIGITAL DRAWING TOOLS

Currently in development: assortment of charcoal, pencil, colored pencil, and graphite tools for Manga Studio 5 and Clip Studio Paint. I’m getting some really cool textures and realistic effects that I haven’t seen before in MS5 brushes.

These should be arriving in February on my downloads page. I’ll be posting updates here in the meantime.

Enjoy the holidays!

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webcomicry

Where Great Art Comes From

Here’s another thing from the main site.  Originally posted on Hey Design on November 12th

Yeah, this is too big a subject to tackle in a blog post. Yeah, it would stupid to even try.

Here goes…

Is it Pain? Pleasure? Passion?

A lot of people think it comes from pain. Other people say it comes from passion. Others say it comes from determination. All of them are thinking too small.

I believe it comes from emotion. Intense emotion. All-consuming, body-seizing, from-the-heart intense. The kind that drives you to share it with the world. But the specific type doesn’t matter.

Joy works: Think of how much of history’s greatest art has come from religious fervor, for example. Drugs are credited with a lot of creative works for the same reason, but I’d argue they’re an often dangerous shortcut to what you can achieve on your own with some effort. And I think we’d all agree that, in the long run, they take way more from artists who get hooked than they give. Determination works, too: The drive to make great art is itself enough to drive you to make great art.

Anger, giddiness, desire, boredom, pride, fear… Anything you feel strongly enough that you just have to express it. I think that’s what gives your work that certain something we call “heart,” “soul,” or “feeling.”

But why do so many people believe great art comes only from pain?  Maybe because it’s the most common type.

For example, there aren’t many opportunities to experience overwhelming joy. A lot of us live according to comfortable, unstimulating routines. Your average person won’t experience many adrenaline rushes, provided they obey the law: Extreme sports are expensive, entertainment’s lost a lot of its impact from oversaturation, and society at large is slowly turning away from religion.

But our partners still cheat on us, our friends still die, and we still lose jobs, get sick, and step on Legos. Pain’s guaranteed in life, and for a lot of us, it’s the most intense emotion we’re likely to experience more than a few times. So when people create art, there’s a good chance that’s what they’ll draw on. And arguably, now that we’re lonelier than ever before, depression is even easier to come by than in the past.

But it’s not all bad, of course. Plenty of great art still comes from friendship, love, and parenthood: the causes of the greatest struggles and the greatest joys in most peoples’ lives. And the last century’s also seen the rise of escapism as we become more comfortable turning to our imaginations to provide the emotions that real life can’t.

Plus, without pain, the joys and triumphs wouldn’t have meaning. Personally, my favorite books, movies, etc. are the ones with the most contrast, that cover the full spectrum of emotions instead of sticking to one end or the other.

“All sunshine makes a desert.” —Arabic Proverb

But It’s Not All That Exciting…

There are two factors, though. As you know, art is also a craft. Consistently producing great work still takes years of grinding practice and a thorough knowledge of what you’re doing.

We all know stories about the band that never practiced, or the artist who’d never picked up a paintbrush before, but created, if not a masterpiece, than something at least charming in its own way. But very often, you’ll find they only did it once. If they’ve released much other work, chances are most of it is crap. They never learned their craft, just happened to trip over the right combination of sounds or colors that make something brilliant.

I believe that both are equally important, though. Technical ability without feeling results in…

Blandness

Most bad art isn’t eye-searingly awful, just dull. The most common complaint about pop singers and Hollywood movies, for instance, is that they’re technically perfect, but hackneyed and lifeless.

That’s because they have all the skill in the world, but nothing driving it. They’ve turned their art forms into paint-by-numbers exercises, using formulas to squeeze the most money out of the audience, and that lack of emotion comes through in the flat performances.

Likewise, you’ve heard the cliché that artists get worse as they age, especially successful ones. This isn’t always true: some keep improving until the day they die—but a lot don’t, and I think those ones have some things in common.

Skill-wise, they’re still on top of their game. Decades of working on their craft full-time made them masters. But all the joy they got out of it, as well as success itself, is gone:  They’ve done everything and earned more money than they’ll ever need. But since they’re no longer struggling, they don’t feel particularly bad, either. And gone is the determination to make something incredible—they’ve already done it and resigned themselves to the fact that their best days are behind them.

In other words, they’re desensitized to happiness, shielded from pain, and have no reason to be determined. As their world becomes more comfortable and predictable, their work matches it.

Get Out and Experience Things

So, how do you fight that? Contrary to what a lot of artists believe, locking yourself in the studio 24/7 can be counterproductive. For your work to have meaning, you have to go out and experience things.

If your life’s lacking joy, start saving up for a road trip. Get a dog. Play with a kid. Visit friends you haven’t seen in a while. Have a night out.  Just do something fun. Not so much that you become numb to it, but enough to break through the tedium.

If you find that you’re too detached from struggle, volunteer at a homeless shelter. Save some animals. Practice listening to other peoples’ problems and empathizing with them. Put yourself back in touch with the part of life you’re missing, even if it’s unpleasant.

And remember, no matter who you are or at what stage in your life, you still have it in you to create brilliant, original works of art. Don’t go quietly into the sunset. That’s taking the easy way out.

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badbrushblog

Great, honest read. 

Art comes from many places and has many sources of inspiration. Build yourself a well of rich experiences from which to draw from. Literally ;) 

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Happy Thanksgiving!

It’s been quiet around here during my teaching season, but I wanted to take a moment and say thank you to all of you for following along! 

Your support and continued interest in this resource blog has meant a lot. Have a great holiday and enjoy the changing seasons!

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LOOSE INKERS 3 Brushes for Manga Studio 5 + Clip Studio Paint

A new mini pack of digital inking tools is up on my download page!

These inkers are designed to be fluid and flexible. They each have a sensitive pressure curve to go from super thin to thick in the same stroke. The brushes are also tilt-enabled, if your tablet supports it, allowing for even thinner weights when your pen is angled.

Each brush has a different edge, giving an analog and slightly textured character to your inking:

The Loose Inker set is Pay-What-You-Want. Students rejoice! A suggested $1-2 contribution helps support the creation of future brush packs. Thanks!

Keep making awesome art!

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3 New Inkers - Coming Saturday, October 3rd! For Manga Studio 5 + Clip Studio Paint

These weren’t quite ready for uploading tonight, so check out the download page tomorrow evening. Announcement post coming Monday, but if you’re following along over the weekend they’ll be ready for downloading! These loose inking tools are a special pay-what-you-want pack made in celebration of Inktober.

Thanks everybody for your continued support!

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The Dreaded Undecided

A lot of people are a few weeks into the school year, and this is always a time when excitement fades and insecurities rise. I thought it would be an appropriate time to share these thoughts from a recent conversation:

One of my former students was talking with me today about post-school life. We were discussing the unknowns of what he wanted to do and where he wanted to go. He said,

“I wish I was one of those people who knew exactly what they’re about, you know? Like those people who set their path in high school and follow it straight through to their career.”

When I was in college, I remember meeting people who had this clear sense of direction. Everyone was envious of their ambition, like it was a sure shot into success. By comparison, being undecided about majors and vocations felt like resigning the future to mediocrity, or even failure. I felt unsure about a lot of things then, especially in the first years out of high school.

But one of the things I’ve learned since school is that no one is immune to second-guessing at some stage of life. Even those ambitious sure-shot kids. Every life decision we make shuts the door on a potential future. Even successful people get caught looking through the keyhole from time to time, wondering what would’ve been.

Doubt can creep up at any life stage, whether young adulthood or old age. But the advantage of muddling through it early is this: there’s time for trial and error. 

So if you’re in a place where there’s no clear path calling, try a few doors. Find out what you want. Use the constraints of time and money to narrow focus and sharpen choices. Not sure about a major? Interview professionals while knocking out general credits at a community college. Foggy about careers? Volunteer around while waiting tables on the side.

Always seek out opportunities to learn new skill sets, whether or not they pay in dollars or degrees. Over time, each path tested will layer up enough experiences and skills to build confidence in making decisions about the future.

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