And The Devil Laughs

Brainrot 2.0

(x)

Reblog if you had a Tumblr for 5+ years

me: this is a background character who's in one scene, has two lines, and is completely irrelevant to the rest of the story. i am going to stop obsessing over what to name him and use the random name generator on behindthename.com. i am going to accept the first thing it gives me and move the fuck on.

behindthename.com:

Massive fuck you to everyone who is talking about Palestinians as if we’re already all dead and sharing more solidarity with our corpses than us living. “We will never forget the beautiful Palestinian people-“ how about you stop “making peace” with Palestinian extermination. My people are not going to be forgotten because we are going to live. Palestinians have already survived one genocide and have been surviving one ever since.

Do not ever let the idea that all Palestinians are going to die exist in your mind. Mourn the dead, fight like hell for the living.

WHAT THE FUCK IS THIS. WHAT THE FUCK IS THIS. THIS IS SO NASTY. WHAT IS THIS STRANGELY SHAPED, HI RES FUCKED UP PIECE OF SHIT. SOMEONE EXPLAIN TO ME THIS DISGUSTING MASS OF WHAT THE FUCK EVER THIS EVEN IS. WHY DO THINGS EXIST LIKE THIS. WHAT THE HELL DO I TAG THIS NASTY THING. WHAT IS THIS. WHAT IS THIS

it’s a sliced mango holy shit

oh. i like mangoes. 

Toddler response

THIS IS THE MOST 2012 POST IVE SEEN

@hellsite-hall-of-fame

ego of a god

yo is this real 

Washington, DC

goals as an actor: to have the resume of that damn green and gold desk lamp

you would not believe the roles she's landed. she has the range.

Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.

This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)

If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!

Misprints can really reveal what colors were used and where, I love misprints...

Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!

You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!

Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!

ALSO!!

YELLOWING!! Digital art is very blue-light based. Cold, clean, flat. But traditional art has warmth to it. Why?

Over time, paper gets yellowed with dust, oil, dirt, and nicotine from cigarettes! So colors got warmer. This makes art look pretty aged, on top of the slight toned papers and hand made/factory made inks they printed with.

hey don't be sad. deeply silly 18th century Iranian bird scissors.

(source: benaki museum, auction)

‘Children of Shatila’ (Lebanon, 1998) film by Mai Masri. In this scene the youth of the Palestinian refugee camp interview an elder with a video camera.