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Crows write, too.

@crowswritetoo / crowswritetoo.tumblr.com

Tips, references, inspiration, and WIPs. Yes to tag games and asks! I reblog anything and everything that gives me a brainworm of inspiration. This is a side-blog, I follow and like from calamity-crow.
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cryptidafter

nothing I love better in media than two weirdos inhabiting each other's orbit and becoming even weirder together

that's the good stuff

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If you ever find yourself thinking "oh, I can't write this Cool But Impractical thing into my story, it's just not realistic", here are a few perfectly realistic reasons why people and even whole cultures would rather do something in an impractical way rather than the sensible one:

  1. weird flex
  2. religious reasons
  3. religious weird flex (someone decided that they are So Religious that they consider the practical method Sinful, and people got competitive about it)
  4. tax reasons (some ruler put a tax on doing something the sensible way and people started doing the impractical alternative as a legal loophole)
  5. someone wildly powerful and popular preferred doing it that way, and everyone adapted to it in order to look cool
  6. someone wildly unpopular suggested doing the practical thing, and everyone went out of their way to avoid doing that in order to not look uncool
  7. it just genuinely never occurred to them that there is a better alternative, and their current method has been honed to perfection/adapted to the infrastructure so deeply that at this point altering it wouldn't be sensible
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I’m so sorry but in the nicest way possible do yall actually read books or just read words??? Cause I’ve been seeing that trend of people not understanding how “snarled” and “eyes darkened” and “eyes softened” etc. was used in a book and like…

Genuinely, do yall just not have imagination?? Or not understand figurative language??? Also eyes do literally darken and soften have you not lived a life??? How do you read with no imagination? Is this how you get through so many books in one month - you simply don’t take the time the understand the words as they are read?

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coquelicoq
A [short] story is not like real life; it's like a table with just a few things on it. The "meaning" of the table is made by the choice of things and their relation to one another. Imagine these things on a table: a gun, a grenade, a hatchet, a ceramic statue of a duck. If the duck is at the center of the table, surrounded closely by the weapons, we feel: that duck is in trouble. If the duck, the gun, and the grenade have the hatchet pinned down in one corner, we may feel the duck to be leading the modern weaponry (the gun, the grenade) against the (old-fashioned) hatchet. If the three weapons are each hanging precipitously over one edge of the table and the duck is facing them, we might understand the duck to be a radical pacifist who's finally had enough.
That's really all a story is: a limited set of elements that we read against one another.

George Saunders, A Swim in a Pond in the Rain, p. 48

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marco3173
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petermorwood

Question for horsy people: would the support from his stirrups help much with this, or is he doing the mother of all ab crunches?

It's a combination of stirrup use, center of gravity, extreme muscle control, and a very close working relationship with the horse. In this video, there's a very high likelihood that the archer trained to make this shot on the same horse that they're riding for the final take, and that the horse is already highly trained to carry and recognize archers.

In order to fire an arrow from the back of the horse accurately, you basically have to be so experienced with horseback riding that you can ride a horse running at any speed without ever allowing your butt to touch the saddle, or for the horse's gait to jostle you above waist-height. It's very possible to do, but it's incredibly difficult to learn to do well and maintain that position/pivot to adjust your aim over longer than a few minutes of riding and shooting while also doing everything you can to avoid bouncing as the horse moves. The best archers out there can accurately fire an arrow while standing on their horse's back as the horse is running at a full gallop.

The stirrups are there to help a rider correct their center of gravity if it goes too far in one direction, as well as to signal the horse to turn, speed up, or slow down with specific signals given through the rider squeezing the horse's body with their legs, tapping them with a riding crop (riding crops should NEVER be used hard enough on a horse to hurt them; just to lightly tap the horse on one flank or the other), and/or combination signals through the horse's reins and the pressure they feel from the rider's heels in the stirrups.

The really interesting part lies in the fact that the archer must trust the horse they're riding in order to successfully ride, shoot, and not fall off. I never got into archery when I was riding horses, but I was a barrel racer (where you ride a horse as fast as possible around 3 triangularly arranged barrels so fast that the only thing that keeps you attached to the horse is centripedal force and Death blinking long enough not to see what you're doing). A horse who knows its rider, or is just extremely experienced with carrying people, can modify its own gait and center of balance to help protect their rider from falling.

Horses know when you don't know what you're doing if you're going on a trail ride you payed to go on in a group. They can tell just by feeling you in the saddle whether or not you know how to ride, and if they can trust you to not screw up, fall, and die. The horse is 100% aware that "if the human falls off, they'll be hurt or die", and if the horse likes you, it will try its best to compensate for mistakes you make while riding.

In the above video, the archer is only using one stirrup to support their full weight on the horse due to the angle of the shot. The video is of a classic "drive by" arrow shot, such as if the archer were riding past another enemy archer or mounted warrior in combat. Their right leg (the foot that's actually visible in the shot) and foot are in a prepared position so they can quickly correct their stance and balance themselves again after they've fired the arrow into the target. Only one stirrup is keeping the rider on the horse, and if you watch their left leg carefully, you can see their knee subtly bending in response to every time one of the horse's hooves is about to strike the snow. This effectively neutralizes the jolting energy from the horse throwing off the archer's aim (and the archer themselves), and keeps the rider steady and stable while they aim and fire the bow.

If you look even more carefully, you'll also notice the horse responding to the archer's movement: The moment the archer releases the string to fire the arrow, the horse stops running so aggressively (nostril breathing evens out, front legs stop rising as far into the air with each step). This is to slow down the forward force of the charge and provide an even more stable gait so the archer can safely sit back in the saddle without the bouncing of the horse's galloping jostling the still-unstable archer as they're trying to stabilize their center of gravity in the saddle and take on a more comfortable posture. There's a good chance the horse already knew it was time to slow down from the sound of the "twang" of the bowstring and began slowing down the second it heard it!

Writers: When you're writing characters that work closely with horses, it's absolutely critical to emphasize the relationship between the rider and their horse(s), and to be aware that, with horseback riding, the horse itself is its own character.

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Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

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meraarts

Might I add:

The defeat of the wizard who made people choose how they’d be to be executed

The woman who raised the changeling alongside her biological child

The human who died of radiation poisoning after repairing the spaceship

The adventures of a space roomba

Cinderella finding Araura (and falling in love)

I don’t know a snappy description but the my nemesis cynthia story certainly lives in my head

I am in love with you /p

What about the one with the princess locked in a tower learning to become a wizard? That’s lived in my mind for years and I haven’t seen it in a long time

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adamskiiii

Wow! @writing-prompt-s contributing to like half of these!

I can hardly take any credit for these stories! But I love sharing them. Unfortunately I cannot read all the prompt responses so please tag me if you want me to reblog a story that resonated with you so I can give it a little boost :)

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Enemies to "I accidentally came across you while you were vulnerable and scared and I'm not a total asshole so I tried to help you" to "accidental mutual uncovering of softer sides and vulnerabilities" to "I can't be mean to you anymore, not out of pity but because it would feel weird betraying that brief truce we had" to "Fine I'll make an effort to be nice to you now I guess" to "actually now that we're not actively hating each other you're not so bad I guess" to "i think we're friends but I'm not going to say that because I'm afraid you're not gonna feel the same way" to "oh you also think we're friends? Great" to lovers

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Y'know, I'm kinda surprised I haven't seen Jack Chains more in fantasy tbh, like it's a really interesting and low budget armor style, I'm legit surprised I've almost never seen it in media

Couple examples I pulled from google images

Actually kind of! It's built with a very interesting principle behind it and I'm gonna explain it below because it's neat

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Me: Okay, Brain. Think about what happens next in this chapter.

Brain: *Skips three chapters ahead*

Me: No, no. This one, this chapter, the one we are writing right now.

Brain:.......*47 scenes forward*

Me: NO

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Taking someone's cigarette out of their mouth: Multiple meanings - used a lot in media to convey control, power play, very masculine, I'm your boss and this is mine now, get over it. Mildly flirty, look at me, all in your space and shit, seductive. You're not allowed to smoke, because I say so.

Putting the cigarette back in their mouth afterwards: Ground-breaking. Would be less erotic to just fuck honestly. Who does this?

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