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I know nothing.

@jean-snow

Hermit. Music-lover. SF&F fan. Mildly obsessed with the manga Claymore, and it's probably time to admit that this is a Mad Max: Fury Road blog too. I occasionally post fanfiction as SilverDagger On AO3 .
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reblogged

Okay heads up for all Americans eligible to vote:

The Supreme Court just issues a ruling allowing Ohio and other states to purge voters from their election registration rolls due to their failure to cast a ballot in previous elections.

This is a major victory for the Trump administration and the GOP, and a direct consequence of the Supreme Court being stacked with more conservative judges (the votes were 5-4). This is also a huge part of what Trump/the GOP were counting on to save them in the 2018 midterm elections, which is where Democrats have been hoping to take back a majority in the House, giving them more power to combat Trump’s abuses of power and Republican legislation.

What this means is YOU CAN NOT ASSUME THAT YOU ARE REGISTERED for the 2018 elections, just because you SHOULD be. Thanks to this decision, red states can purge voters’ registration based on their not having cast a ballot in even just previous federal elections, NOT just the national Presidential elections. Effectively, if you haven’t voted in previous senate races or for congressional representatives in the past few years, that’s all they need now to say you’re no longer registered and need to register again.

They’re deliberately counting on people assuming they’re still registered and so not checking until after registration deadlines have passed, or showing up to vote this November and only then finding out they’re no longer registered, when its too late to do a damn thing about it.

And this is absolutely targeted at marginalized communities, low income voters, disabled voters, and basically anyone who simply can’t always AFFORD to keep on top of every federal election and show up to vote in every senate race, etc. Which not so coincidentally happen to be all the communities and voters who have the most to gain from Democratic victories in the 2018 midterms and are the least likely to cast votes for GOP candidates at this point.

This was absolutely a calculated effort aimed specifically at keeping the GOP in power with a majority control of the government come November, and unfortunately, it has a DAMN good chance of accomplishing just that if it goes by unacknowledged. I’m not looking to alarm or panic anyone, simply to say:

If you are a registered voter in a red state at this point, please please please do not take your registered status as assumed. Check on your registration status, look up all relevant voter registration deadlines for your state and district, CIRCLE THAT SHIT ON YOUR CALENDAR, and check your registration status AGAIN right before those deadlines pass, so you can be sure of it before its too late to do anything about it til the next voting cycle.

Yikes

Reblog this shit right now

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vgfm

Here’s a Twitter thread with resources for voters in every state to check on their registration status: https://twitter.com/AnaMardoll/status/1006221580458790912

Make sure you check it periodically because the newest voter roll purges likely haven’t happened yet.

This is a Big Deal for disabled voters, who can’t always get out for the small elections and might end up on the purge list.

Don’t let them take away our voice.

Vote.org - Register to Vote - Check your Registration - Find your Polling Place

Check your registration status!!

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Kent Rogowski: Love = Love, 2006-2008

Love=Love is a series of collages that were created using pieces of over 60 store bought puzzles. Although puzzle pieces are unique, and can only fit into one place within a puzzle, they are sometimes interchangeable within a brand. These puzzles were cut using the same die, but depict unrelated images. Using only the flowers and skies from each of the puzzles, I created a series of entirely new compositions by recombining the puzzle pieces. These spectacular, fantastical and surreal landscapes sit in direct contrast to the banal and bucolic images of the original puzzles. (artist statement)

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Coraline is a masterfully made film, an amazing piece of art that i would never ever ever show to a child oh my god are you kidding me

Nothing wrong with a good dose of sheer terror at a young age

“It was a story, I learned when people began to read it, that children experienced as an adventure, but which gave adults nightmares. It’s the strangest book I’ve written”

-Neil Gaiman on Coraline

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lierdumoa

This is a legit psychology phenomenon tho like there’s a stop motion version of Alice and Wonderland that adults find viscerally horrifying, but children think is nbd. It’s like in that ‘toy story’ period of development kids are all kind of high key convinced that their stuffed animals lead secret lives when they’re not looking and that they’re sleeping on top of a child-eating monster every night so they see a movie like Coraline and are just like “Ah, yes. A validation of my normal everyday worldview. Same thing happened to me last Tuesday night. I told mommy and she just smiled and nodded.”

Stephen King had this whole spiel i found really interesting about this phenomenon about how kids have like their own culture and their own literally a different way of viewing and interpreting the world with its own rules that’s like secret and removed from adult culture and that you just kinda forget ever existed as you grow up it’s apparently why he writes about kids so much

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12drakon

An open-ended puzzle often gives parents math anxiety while their kids just happily play with it, explore, and learn. I’ve seen it so many times in math circles. We warn folks about it.

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gokuma

Neil Gaiman also said that the difference in reactions stems from the fact in “Coraline” adults see a child in danger - while children see themselves facing danger and winning

i never saw so much push back from adults towards YA literature as when middle aged women started reading The Hunger Games. They were horrified that kids would be given such harsh stories, and I kept trying to point out the NECESSITY of confronting these hard issues in a safe fictional environment.

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jewishdragon

SAGAL: No. I mean, for example, your incredibly successful young adult novel “Coraline” is about a young girl in house in which there’s a hole in the wall that leads to a very mysterious and very evil world. So when you were a kid, is that what you imagined?

GAIMAN: When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn’t be a brick wall. So I’d sidle over to the door and I’d pull it open.

(SOUNDBITE OF LAUGHTER)

SAGAL: Right.

GAIMAN: And it was always a brick wall.

SAGAL: Right.

GAIMAN: But it was one of those things that as I grew older, I carried it with me and I thought, I want to send somebody through that door. And when I came to write a story for my daughter Holly, at the time she was a 4 or 5-year-old girl. She’d come home from nursery. She’d seen me writing all day. So she’d come and climb on my lap and dictate stories to me. And it’d always be about small girls named Holly.

SAGAL: Right.

GAIMAN: Who would come home to normally find their mother had been kidnapped by a witch and replaced by evil people who wanted to kill her and she’d have to go off and escape. And I thought, great, what a fun kid.

It’s anxious adults who desperately want to “soften” stories. Kids prefer the real thing: with monsters, bloodthirsty ogres and evil murderous stepmothers; where the littlest brother always wins and all the villains are horrendously punished in the end. The world is threatening to the eyes of a child, so they need a fictional universe where the little people have a fair chance against the big and strong.

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