Today's Seal Is: Willing To Discuss
Don’t mind me just crying over Jean Moreau.
I can’t wait to see him continue healing in book 2. 😭
God, the bit in TSC where Jean is furious at the accusation that he didn't fight back because he did. Until one day he just couldn't get back up.
He was just a kid. He still is
‘Thoth and the Chief Magician’, 1925. Evelyn Pau
I love tumblr. I fucking love tumblr. Where else am I going to find shit like this
an intense hatred of capitalism vs an intense love of trinkets
ID: a sketchy two page comic of my tortoiseshell kittens, Maggie and Bunny.
From off panel, I hold my hands out to Maggie, who leans away
Me: Aw, Maggie doesn’t wanna come up?
Maggie: Mother I am not a child.
Me: You’re ten months old.
Maggie: I am a warrior.
Bunny pops up from behind her sister.
Bunny: I’m not! I’m baby <3
I scoop Bunny up while Maggie watches in shock and confusion.
Me: Aw, yes you are, Bunny. Who’s my sweet baby?
Maggie flops on her back and shows her tummy. She has big blobby tears in her eyes.
Maggie: Mommy??? Betrayal?? You abandon your baby?? Your Darling Girl?? Your little Maggie-Pie?!?
End ID.
Maggie is a strong, independant kitten, so long as you never pay attention to anyone else, ever.
Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
#honestly psychologically pretty interesting #it's like he keeps saying 'look i know sexism bad but I Need It' #someone tell him that the patriarchy is exploiting him too and we can all achieve liberation together
#this is the same mechanism that upholds white supremacy among the poor #'my life is so bad already the idea of liberating those below me and having to share the crumbs with them is horrific' #ESPECIALLY if i know they're worthy and lots of them are better than me #injustice is the only thing keeping my head above water!
#he's also fishing for vindication ofc #but it's wild to see how he'll put in the groundwork that would let him do something gender-egalitarian with his themes #and then opt not to #despite having done the hard part already #idk how much that's making a statement and how much it's just 'this Feels Right' #but as a pattern it murdered me
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Well, boss. I guess this is the part where I should tell you to go to hell. Except you’re already here.
Severance (2022-) 1.04 - The You You Are dir. Aoife McArdle
glowing hot metal is such a touchable shade of orange
im a welder and this let me tell you this does not go away if youre around a lot of hot metal its actually worse