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bossuets

"if i was orpheus i would simply not turn around" yes you would. if you were orpheus and you loved eurydice, you would. to love someone is to turn around. to love someone is to look at them. whichever version of the myth — he hears her stumble, he can't hear her at all, he thinks he's been tricked — he turns around because he loves her. that's why it's a tragedy. because he loves her enough to save her. because he loves her so much he can't save her. because he will always, always turn around. "if i was orpheus i would simply —" you wouldn't be orpheus. you wouldn't be brave enough to walk into the underworld and save the person you love. be serious

"if i was orpheus i would simply not turn around" as a sign of love? thats nice i guess. but we can do better.

if i was eurydice i would tell him i forgive him when he looks back.

"I forgive you" can also mean "I love you"

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every person can feel freddie’s presence in their souls when they sing MAMAAAAAA UUHHHH, I DONT WANNA DIE, I SOMETIMES I WISH I’VE NEVER BEEN BORN AT ALL with all the air in their lungs i’m not joking

it’s fucking crazy to think about the amount of people who have sung bohemian rhapsody? like it’s such a unifying song, by nature of the fact that so many people know it. it holds so many good memories for me and other people. it’s a song you scream in the car with your friends while you drive around your boring hometown, it’s a song you drunkenly sing with your arm around your best friend, or a song you sing along to with strangers when it’s on in public. it’s bittersweet to think about freddie’s legacy carrying on like that through his masterpiece. freddie carries on because he’s a part of so many people’s good memories and bohemian rhapsody is a huge part of that.

Reblog if you have sung bohemian rhapsody with your friends

every time i see this post i’m reminded of the video of 65,000 people singing bohemian rhapsody in near-perfect harmony

like, what other song can make that claim?

Some of the highlights of that video include:

  • The crowd cheering after the first stanza when they realize what they’re all doing
  • So many people audibly ‘doing the guitar parts’… like ya do
  • The sheer number of voices joining the rediculous falsetto (thanks, Roger)
  • How they all start jumping at the ramp-up “so you think you can stomp me”
  • Hands up, hundreds, thousands deep for the final “ooooo”s and the last line to close the song

Only days before my state went into lockdown, “Bohemian Rhapsody” came on in the restaurant kitchen I’d just been hired at and, no shit, every single worker in that little diner started singing along. Me (the only queer afaik), the manager, all the other kitchen workers, the dishwasher up front, the two people on the counter, all but two of the men over 30. Just belting out Freddie Mercury at the top of their lungs. And you can bet when “sometimes I wish I’d never been born at all” came around, we every single one of us ramped up the intensity and basically made sure Freddie could hear us in the afterlife.

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zohbugg
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solitarelee

One of the things that struck me, listening to the video, is that you cannot distinguish the original vocals from the crowd, and sometimes you can barely hear the music. And the POV is on the stage the speakers are playing the song from!

There’s good reason why, nearly fifty years after the height of their career, Queen is still considered one of the best bands of all time ever.

(And how albums left lying about in cars will eventually metamorphose into Best of Queen albums.)

Something else that’s rather incredible about this is, Bohemian Rhapsody is a very difficult song from a technical standpoint. Like–humor me, okay, go flip it on and try to sing the whole thing at the top of your voice without falling off-key, out of breath, or cracking at least once. Then come back.

Okay. You’re back? Welcome back. Unless you’re a trained singer, you probably can’t do it. There are too many long notes, too many key changes, and too many places where–if you’re singing all the parts–you’re just up and down the scale too damned fast. I’m saying this as a trained singer and I can’t do it. I always crack on “magnifico” and “leave me to die,” and I have a pretty decent range, but I know I sound ugly as hell on that final coda.

Okay. Now that we’ve established that, I want to talk a little about singing as a chorus. One of the things a lot of people learned during the pandemic is how hard it is to take twenty people, all in different places, and stitch them together to make a single coherent song with perfect pitch and timing. You’re all practicing on slightly your own tempo, slightly your own key, even if you’re all working from the same base track. (You can see this in a lot of the Wellerman compilations from Tiktok, where someone always says “Soon” a moment before everyone else on “soon may the Wellerman come.”) When you have a chorus comprised of many smaller choruses that are all traveling to be together, this is what dress rehearsal is for–to get all of you onto the same tempo so you’re starting and finishing at exactly the same time. This is a thing that normally only happens after at least several days of practice, and it is an important skill that must be taught. You’re not just born knowing how to do this.

I do not know how many people at that Green Day concert were trained singers. But I do know there is no way in hell all few thousand of them were a single group–they showed up a few at a time, maybe even flying solo for the night. Now go and listen to the video again. Listen to the ends of verses and the pickups. They’re fucking crisp as hell. Everyone is starting and ending at the same place. Not even a single note off. (And yes, you can hear when it’s a single note off, even in a crowd that big. A handful of people would be enough to throw it off.) And while a few in the crowd may be off-key, so many more are on-key that the cumulative effect is of the song being on-key. This isn’t even the band they’re there to see.

They don’t just know this song, this technically-difficult song, this long and complex song by a completely different band. They know it perfectly. They know it down to the fucking note. They know it so well that they did it in perfect synchrony, without a single chance to practice.

Do you know how insane that is?

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kijiboop

The only other song that I can think of that inspires anything similar is the Hallelujah Chorus and that’s only in choir people. Because we define ourselves by what part of that song we sing.

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screampotato

Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).

When you're talking about the design of the boat, you say "it".

When the boat is still being built, your say "it".

When the boat is nearing completion, you can say "it" or "she".

When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".

When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.

If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").

If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")

If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").

If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.

If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.

I hope this has cleared things up so that you may not be in danger of misgendering floating objects.

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frogxxam

@saiiboat My beloved boat mutual can you confirm?

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saiiboat
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the kicker is he was being asked if his work was coming from the approach of man vs. nature aka “THE ENVIRONMENT STRIKES BACK” but no. his literal words were along the lines of “sharks are not very scary if you are never in the water so i had to make them scarier, and now they have legs.”

Junji Ito has the best fucking take on horror, which is ‘wouldn’t that be weird’ and then he draws it into the most terrifying thing possible.

One of his strangest stories is about a cursed type of honey that, when ingested, is guaranteed to be the best thing you’ve ever tasted. But, if you consume it, you have a 25% of being flattened like a pancake by a giant tree demon. Characters eat it, get addicted, and that addiction forces them to risk it over and over again until they eventually get turned into a gory puddle by this ghost tree thing. 

It’s a weird story, but the funny part is that Ito wrote it because he thought it would suck to be a mosquito.

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when ur reading fanfic and one character was cooking and the other comes up to them and they start making out and everyones like starting to take their shirts off and the author STILL hasnt mentioned anyone turning off the stove

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o-lanterns

cmon child safety lid you know it's me

WHAT does this tag mean

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beesmygod

lmfao what the fuck!

source: richard nixon: a psychobiography

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dyke-husband

This is especially funny when you learn who signed the poison prevention packaging act of 1970 into law, it was Richard Nixon

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jewfrogs

i can’t decide if this is the single coolest girl in the world for making danger her middle name or the silliest for not seeing the raw power of “millipede danger” which is the greatest name i have ever heard

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