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writeblr wench

@tragicbackstoryenjoyer

laurel // 19 // main @morganlefag // pfp by @colinarcartperson // banner by @boneshit
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Writeblr Re-Introduction: tragicbackstoryenjoyer

formerly crrushedpetals

About Me

she/her, lesbian, 19
jewish girl from the usa
history nerd who's into the medieval and renaissance periods and their iconic literature (shakespeare, arthuriana, and more)

What To Expect

fantasy and historical fiction featuring ruthless sapphics, court intrigue, traditionally "unlikeable" female characters as protagonists, bittersweet or tragic endings, shakesperean allusions, and of course tragic backstories.

My WIPs

blood of gods. a former healer in search of revenge becomes a knight in order to kill her king. // political fantasy, fourth draft. masterpost.
the iron crown. in 1063 AD, the bastard daughter of a duke receives a vision of her own death before rising to power. // historical fantasy, first draft. masterpost.

Other Info

tag games are great. tag me in em.

i love hearing about others' wips! if you think i'll like it, feel free to ramble about your wips or your ocs in my inbox.

main is @morganlefag

formerly known as @/crrushedpetals. decided to re-make this blog due to lack of upkeep on the old one.

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im curious so.... random poll time!

what genres do you find yourself writing in unintentionally? like what do you gravitate to whenever you start a story?

also if i didnt include a genre, rb and put it in the tags. (btw i didnt include fanfiction because i feel like most fanfic also fit into these genres)

if u want, rb so there's a higher sample size

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infamous-if

ok but “it’s always been you” is such a good trope and not in a “we’re limited to one soulmate and have to follow these restrictive ideals of believing there’s only one person made for us” way but in a “I know I could move on and find love elsewhere but I don’t want to because there is no one like you and I will deal with the grief and heartache that comes from giving my whole and complete self to someone that may or may not do the same” way

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prokopetz

I see so many authors bagging on themselves like “why can’t I ever finish anything, I’m a terrible artist and a terrible writer”, and what I want to say based on my professional assessment of their work and where it tends to fall apart is “your art and writing are fine, your real problem is that you’re a shitty project manager” – but of course you can’t actually say that, because while it’s true, it’s almost never actually helpful to tell someone out of the blue that their real issue is that they entirely lack a critical skill-set they didn’t even know existed.

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What are some inspirations for the political events that occur in your books? Are they fiction or non-fiction? A mix of both?

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A little bit of both!

Darius takes some inspiration from Alexander II in Russia who was a relatively progressive Russian emperor who abolished serfdom and introduced a lot of other reforms to attempt to "catch up" with the rest of Western Europe. He was invested in courting France in particular and it led to a Westernised court dress and French being employed as a lingua franca at court.

Since Soleterea is French-inspired I thought it had some clever allusions to that whilst still being its own thing. Darius being a lot more open to them in terms of trade and relations, as well as generally being more forward-thinking (with his own dark turn) while grappling with a lot more traditionalist factions pushing against him formed a lot of the basis for book 2.

The fact that he also ends up adopting his heir was inspired by the Roman practice and Laila being more of an equal partner as regina rather than simply a consort was inspired by the byzantine empress Theodora who was particularly invested in improving women's rights.

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A Sparring Match

from blood of gods

“You really are bad at this, aren’t you?” Vesta sneered.

Ashala swatted aside Vesta’s dull blade with her free hand, pulling herself in closer. Then, when she was close enough to feel her breath upon her face, she struck.

She had not thought it through. The base of Ashala’s blade collided with Vesta’s nose with a crack. She doubled over, pressing her free hand to her face. It came away red and bloody.

Ashala backed away. “I’m so sorry, I-”

“No!” Vesta barked. Her breathing was thin and ragged. “You’re fighting me. Hurt me.

“What?”

“Hurt me,” she repeated, “the way I hurt your parents.”

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for this ask game. excerpt from the iron crown.

The doors opened. Heinrich entered escorted by guards, hands up and empty. In the years since Eudossia had last seen him up close, he had changed. He had grown tall, taller than her, and stronger, too. His face still bore the flush of youth, but his eyes were ringed with shadows far beyond his years. Tears prickled at their corners, but did not fall.

All Eudossia could ask was: “Why?”

He smiled as if to laugh, but it was cold and snarling. “Why?” he repeated. “Surely you know why.”

Eudossia looked to the ground, her heart caught in her throat.

“Don’t play dumb with me, cousin!” he cried. “Don’t you remember? You were hardly older than I am now. Small, scared, and powerless. Your entire family had been murdered, and you were moments away from joining their fates. Do you recall who saved you?”

She swallowed. “You did, Heinrich.”

His shoulders fell. “Yes,” he said. “I saved you. I saved you because you were my cousin, and though we had never spoken, I loved you. I put my own safety on the line for the chance that you might live. Then what happened?”

“Your father died.”

His nostrils flared and his hands curled into fists. “My father was a strong, healthy man. They told me he fell violently and suddenly ill, dying within a matter of hours. I didn’t even get the chance to say goodbye. I didn’t even get the chance to mourn. Within weeks, I was invited onto the ship of a churchman by the name of Ildebrando of Sovana. The moment I stepped on, the shipmen picked up their oars and began hurrying downstream, away from my mother on the docks. I thought they were going to murder me, so I jumped off and tried to swim for the shore. I was not quick enough. One of the men jumped in after me and pulled me back onto the boat, even as my mother called after me. I was held on that ship for days, until my mother agreed to hand over the Imperial Regalia. This is how your ally became regent of the Empire.”

Eudossia shook her head. “But you looked so happy at your coronation!”

“Do you think thirteen-year-old boys are incapable of lying, cousin?” he asked. “I did that. I did that for two long years, donning a false smile and doing every stupid thing he asked of me. All for this. So that I could listen carefully and put together the pieces of every traitor who involved themselves in my father’s murder. I counted down every day until my coming of age at fifteen, when I could be free from Ildebrando’s control. When I could have my revenge. On my guardian, on the Church, and even my own family. Starting with you.

“Well,” Eudossia said. “You failed.”

He buried his head in his hands, masking his tears with laughs. “Have you no shame?” he asked. “Do you even regret what you did?”

“I didn’t kill your father!” she cried. “But even if I did, why would I feel sorry? He murdered his wife’s family in cold blood—even my little brother! He was an evil man, and his death was for the good of everyone.”

“Ah, look at you! A modern-day Brutus, selflessly freeing Rome from the grips of a cruel tyrant! We all thank you for your service, great lady!”

Eudossia sneered. “You’re a King now. Can’t you be grateful for that?”

“You’re a Margravine. Wouldn’t you rather have your father back?”

“My father’s death was the best thing that ever happened to me!”

It was enough to shock even Heinrich. He took a step back and said nothing.

Eudossia had not meant to say that. She had not even thought. Yet she had not lied.

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💅 gimme the gay goods (ask game)

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for this ask game. excerpt from the iron crown.

💅 share a snippet showing a character embracing their lgbtqness

Eudossia finished recanting the story of Iphis and Ianthe with a smile. Imran looked at her intently, his eyes narrowed just as they did while discussing the Iliad with Toma. He reached over and grabbed two books from the shelf.

“There is an Arab book I quite like by the name of Jawami al-Ladhdhah,” he said. “Translated, I suppose you would call it the Encyclopedia of Pleasure.

Eudossia raised an eyebrow. “That sounds erotic.”

“Well, it is, but it’s a classic for a good reason.” He opened to a page, revealing a beautifully drawn script she had never seen anywhere before, save for the backs of coins. “There’s a story in here you might like.”

Eudossia looked up hesitantly. “Tell me.”

“It’s a true account of a pagan poetess named al-Zarqa who was the lover of a Christian princess by the name of al-Hurqa. She too was a poet. When al-Zarqa died, so did al-Hurqa’s desire to be happy ever again. She spent the rest of her days in a nunnery until she died.”

She swallowed. “That’s very sad.”

He nodded. “It is.”

Eudossia tore her gaze away from the book. The obvious commonality between the two stories did not need to be acknowledged to be clear. She hadn’t meant to insinuate that she was seeking out such a theme to read. She hadn’t known it even existed outside of Ovid’s tale. Iphis needed to be transformed into a man to be with Ianthe; it was pure fantasy. Al-Hurqa and al-Zarqa were real. They loved each other as they were.

She looked up to meet Imran’s eyes. His expression was open, unjudging. She tentatively reached out to accept the book.

She ran her fingers over the page, her chest feeling strangely heavy. “I don’t know how to read this.”

“Well, I suppose you can’t control that,” he said. “But you can read Greek, right?”

“I can.”

“That is good, for I have another book for you. One you can read. For you see, there was another famed female poet, one who’s words we still have with us. Perhaps you’ve heard of her. I hear the Romans spoke much about her.” He handed her the second book.

Eudossia shook her head. “Who?”

He smiled. “Sappho.”

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for this ask game. excerpt from the iron crown.

👁 share a snippet where the character is very visually engaged/a snippet with description

Eudossia dropped to her knees and opened the chest, pulling out the blankets and pillows for the bed. It occurred to her halfway through making it that she had servants who could do such things for her now, but habit caused her to finish it on her own anyways. At the bottom of the chest, now uncovered, lay a familiar swathe of pink Byzantine silk. Genevieve’s dress.

Eudossia snatched the gown, holding it up against her body and admiring the way it caught the light in the dying winter sun. She began to strip off the only clothing she had had until now—her nun’s habit—and wriggled into the many layers of expensive fabric. 

First was the white linen shift, simple but finely made. Unlike the sweat-stained sackcloth she was made to wear at the abbey, this felt smooth and light against her bare skin. On top of that she layered a red silken cotte dress, its skirt loose and its sleeves tight. The neckline sat above her collarbone, but had an opening that went down past her chest in order to make breastfeeding easier. Unnecessary for Eudossia, she closed it with a jeweled brooch.

Finally, the gown itself. Its gold-trimmed sleeves were wide, falling past her knees. If she lifted her arm, the pink fabric would nicely fold back to reveal the scarlet cotte beneath. The waist was loose, so she tightened it with a golden kirtle. The skirt was certainly too long, but that could be easily fixed. She twirled once and then twice, admiring how the fabric seemed to shimmer like a gemstone in the light.

Eudossia touched the top of her head. Her hair was short, even shorter than a man’s, and probably served to make her look more like a cross-dresser than a woman. It would take years before she’d be able to plait it like she did as a girl, and far longer to do so presentably. So though she was not yet a married woman, she decided to cover her hair like they did. She took a long circular white veil that nearly reached the ground and placed it atop her head, pinning it in place with a golden circlet. At last, she was complete. Picking up a small hand mirror off the desk, Eudossia took in her warped reflection.

Eudossia had never truly felt like a woman. She had been forced into a convent before she had her first cycles, and her body had developed underneath formless sacks. She was to be a chaste bride of Christ, and everything that others defined her sex by—the capacity for pregnancy, the ability to have sexual intercourse—was an obstacle to that. Eve had been the first to eat from the fruit of the tree of knowledge, and so too were women cursed for her sin. To repent for it was to be pure and chaste and sexless.

Now, for the first time in her life, Eudossia felt feminine. And to feel feminine was to feel good. Despite what she knew to be virtuous, she couldn’t help but love the way the kirtle hugged her waist or the way her bare neck shone in the light. The cut of her clothing made her look beautiful, and she loved the way beautiful felt. It felt like freedom.

That night, she slept in her father’s bed, surrounded by Genevieve’s clothes and the gruesome fresco. For the first time in her entire life, she slept in a room alone.

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mavigator

anglerfish 

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ashfdhfgdsfk

[ID:

“Here are three things that I know are true, unranked by order and importance:

  1. When you are stabbed, you’re supposed to keep the blade in so you don’t bleed out.
  2. I’m very bad at saying ‘I love you’.
  3. We know more about the moon than we do the ocean.

Some footnotes about each of these:

  1. I have never been stabbed, nor have I known anyone who has been stabbed.
  2. Of course I can say it, I just never feel like I mean it.
  3. By ‘we’, I don’t mean myself, but oceanographers and astronomers that have pooled their collective knowledge and drawn the above conclusion.

I know a good amount of other things, but these three in specific have an unwelcome place in my twisting chest. Why does getting stabbed hurt twice? Why can’t an act of good be just that? Why do we know less about something I could touch right now, if I pleased? None of this sits right with me. Does it sit right with you?

Are you even listening?

I think you should put that knife down. It hurts twice, you know. Here, I’ll hold onto it for you. I’ve got a great spot for it.

Oh, God. I hope it hurts less on the way out.

Can I tell you about the ocean? I know more about the ocean than I do the moon. Would you mind if I talked about the ocean for a while? Please. Please let me talk about something else.

Please say something.

I’m sorry I took your knife. Is that what you want to hear? I’m sorry I took your knife, and I’m sorry I stuck it in my chest, and I’m sorry I’m getting blood on the sand. It just looked like you might do something stupid, like put it in your throat, and I don’t want you to die like that. Okay? I’m sorry. Will you look at me now? I don’t understand why you’re angry. Look at me. Look at me. I just want to tell you about the ocean. Some fish can glow in the dark. Isn’t that interesting?

Isn’t it?

I love you.

Please, I’ll say anything. I love you. See, I said it. I said it just for you.

Are you even listening?

End ID]

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for this ask game. excerpt from the iron crown.

👁 share a snippet where the character is very visually engaged/a snippet with description

Eudossia dropped to her knees and opened the chest, pulling out the blankets and pillows for the bed. It occurred to her halfway through making it that she had servants who could do such things for her now, but habit caused her to finish it on her own anyways. At the bottom of the chest, now uncovered, lay a familiar swathe of pink Byzantine silk. Genevieve’s dress.

Eudossia snatched the gown, holding it up against her body and admiring the way it caught the light in the dying winter sun. She began to strip off the only clothing she had had until now—her nun’s habit—and wriggled into the many layers of expensive fabric. 

First was the white linen shift, simple but finely made. Unlike the sweat-stained sackcloth she was made to wear at the abbey, this felt smooth and light against her bare skin. On top of that she layered a red silken cotte dress, its skirt loose and its sleeves tight. The neckline sat above her collarbone, but had an opening that went down past her chest in order to make breastfeeding easier. Unnecessary for Eudossia, she closed it with a jeweled brooch.

Finally, the gown itself. Its gold-trimmed sleeves were wide, falling past her knees. If she lifted her arm, the pink fabric would nicely fold back to reveal the scarlet cotte beneath. The waist was loose, so she tightened it with a golden kirtle. The skirt was certainly too long, but that could be easily fixed. She twirled once and then twice, admiring how the fabric seemed to shimmer like a gemstone in the light.

Eudossia touched the top of her head. Her hair was short, even shorter than a man’s, and probably served to make her look more like a cross-dresser than a woman. It would take years before she’d be able to plait it like she did as a girl, and far longer to do so presentably. So though she was not yet a married woman, she decided to cover her hair like they did. She took a long circular white veil that nearly reached the ground and placed it atop her head, pinning it in place with a golden circlet. At last, she was complete. Picking up a small hand mirror off the desk, Eudossia took in her warped reflection.

Eudossia had never truly felt like a woman. She had been forced into a convent before she had her first cycles, and her body had developed underneath formless sacks. She was to be a chaste bride of Christ, and everything that others defined her sex by—the capacity for pregnancy, the ability to have sexual intercourse—was an obstacle to that. Eve had been the first to eat from the fruit of the tree of knowledge, and so too were women cursed for her sin. To repent for it was to be pure and chaste and sexless.

Now, for the first time in her life, Eudossia felt feminine. And to feel feminine was to feel good. Despite what she knew to be virtuous, she couldn’t help but love the way the kirtle hugged her waist or the way her bare neck shone in the light. The cut of her clothing made her look beautiful, and she loved the way beautiful felt. It felt like freedom.

That night, she slept in her father’s bed, surrounded by Genevieve’s clothes and the gruesome fresco. For the first time in her entire life, she slept in a room alone.

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