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Call To The Witch And They Will Come

@switchywitchy / switchywitchy.tumblr.com

Lover Of All Creatures Great and Small | Except Nazis, TERFS, SWERFS, MAPS, etc. | If you can’t be a decent human being GTFO | Spell Requests ~Closed~ | Free Tarot Readings ~Closed~ | Free Shufflemancy ~Closed~
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To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
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brehaaorgana

This was such a formative movie

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musicalhell

This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.

To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.

This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.

Okay, I’m not done feeling about this.

If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.

Patrick Swayze was fucking beefcake.

And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.

And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.

When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.

Then she puts her hair up, and her face lights up.

“Ready or not,” she says. “Here comes Mama.

And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:

And you can FEEL her pride.

All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.

the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesn’t meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once

This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasn’t constituted a radical and potentially dangerous act, you don’t have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.

You don’t have to like it. You probably aren’t capable of “getting” it. And to be honest, I don’t want you to! I am glad that young queer people will never know exactly what it was like “back then.” But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.

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hussyknee

On Wesley Snipes’s role Noxeema and John Leguizamo as Chi-Chi Rodriguez.

“I grew up in the ‘70s and even within the street culture, there was a lot of flamboyancy,” Snipes told TODAY of his perception of drag before filming. “Pimps wore the same furs as theprostitutes wore.
“Some of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasn’t really new for me to see men dressed as women or men dressed as drag queens.”
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasn’t a dance major, but most of his friends were. “That exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ… but it wasn’t in fashion those days. But it existed and I was around it.”
Not only did “Priscilla, Queen of the Desert” pave the way for “To Wong Foo,” so did films like the 1968 documentary “The Queen” and “Paris Is Burning,” the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipes’ portrayal of Noxeema wasn’t the first time he played a drag queen. In 1986, he made his Broadway debut in the play “Execution of Justice,” playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the show’s voice of conscience. Snipes pointed out, “Sister Boom Boom did not have Noxeema’s makeup kit.”
On whether he got any pushback for stepping into Noxeema’s pumps, he said, “Not so much professionally but the streets weren’t feeling it, and there were certain community circles. The martial arts community… they were not feeling it at all.”
“In fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, ‘Now you don’t got the full count!’”
Lesser-known than his co-stars at the time, Lequizamo didn’t really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
“Drag didn’t really exist in movies,” Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. “There were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.” Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late ‘90s as trans representation in media was limited.
“Chi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,” Cayne explained.
“It was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,” Leguizamo said. “They didn’t feel like they were seen, so that was a beautiful gift from the movie.”
Lequizamo also articulates that if “To Wong Foo” were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.) “Anybody can play anything, but the playing field is not fair that way,” he said. “Not everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they don’t. In the project I’m doing, I’m making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.”
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fedorahead

a monumental film in the library of queer history.

it was formative for modern society, too.

there are a lot of action fans out there who learned from their idols that respect doesn’t cost a damn thing to give. i know plenty of people who aren’t queer saw trans women and drag queens presented as people to them for the first time in wong fu. suddenly, strange and foreign queer identities that had only been presented to them as jokes if they’d even heard of them, seemed a little more relatable, and very human.

we’re all just people.

snipes, swayze, and leguizamo were willing to play people a lot of their fans didn’t respect yet or didn’t even know how to respect and demand they figure it the fuck out.

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jam-etc

This is a HUGE reblog but I watched this as a little girl on cable TV and I’m so glad I did. GO WATCH THIS AS SOON AS YOU CAN

Just a note: I just checked Amazon because as far as I knew it’s $3.99 to rent everywhere but on Amazon you can rent it for only 99 cents! It’s more than worth it. Miss Vida Boheme is probably my favorite Patrick Swayze character ever, which is saying a lot considering the points mentioned above about him being the guy from Dirty Dancing and Roadhouse.

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aftout

The only tiktok trend that matters is people filming those easter chickens and then going “who did ____ without permission?” and one of the chickens is so fucked up and its obvious who the answer is and the intro to You Gotta Move by Mississippi Fred McDowell is blasting

LEAVE THESE ANIMALS ALONE!!!

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“Smitten” (2006) by Élena Nazzaro

“She is the last. She is the last unicorn in the world.” “She would be.” Molly sniffed. “It would be the last unicorn in the world that came to Molly Grue.” Molly said, “It’s all right. I forgive you.” “Unicorns are not to be forgiven.” The magician felt himself grow giddy with jealousy, not only of the touch but of something like a secret that was moving between Molly and the unicorn. “Unicorns are for beginnings,” he said, “for innocence and purity, for newness. Unicorns are for young girls.” Molly was stroking the unicorn’s throat as timidly as though she were blind. She dried her grimy tears on the white mane. “You don’t know much about unicorns,” she said.

~ The Last Unicorn, by Peter S. Beagle

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Maybe plow the Lord’s fields in heaven

Dave Brandt was a leading researcher and farmer involved in no-till farming, which means farming without disturbing the soil.
His decades-long career of no-till farming and different methods and materials used to increase his crop yield have been used all over the world to better agriculture in various climates and places where more modern tilling isn't a viable option.

the earth and everyone who lives here will always owe something to farmers who fight for a better way to cultivate this world instead of destroy it. It’s honest work indeed. Thank you Dave Brandt, may the soil care for you as tenderly as you cared for it.

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7 years ago today, I got married.

A lot has happened since then, and I’m having a lot of feelings lately (but especially today) that I’m not sure how to work though. So, I guess when in doubt, get the words out of your head- make them real- and maybe they’ll start to make more sense.

Let’s flash back further than 7 years ago- let’s flash back over 20 years ago, to when my mom divorced my dad. Back then, and in the years that followed, my mom would swing between extremes; she either waxed on about how the love of her life “died in the desert” (my dad was in Desert Storm and suffered a tremendous amount of PTSD), and that the man she divorced wasn’t the man she fell in love with, or she would spit at the sound of his name and tell us what a terrible father and person he is- and how lucky we are to be with her instead.

As the years passed, she was married and divorced three more times. Including her marriage prior to my dad, she has been married and divorced an impressive five times.

I remember being a 10,12,16 year old child thinking “I’ll only ever get married once. So if I want to get married, I have to be sure I can be with that person forever.” (Thankfully, this way of thinking turned out to be temporary.)

But I digress- this isn’t about my mother, or how her selfishness, narcissism, and outright abuse helped shape my development.

In 2015 I quit my job in Florida and moved to D.C., where I planned on starting a life and career for myself outside the reach of my mother, and my ex “C” who had an annoying habit of finding me no matter where I seemed to go). I was there for two months and was barely scraping by with my new job, I didn’t have any friends, and in a desperate attempt to make some I tried searching for human connection through an app.

That ended up being a terrible idea, when I was assaulted by one of the very people I wanted to make friends with.

I was ready to leave, even if it meant going back to my mother. Instead, the weekend before I was set to move, I met “J” and found someone who was kind, thoughtful, handsome- he made me feel safe. And I threw myself wholly into becoming part of his narrative, not caring what parts of me where overshadowed and left to wither.

I knew him for four months before I decided to move to Ohio with him.

His family- while surprised- welcomed me with open arms and did their best to make me feel loved and like I belonged there. They constantly said how great I was for J, and how blessed they were to have me in the family.

J and I got an apartment together, then two cats. When he proposed in December of 2015 I said yes- completely ignoring all the red flags to that point. We had fought before about him feeling insecure with how many sexual partners I’d had, that I wasn’t Christian (though I did attend church with him), that I was taking anti-depressants when instead I should let the congregation pray over me to exorcise the demon of depression. He hated the fact that I’m attracted to all genders, not just men.

In 2016 we got married anyway. I look back on my wedding photos and see how happy I look, and I remember how happy I felt to be surrounded by my family and friends, and to be starting a new chapter of my life.

He got me a little white schnauzer as a wedding gift. Luna. I had to leave her and her brother, Merlin, in Ohio when I left; something I haven’t truly come to terms with (if the overwhelming knot in my throat and the hot tears stinging my eyes are any indication).

Donald Trump became president that year, and J dove hard into the MAGA life. He drank more- going through an entire bottle of moonshine a night. He watched Fox News at all hours of the day, and when he wasn’t watching it he was listening to the hosts podcasts and YouTube channels. His behavior turned more and more aggressive, and I drifted further and further away into myself while trying to pretend like everything was fine.

As the presidency progressed, so did J’s paranoia. His behavior escalated and I got more and more lost.

He started demanding sex and acting in ways that triggered my trauma responses. He actively dismissed my feelings and requests to go to therapy. In his words- if we weren’t going to church to seek help through God, we weren’t going to therapy.

In 2019 I was jobless, and was drinking a handle of whiskey every three days just to cope. That year, my youngest sibling committed suicide, and then my grandfather passed away. Things got worse.

Enter the pandemic. Being locked in with him during quarantine gave me lots of time to think. I had completely lost sight of myself. I was depressed, miserable, suffering internally feeling alone and isolated from my family, my friends, my life. I decided I had to get out. I stopped drinking and started applying for jobs.

I got a job May 23, 2021, two days after my 5 year anniversary. The weekend of our anniversary I spend the last of my savings on a “Save-Our-Marriage” weekend getaway, where I earnestly tried to reconnect and get him to try and understand my feelings- ultimately I was unsuccessful and the weekend was awful.

I told J I wanted a separation. He begged me to stay, and ended up agreeing to therapy (as long as I paid for it) as a last-ditch attempt to keep our marriage intact.

I tried, friends. I really did. Did I think it would work, honestly? No I didn’t think it would. I had mostly made up my mind, but I couldn’t in good conscience leave without trying one more time.

I searched and found a therapist that specialized in couples, had an extensive history with trauma patients, and who (as a bonus for J) was very faith-centered. Eight months of therapy left us no closer to reconciling- if anything he was angrier than before and was trying desperately to get any sort of rise from me even if it was negative.

I rented a POD, made the plans to stay with a friend, and told J the time had come and I was leaving. I packed myself and the cats, and left.

I ended up staying with a friend and her husband for four months (which ultimately turned out to be a mistake, but that’s a story for another day). In those four months, J blew my phone up every day with calls and texts, first begging me to come back then cursing me for leaving. He tried to manipulate me, destroyed my personal property, and held a family heirloom “hostage”. We filed for divorce, which was granted last August.

Now, it’s the day that would have been my 7th marriage anniversary, and here I am, divorced. I’m not upset about being divorced, but I am feeling melancholy about what could have been? I dunno, friends. My life has changed so much, and I do feel more like myself. I don’t feel lost anymore (well, I do a little, but I think everyone feels that way), but I still feel like things are unresolved.

I need to learn from this and move forward. But what is the lesson to be learned here? To not lose sight of yourself? To learn which situations to avoid to protect myself? That we have to leave important things behind in order to be happy?

I don’t know anymore.

I’m sure this feeling will pass, but for now I’m trying to sit with these feelings and make space for them, instead of burying or running from them.

I’m gonna splurge on a burger, put on Treasure Planet, and make smoke. Things will get better, and they won’t stay like this forever. Sorry for the long post, and if you stuck around and read this much, thank you- it makes me feel a little less alone.

-Switchy

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first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line

second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all

third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below

fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?

fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves

sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it

seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him

eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night

ninth day as a second century warlord i try to tactfully ask my fake liege lord if he sent the assassin to kill my loser liege lord and it turns out the idea of using assassins never occurred to him, but now that i’ve suggested it he’s really into it. in order to save my loser liege lord i volunteer to be the one to kill him

tenth day as a second century warlord on my way back to my loser liege lord’s city i realize i won’t be able to collect my men from my fake liege lord until i bring back my loser liege lord’s head. this would have been a great thing to think of before i got myself in this situation. i go back to my loser liege lord and ask him to rescue my men, and he tells me that if he could sack my fake liege lord’s camp he already would have. that doesn’t change the fact that my men are still trapped. they’re prisoners, even. i go back to my room to sulk

eleventh day as a second century warlord i find a little caged pigeon in the rafters of my loser liege lord’s room and deduce it belonged to the assassin. without asking permission or telling my loser liege lord goodbye i let the pigeon loose and follow it north. don’t ask what i was doing in my loser liege lord’s room. it’s not important

twelfth day as a second century warlord i disguise myself as a wizard and enter the camp of the coalition leader the pigeon led me to. in the middle of my little sleight of hand performance i make eye contact with the coalition leader’s second-in-command. IT’S THE WIZARD THAT STOLE MY LOSER LIEGE LORD’S WIFE. after the banquet i corner the fake wizard and ask him what the fuck is going on and he just says “wouldn’t you like to know” and leaves. i don’t know what to say to that so i just let him go

thirteenth day as a second century warlord i’m honestly so sick of not knowing what’s going on, so i adjust my wizard costume to passably disguise myself as a woman and break into the women’s area of the camp, where sure enough my loser liege lord’s wife is. i ask her what she’s doing here and she tells me the fake wizard overheard her singing a poem she overheard on the street, not knowing it contains the coalition leader’s formation’s weaknesses. the fake wizard kidnapped her and assigned an assassin to kill her husband before they figured out the poem’s significance. she shares the first couplet with me but i’m discovered and thrown out before she can share any more. she doesn’t need to. through a bizarre coincidence of homophones, it’s the poop version of my misinformation nursery rhyme

fourteenth day as a second century warlord i go back to my loser liege lord and tell him everything, urging him to join with my fake liege lord to attack the coalition leader according to the weaknesses in the nursery rhyme. he tells me frankly that he doesn’t trust me anymore. i ask him to execute me if that’s really true, because i can’t bear to live if i can’t protect him and i can’t protect my men. he agrees to attack the coalition leader

fifteenth day as a second century warlord. due to the information in the nursery rhyme, and thanks to my loser liege lord reminding me of the weather conditions multiple times while planning our battle strategy, our alliance carries the day. my loser liege lord gets his wife back. my men tell me that our fake liege lord actually treated them really well and they’d like to stay with him if i don’t mind. i do mind, now that neither the men i love nor the man i love have any use for me, but i don’t tell them that

sixteenth day as a second century warlord i’m preparing to leave to i don’t know where, maybe to try to become a wizard for real, when my loser liege lord stops me and asks me where i’m going. he says he had hoped i would continue to work as his advisor. i was unaware i was his advisor in the first place. i agree, and he tells me he’s truly honored to have me in his service at last. he has known i am a rare and talented man with a strategic intelligence far above his ever since the day he witnessed me tying branches to my horses’ tails in six inches of mud, and could not for the life of him figure out why

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iiamart
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vagoonabeach

it wasn't "some reason", it was 2D animators being unionized and 3D not being unionized. and the simple truth that capitalism kills art.

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loubatas

I remember when 2D faded out, the reason studios kept giving was "it's because 2D is a lot more expensive to produce". I was a child back then so I didn't think too much about it, assuming it was about the process itself, but as I grew up and learned more about art as an artist, and gained friends who were professional 3D artists themselves, I started to question it. Because 3D is very different from 2D, but it's definitely not easier or faster to make. Also, both European and Asian studios kept producing 2D animated movies

The answer was unions. The answer wasn't "this kind of art is cheaper because it's easier to make", it was "this kind of art is cheaper because these artists can't force us to pay them correctly"

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