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my anaconda don't

@mamaodiehelps-blog / mamaodiehelps-blog.tumblr.com

. — mama odie, brazilian, the biggest helper you respect (jk haha), read the rules and what i do.
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A Guide To: Writing Bitchy Characters

There are two types of characters I think we all struggle to write at some point - be it playing them ourselves or playing them against other people. The anti-villain/villainous types as well as the ‘bitchy’ characters — they’re generally mean, have a hard-edged demeanor that makes talking to them a bit intimidating sometimes. They always seem to have snappy, witty remarks or know just what to say to get your character’s blood boiling.

So, how do you write one? 

Tone is one factor.

Words can be carried a number of different ways - by tone and body movement. Is their voice rough? Do they speak with an irritated tone? Is it deadpan? Sarcastic? Defensive? Blase? Abrasive? Authoritative and demanding?

Now, with that in mind, think of mean things to say - they might not be things you would say but they’re probably what your character would say. Meaner characters generally tend to lack a ‘polite’ filter, they’re more crass - and while what they say may not be honest, it sounds honest with the tone. Think of the things you think about saying or do actually say when you’re mad - sometimes that’s an easier approach. Is what they said just a throwaway comment?

Along with tone, phrasing is important - a simple ‘what?’ can sound very upfront and demanding if it’s got an abrupt tone and uptight reaction. Mediator comments and passive ones aren’t typically used by these types of characters - though sometimes it will be used mockingly to taunt the person (but they can also be sincere if they want to be). For example, “I understand that…” versus “I know you…” What they say is more direct, more finger-pointing like they’re out to blame or accuse someone, even with assumptions, they sometimes even lack the ownership of ‘I’ and use ‘you’ and/or ‘they’ instead when it comes to owning up to things. It’s like a redirection away from them to make the conversation about the other person or to make the person feel like they should take responsibility or blame for whatever it is your character is saying. 

If you don’t know what to say, think about their gestures, their movements.

Are they huffy? Do they get defensive and cross their arms over their chest, closing themselves off to the world because how dare you? Do they kick their foot up a little or take a confrontational route by getting closer to the person they’re talking to? Are they the physical type (leans towards controlling when this route is taken), do they grab wrists or elbows? Or do they shove and swat/slap? What’s their demeanor like? Is it really intimidating, standoffish, nonchalant, reserved… 

Body language makes up a huge part of our communication - so it makes sense that their communication also would rely on that. The body can say more than words can. Mean/bitchy characters tend to be more confrontational - they aren’t afraid to say what’s on their minds, be it alone or in a group of people. Sometimes what they say/do has a motive (big or small, from getting a crowd to laugh at their target or to sabotage their target’s career), and sometimes it plain doesn’t and they just say something snarky because it’s a natural thing to do.

And why do they do it? Is it a defense/coping mechanism of some kind? How were they treated by their parents, siblings, friends, and other peers? What did they experience for them to behave like that? While sometimes the answer may not be readily available and it’s easier to say “they’re just that way,” try to find a reason - don’t use that reason to justify their behavior but to explain it, because once you can find a reason they’re like that, the easier it is to find resources on how people behave and depending on how they coped with it.

*They will more readily jump on the defense when anyone tries to insult them, attack their character or talk to them about something serious that may be effecting the other person.

It’s similar to writing villains. They have a more assertive or aggressive stance in conversations, sometimes they’re meant to challenge the plot and characters, and sometimes their roles can be really antagonistic in general because of that even with personable traits involved to humanize them. 

The easiest transition I can think of as a base is giving them witty and sarcastic remarks. What I want you to do is think of phrases such as:

  • Oh, golly, gee
  • I wasn’t aware that…
  • Seriously? 
  • Right, because…
  • Excuse me?

Read them with a condescending and/or sarcastic tone in mind - imagine your character rolling their eyes, shifting from hip to hip and canting their head. Imagine your character looking at their opposite incredulously with dagger eyes or a complete look of indifference as they deliver those words deadpan. 

Visualizing what they do/react and hearing how they say it can really help make that transition from taking a simple line that could be comedic into something rude. Keep in mind, though, that they’re not always mean - and can just say things flatly or be humorous even if what they say might be offensive or upsetting to an extent, because they’re insensitive about a certain topic or don’t care about whose feeling they hurt.

A mean/bitchy character can speak with any and every tone, it’s more their mannerisms and the words they use - they can take something as simple as a compliment and make it sound completely backhanded. And sometimes, they do relent and back down from conversations if their heart just isn’t in it or the effort to cause an upset isn’t arising soon enough. (They can be compared to a bully, they’re encouraged by reactions - so if a character feeds into it, it only fuels them on).

In the RP community, we’re all at a big advantage with being able to format our texts for emphasis and providing gifs for our characters reactions. While that may not always help, it’s good too. But in paras, try to think about their body movements.

And I know I just gave you all a brief mental task above but now, here’s a miniature assignment:

If you’re struggling with how to find your character’s voice, I suggest writing a 300 to 500 word self/solo para just imagining their bodily movements and gestures. How do they breathe? (Huffy, fast and heavy…) What do they do with their jaw, tongue and cheeks? (Puff them out, clench, bite their tongue/lips). Do they pace around or sit down? What about their hands? Clenched, shoved in pockets, what? But most importantly: what are their thoughts?

Put them in a scenario that gets their mind going with all kinds of thoughts — maybe they’ve just been in a vehicular accident, maybe they’re under a ridiculous amount of stress, maybe they’re attending an event they loathe going to. Now, take one thought and have them blurt it out. Allow them to speak their minds. And see where it takes you (and them). Allow yourself to write freely, don’t try to control/police their voice in this assignment - let them think and say what they want, that can help you get a better grasp on what they’re like/what they say.

Hopefully that will help you break that wall.

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THEME #2 “HEAVENLY” V.01 

here’s an oldish theme that i did a lot of revamping on. this first version suits roleplay groups and even rph blogs ! it comes with three admin spots and their own toggleable availability status. i also added a drop down menu with weather icons for your daily forecast. let me know if you have any trouble with the morph modals since they do look funny in edit mode.
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THEME #2 “HEAVENLY” V.02

dimensions and theme info are all on the preview ! i styled photo posts to look like instagram uploads for /aesthetic/ purposes, however you have the option to turn them off for normal posts. chats and audio posts are also styled bc why not ?? i got carried away. just like the first version, there’s also an online availability status. let me know if you have any trouble with the morph modals since they do look funny in edit mode.
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REMINDERS

— more theme info on preview. — any errors? or questions? let me know. — don’t steal. — don’t use as base. — don’t edit and redistribute.   — please keep credit !
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Writing with Color: Description Guide - Words for Skin Tone

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

So let’s get to it.

S T A N D A R D  D E S C R I P T I O N

B a s i c  C o l o r s

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

  • This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
  • Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

C o m p l e x  C o l o r s

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

  • Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet browntawny beige

  • As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

  • Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

M o d i f i e r s 

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

D a r k - D e e p - R i c h - C o o l

W a r m - M e d i u m - T a n

F a i r - L i g h t - P a l e

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

  • Keep in mind that these modifiers are not exactly colors.
  • As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
  • While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
  • Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

U n d e r t o n e s

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

  • Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
  • As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

  1. Here the state of skin also gives insight on character.
  2. Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

C R E A T I V E  D E S C R I P T I O N

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

N A T U R AL  S E T T I N G S - S K Y

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

  • Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
  • When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
  • So consider your character and what you see fit to compare them too.
  • Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

  • Even creative descriptions tend to draw help from your standard words.

F L O W E R S

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

  • It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 
  • You’ll definitely want to avoid purple-prose here.
  • Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

A S S O R T E D  P L A N T S &  N A T U R E

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

  • These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
  • At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“ 
  • I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

  1. I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
  2. I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

W O O D

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

  • Wood is definitely an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
  • Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

M E T A L S

Pictured above: Platinum, Copper, Brass, Gold, Bronze

  • Copper skin, brass-colored skin, golden skin…
  • I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
  • These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

G E M S T O N E S - M I N E R A LS

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

  • These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
  • If you use these, or any more rare description, consider if it actually “fits” the book or scene.
  • Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

P H Y S I C A L  D E S C R I P T I ON

  1. Physical character description can be more than skin tone.
  2. Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
  3. Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
  4. How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

G E N E R A L  T I P S

  • Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
  • Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
  • Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
  • Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
  • PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 
  • Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
  • Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

Writing & Description Guides

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

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Theme #2 — Affluence
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Anonymous asked:

mama se não for pedir muito pode citar alguns fcs poc ou underused que você gosta mais ou que vc quer ver o pessoal usando mais?

Não é pedir muito não, babe, na verdade é muito legal você ter perguntado isso. Primeiro eu vou citar alguns que eu pessoalmente mais gosto, e depois vou falar sobre aqueles que deveriam ser mais usados. 
Tem a Ruth Negga, que eu nunca vejo ninguém usar e isso parte meu coração. Kylie Bunbury, tenho um carinho muito grande pela Kylie desde que assisti Tut e ela é cheia de gif hunt, então sem desculpas, pegando o gancho de Tut, o Avan Jogia. Você pode discordar mas eu ainda o acho muito underused, e isso precisa mudar para ontem. O Avan é muito mais do que o esteriótipo garoto rebelde, ou hippie, ele te dá um monte de possibilidades incríveis. O cast de Star Wars em um todo! Usem a Daisy Ridley, o John Boyega, o Oscar Isaac, o Adam Driver, usem esses lindos! O Riz Ahmed, Diego Luna! Outra que eu nunca vejo em rps e é uma ótima opção de faceclaim é a Gina Rodriguez! Ela tem um número muito bom de gif hunt, o que vocês estão esperando pra usar ela como se não houvesse amanhã? Duas que são meus amores: Priyanka Chopra e Hannah Simone! Sou apaixonada pelas duas, e eu ficaria muito feliz se as visse mais nos rps.
Agora os que eu quero que as pessoas usem mais!
  • Reece King
  • Kiersey Clemons
  • Will Smith
  • Bryce Dallas Howard
  • Kristen Stewart
  • Ariel Winter
  • Taraj P. Henson
  • Rap Monster
  • Sana (Twice)
  • Dudley O'shaunessy
  • Amandla Stenberg
E muito outros!! Sério, se deixar, a lista nunca vai acabar.
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Eu não sei porque ainda jogo rpg no facebook!! Sério, o povo é muito preguiçoso na hora de escrever, abusa de clichês preconceituosos - Tratam personagens trans como trap - e são poucos que se salvam disso.

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Eu nem sabia que rpg no Facebook era uma coisa!! Eu acho que deve ser bem parecido com o fake na época do Orkut? Talvez venha daí a preguiça, mas olha, se vamos falar de abusar de clichês preconceituosos, vemos isso ainda bastante na tag, então.... Tratar personagens trans com qualquer coisa além de respeito é uma sacanagem muito grande. Mas se mantenha forte, um dia você consegue acabar com a resistência!!
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150 HWARANG (EPS 1-4) SENTENCE STARTERS 

P.s: I don’t speak Korean. All of these sentences are based on translations already made by other people. A few words were changed by me & I kept most of the pronouns originally used, but feel free to change them as you wish. (: Content warning: violence, death, alcohol use & many sentences that sound weird out of context. Also, potential spoilers!

“Isn’t that great? I don’t have to beat you up…” “Did I hit him? I did, huh?” “Don’t touch him. Fight with me, huh?” “You should have woken up earlier. I got hit already.” “I’m a very exhausted person.” “How can you smile in moments like this?” “I’ll find my father with this, and I will find out my identity too.” “I bet you won’t find anything.” “Why are you so fearless?” “He who has a lot is the one with fear. There’s nothing I’m scared of.” “It’s your fate to live here quietly and die. How many times have I told you?” “Your jokes- your jokes are too much.” “There isn’t anyone in the world who would welcome you.” “Hey! What’s wrong? Did you see something?” “Why did you meet me just to hurt me?” “Excuse me, where did the woman telling the story earlier go? No, where can I meet her?” “What are you going to put in line this time? How about your neck?” “If a dog is scared, he barks for a long time.” “Who exactly are you?” “If you give up now, I will let you go nicely.” “Life is about either living or dying, anyway.” “Are you saying you cheated?” “Are you praising or cursing me?” “Because I’ve been calling you ‘my lady’, you really think you’re one.” “Didn’t I tell you to stop stealing? I told you to stop!” “Please get my shoe for me. I can’t get up.” “Is this why you shouldn’t drink on an empty stomach?” “You’re very good looking. Totally.” “We might have been in trouble if the wound had been deeper.” “Why are you here? Did you come here because you did not trust me?” “What is so important about trusting or not?” “You have to drink because you’re too scared to kill someone.” “I really don’t want to see him.” “Whenever I see him, I can feel the rice cake soup from three years ago rising.” “Why don’t you think a little harder like a mature adult?” “I can’t believe this. This is the second time I’ve seen you today.” “What did I do to make you close your eyes?” “People like you are no different from bugs.” “I think life is all about luck. Today, you are not lucky.” “Does it make sense that you want to sleep with that kind of atmosphere out there?” “I don’t think you understand. It’s impossible to put someone to sleep with my stories. It will probably just startle them awake.” “Will they even remember you were here with all that happening outside?” “Even if you die, probably no one would know.” “Even though you seem like a shameful, dirty pervert, I will do it.” “What are you doing? Your friend is injured and emotionally hurt.” “I see you lack not only manners, but also loyalty towards your friend.” “Don’t you think recently we are becoming too close?” “Stay… Stay still… That’s how you’ll survive…” “I won’t leave you. I can’t lose you. Get up!” “You are just myself. You are my parents, and my sibling, and my body itself.” “Why are you not doing anything? Save him!” “Ugh, I’m dead. What do I say about not going home yesterday?” “So you slept with a pervert?” “It’s not your fault.” “It’s none of your business whether I die or not.” “Why are we nothing? Why?” “We can get revenge. We can get revenge for everything!” “You know what kind of person I am.” “I had some work for you. It requires observing and prompt abilities. You need to hide well and run away quickly.” “I have no intention of hurting you.” “Is hiding one of your habits? Are you that afraid of your face being seen?” “Hey! So, as you promised, you are paying for the alcohol this month.” “Were you following me?” “Do you know that guy from earlier?” “I made these clothes. I made this to give to my _____. Why are you wearing them?” “I want her to think you’re her real brother.” “I know that you’ve been hurting all this time.” “Do you like your sister that much?” “If you get a bigger wound on top of them, you can’t see old scars.” “There’s nothing on you that is like me.” “I don’t know why I’m crying. I don’t even know whether you’re real or fake.” “Don’t act as my brother by doing things like this.” “Are you sorry?” “______ is pretty, right? And she’s nice, huh?” “It seems like you don’t know _____ too well. She is pretty strange.” “You promised me. You promised me to protect her.” “I’m looking at you, but why do I miss you so much?” “I don’t feel well. I have to stop eating.” “Stop staring at me and eat.” “I don’t know if you know that you have an annoying personality.” “I don’t know if you know that you have a flirtatious personality.” “If only I hadn’t been a jerk around him.” “I see through all your lies.” “You have to get better so you can play with your kid like in the past. Right?” “*fake coughs* I came to see the doctor. What a coincidence! Don’t I have a fever?” “Now I see that you’re a total scumbag.” “Having an illness is not a sin and being young and weak is not a sin either.” “Imagine how he must feel not being able to stand before you.” “Everyone has been young and weak before.” “How would it be difficult to know what that feels like?” “I wish I could just release snakes around them whenever they do this.” “Be quiet. I’m trying to plan a rebellion.“ “I have to write with my left hand so they don’t know who wrote it.” “Isn’t the saying to ‘stop fights and start negotiation’?” “Ah, if I don’t go out there, he’ll call me a coward for the rest of my life.” “Are they trying to disrespect me in this way?” “Who cares as long as I sell a lot of alcohol?” “Your name is an alias, your family is screwed up, and you can’t verify your identity. But you want to do this?” “If you don’t intend on speaking the truth, get out of here.” “Do you want the whole truth or do you want the half-truth?” “If you wish to die with your mouth shut, die.” “It makes sense for the father to receive his son’s punishments.” “Watch closely what happens to _____  because of you.” “Weak people can’t die on their own, or live.” “I didn’t even look for you today. Why are you in front of me?” “It is the lightest one among all the injuries I’ve received from you.” “You must be feeling better to talk with such spite.” “Should I be apologizing to you?” “You get angry at others for your own mistakes.” “You are still clueless, aren’t you? If you enter here alive, you will leave dead.” “Enough bickering. Please.” “Excuse me? Hello? You have to wake up to tell me about ______.” “How can I trust you?” “I will not allow others to die in my place anymore.” “Do you still think that I am a scared little child?” “Do you feel miserable? That is what power is about. If you cannot control it, you will be controlled.” “What will you do? You have to make a decision. Will you control or be controlled?” “Do not pity yourself for something like this.” “The world is a lot more tainted than you imagine.” “You will not like anyone more than me.” “It is better to learn a little, rather than go knowing nothing.” “Do you find ______ (a person) uncomfortable?” “Do I need to know anything else?” “Do you not hear the drums somewhere? I hear something beating.” “Why are you doing this to me?” “Did I get much uglier from when I was little?” “You look different from what I expected.” “What is this scene I am witnessing?” “Why do these things only happen to you?” “The fact that you are my friend is embarrassing.” “Excuse me. You’ve never riden a horse, have you?” “The horse knows if you are afraid. It gets nervous.” “You must trust him for him to trust you.” “What? You know how to smile.” “I need to wipe that smile off of his face.” “We have never won once. Must we do this?” “It is awkward saying this in this situation, but would you play a game with us?” “Have we met before?” “Why is that pervert still here?” “Are there no rules here?” “Winning is the only law.” “I like you for some reason.” “He is a total monster.” “Did you even get to touch the ball? You should’ve told me if you enjoy this.” “I had an inkling, but you are worse than I imagined.” “Do not smile. It is annoying.” “You are on the same team!” “You fainted so much, so I thought you were a weakling, but you must be stronger than you seem.” “Thank you for saving me earlier.” “Get on my back. You are hurt.”

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                             115 GIFS OF SARAH BOLGER

All GIFs were made by me. Do not repost, remove my watermark, claim as your own, edit in any way, or include in gif hunts. Please like this post if using or saving any gifs and reblog only if you’re an rpc/h/a/lmnop. These gifs are only intended for roleplaying purposes.

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