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Just a Mistress’s Musings

@fittedmistress / fittedmistress.tumblr.com

Me = Goddess, 30s, Fat, Black,Nappy, ΣΓΡ, Aromantic Asexual♠️, Anime Obsessed, Fan Fic Writer, Cat Lady, Bluntly Honest 🤷🏿‍♀️
Twitter: fittedmistress Instagram: FittedMistress
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big shout out to lovequeer, loveless, and heartless aros today. the way you experience love and the lack thereof is beautiful and amazing and important. especially on this day so centered around love. you are important and valued members of this community and you deserve to be celebrated and your voices to be heard

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Happy Pride Month!

[ID: A traditional drawing, lined in black felt tip pen and colored with colored pencils. It shows a daisy, each petal showing the colors of a different pride flag; clockwise, the flags are: Agender, Polygender, Lesbian, Aromantic, Pansexual, Polyamorous, Intersex, Demisexual, Achillean, Trans, Genderfluid, Aroace, Gay/MLM, Omnisexual, Asexual, Genderqueer, Queer Chevron, Sapphic, Demiromantic, Diamoric, Bisexual, Nonbinary, Pomosexual, Polysexual. The middle of the flower shows the Progress Pride Flag, and around the flower are the words "We're at our best when we stand together". 'Together' is written in all caps and underlined.]

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ebonyslasher

Hello all my beautiful black people!

We have separated the black fanfiction connection server into two groups- Adults only and Teens only.

This server is open to all black writers, readers, artist, and cosplayers alike! And for any fandom!

The link for the adults only discord here: BFC-A

The link for the minors only discord here: BFC-T

Please reblog and boost so that we can reach a wider audience on here! ❤️❤️❤️❤️❤️

Minors may interact and reblog this post

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reblogged

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

  • This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
  • Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

  • Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet browntawny beige

  • As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

  • Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

  • Keep in mind that these modifiers are not exactly colors.
  • As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
  • While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
  • Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver. 

  • Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
  • As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

  1. Here the state of skin also gives insight on character.
  2. Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

  • Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
  • When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
  • So consider your character and what you see fit to compare them to.
  • Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

  • Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

  • It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 
  • You’ll definitely want to avoid purple-prose here.
  • Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

  • These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
  • At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone." 
  • I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

  1. I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
  2. I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

  • Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
  • Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

  • Copper skin, brass-colored skin, golden skin…
  • I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
  • These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

  • These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
  • If you use these, or any more rare description, consider if it actually “fits” the book or scene.
  • Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

Physical Description

  1. Physical character description can be more than skin tone.
  2. Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
  3. Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
  4. How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

  • Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
  • Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
  • Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
  • Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
  • PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 
  • Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
  • Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

Writing & Description Guides

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

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I remember working as a retail intern at Ikea, helping people design their kitchen on the computers.

I especially remember the anti-Karen I helped once. After spending quite a bit of time helping her, she asked to see my manager. I had just started out a few weeks earlier, and let me tell you I got so scared hearing those words. I told her my manager wasn’t here but that if she had something to say, an older colleague was in charge of us interns. She went to him (I was basically dying inside), and told him that I had done tremendously good work, and that she wished he told that to the manager. It was so kind. 

I also remember the young man who, upon learning I was an intern, asked me what stuff I still had trouble doing and asked for just that. We both knew he had no intention of buying that plain stone, super expensive custom-made tabletop. But he thought it would be a good occasion for me to practice with no pressure. He let me take all the time I needed to get it right. That was nice.

The old lady I helped twice, and who wanted to add some details and order her furniture in a month or so ; when I told her I wished her well because my internship would be over by then, she seriously considered rushing a little because she wanted to keep working with me. It was nice.

The three 30ish friends who worked at some factory for what I know to be low wages, that I helped for two hours with some complicated kitchen layout. They wanted to give me a tip, even though tips are far from common in France, let alone in Ikea. I refused because it was against the rules. They insisted I was barely paid and did great work. Still no. They gave me some papers back, and I found 10 euros inbetween the pages. 

The lady who also wanted to give a tip -and let me know that I should check the third drawer in the exposition kitchen. I found 20 euros there. 

The woman who thanked me for making her very shy teenage daughter laugh to tears while working on their kitchen plan. 

Wherever those people are now, I hope they’re well. Be kind to retail workers. It may not be much to you, but I can assure you we do remember those things even seven years later. This is just so important. 

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dragonladdie

Hey remember when they found over 200 bodies of native children buried behind a residential school and the world cared for... what, a week?

They've counted about 6,000-7,000 now, for those of you who do still care

It should NOT fall on Indigenous people's shoulders to keep this known still. We’ve been doing that for generations at this point and NO ONE wants to listen to us.

We’re tired, mourning and constantly reopening our trauma and pain to keep people caring about us. It’s terrible.

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foxgirltail

I should start by noting that I am white, and not Canadian, and that if op wants me to remove this comment for any reason, please let me know.

This is a map of all the residential schools in Canada:

Each dot on this map represents a residential school. Blue dots mean the school is considered completely searched. Yellow dots mean they are either in the process of being searched or there are plans to be searched. Red dots indicate that no search has happened and that no search is currently planned

There were more than 130 residential schools in Canada. This map suggests that only six have been fully searched, and a little more than a dozen partially searched (I counted 15 yellow dots). That leaves at least 109 schools completely untouched.

Let that sink in; if 6,000-7,000 unmarked, indigenous children’s graves were found by searching less than a fifth of all the schools, how many are still undiscovered.

Wikipedia estimates that the body count could be over 50,000, and honestly, that could be a low estimate

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One time this man approached me in a bar talking in Spanish. So I assumed he was Spanish and we started speaking, we had a whole ass conversation and at some point he was like. So what part of Spain are you from? And I said well I’m Italian actually. What part of Spain are you from? And he was like. I’m Greek.

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One time I was in Argentina and I was so tired of trying to speak Spanish because I’m not very good at it lmao so I broke into exasperated English and the retail seller girl quickly understood me and engaged me in conversation. We talked for a while, she introduced me to a makeup brand, and then I decided to buy it. While she was packaging the purchase, she asked me if I were from the US or perhaps the UK and I just said “oh no I’m Brazilian hahah” and she looked me straight in the eyes and said, in clear Portuguese, “I’m Brazilian too”

When my dad went to China on a work trip, his Mandarin speaking wasn’t great but his listening was fine (his first language is Cantonese) and he encountered a German guy who had moved to China to work. My dad knew how to speak German because he studied it in university (but wasn’t great when it came to listening to new vocab he hadn’t studied before), and the German guy knew Mandarin because he lived and worked in China, so they had a conversation where my dad spoke to the German guy in German and the guy responded in Mandarin. I’m sure it confused a lot of their coworkers who just saw the Asian guy speaking German and the white guy speaking Mandarin.

Some years ago, I worked for a manufacturing company that had a service depot in China.  One of the engineers from the main office here in the US spent most of his time at the depot.  The problem was that he didn’t speak *any* of the various Chinese languages, and no one at the depot spoke any English. They all, however, spoke Spanish.

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hanleialuke

5 things your character can't do while speaking

  1. Choke. Just think about it, seriously. Think about what choking is and imagine speaking while it’s happening. That would fuckin’ hurt, man.
  2. Hiss. Look, it’s just not possible, okay? No matter how “evil” you want your character to seem.
  3. Snarl. Animals snarls. The Beast from Beauty and the Beast snarls. The Hulk snarls. You know who doesn’t snarl? PEOPLE WHEN THEY’RE SPEAKING.
  4. Shriek. Come on, 99% of the time, “shriek” is not the word you want.Let’s face it: if you put an exclamation point at the end of the sentence, your reader gets the picture. Don’t bring to mind banshees and screaming toddlers.
  5. Sneer. I’m not even going to bother explaining this one. “SNEER” ISN’T EVEN A SOUND.

Choked is not meant to be taken literally, an obstruction in the throat. It means they’re having difficultly speaking, they’re forcing the words out with difficulty. Often used when the character is convulsed in tears or laughter.

Hiss is a low, threatening whisper. Raw, guttural, vicious. It is NOT a literal hiss like an animal, it is a tone of voice that serves the same function. Someone will hiss that they’re going to cut your throat- a message from one person to the other.

Snarl is the same kind of thing. Not literal, it’s a tone of voice that serves the same function. It’s raw and gutteral like a hiss, but more savage than vicious. It’s loud, it’s showy, it’s intimidating. It’s very alpha male, big man, look at how fucking dangerous I am. I’ll take ALL of you on. Even if they’re snarling at one person in particular, nobody better back them up or they’re gonna get fucked up too.

Shriek. Come on, seriously? We’ve all heard people shriek either in fear or outrage. High pitched, loud, out of control, feminine. Men can shriek, but it’s funny and emasculating. Think angry italian women throwing pots and pans or ladies on tables who just saw a mouse.

Sneering is contempt whether it’s a facial expression or a tone of voice or both. There are a hundred different ways to sneer with your voice, but it all adds up to the same thing.

How descriptive words work 101

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susspirria

Op radiating cinema sins energy with that list lol

OP tagging this as “reasons they stop reading a book in ch 1” yet not grasping like the most basic form of figurative language is… something

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flipocrite
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viewing queer identities as “this is the label that makes me happy and feels most accurate now” rather than “this is who I am, was, and always will be” will definitely take the pressure off, friends. changing your mind is proof that you have one.

Friendly reminder that your understanding of yourself changes and it’s ok to change your labels to reflect that.

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I hope you guys like…eventually live the life you want to live and I hope nothing haunts you for too long and I hope you’re all kind to yourselves

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