Avatar

A True Class Act

@thephantomofthe-internet / thephantomofthe-internet.tumblr.com

Maddie. 25. Bi. Zero fucks to give.
Avatar

The GTOs, or Girls Together Outrageously, were an all-groupie band led by Miss Pamela Des Barres, known for their extravagant costumes and makeup and their Frank Zappa-produced LP Permanent Damage. Here they are photographed by Ed Caraeff circa 1969.

Avatar
Avatar
hidekomoon

I stole @ultravioletness’s idea and made some painting collages (click for better quality. or not) (my other edits are here)

1. The lady in Evelyn De Morgan’s The Crown of Glory (1896) admires Waterhouse’s Siren (c.1900)

2. Godward’s Athenaïs (1908) and An Offering To Venus (1912)

3. Waterhouse’s Isabella (1907) holds Stanhope’s Morgan Le Fay (c.1880)

4. La Belle Dame Sans Merci (1893) seduces a nymph from Nymphs Finding the Head of Orpheus (1900), both paintings by Waterhouse

5. Waterhouse’s Ophelia (1910) finds Collier’s Sleeping Beauty (1921)

please reblog if you save! (except terfs, “gender critical” radfems and general transphobes, y’all can block me please)

Avatar
Avatar
hidekomoon

I did it again (part 1 here)

1. Godward’s A Fair Reflection (1915) and Waterhouse’s The Soul of the Rose (1908)

2. Frank Cadogan Cowper’s Damsel of the Lake (1924) kissing the lady in Auguste Toulmouche’s The Kiss (c.1870)

3. Waterhouse’s A Song of Springtime (1913) and Auguste Toulmouche’s Woman and Roses (1879)

4. Evelyn De Morgan’s Ariadne in Naxos (1877) with Waterhouse’s Sweet Summer (1912)

5. A woman from Charles Perugini’s Dolce Far Niente (1882) about to wake up Victor Gilbert’s Sleeping Beauty (date unknown)

please reblog if you save!

Avatar

Edwin Austin Abbey (American, 1852-1911) • The Queen in Hamlet • 1895 • Pastel on paperboard • Illustration for the play Hamlet, by William Shakespeare

Edwin Austin Abbey was an American painter and illustrator who identified with the British Pre-Raphaelites. He was an Anglophile, whose subjects were almost always British. Edwin Abbey's Shakespearean works influenced late Victorian stage productions.

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.