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Tin's French Writing Blog

@desperatlytryingtowriteabook / desperatlytryingtowriteabook.tumblr.com

A.H. Phoenix (or Tin) is an aspiring author living in the French-speaking part of Belgium. When she isn’t diagnosing genetic diseases, she plays with her cat and occasionally writes some words. Her favorite genre is Fantasy, but she also dabbles in Historical Romance. (follows from @dreamywritingdragon)
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Index

Welcome to my writing blog!

Here, you will find my musings, a lot of writing meme reblogs, some inspiration posts, and my WIPs.

Main WIP: Iron and Blood trilogy

historical romance, Italian renaissance, historical accuracy is optional

Primum Sanguis

Tigris et Serpentis

Sola Tigris

Secondary WIP: Ijandia Saga

fantasy, dragons, magic

Cycle 1: Ellerin’s Inheritance, The Song of Dragons

Cycle 2: The Centaur’s Prophecy, The Eagle’s Rise

Stand Alone: Arson, High Sea Piracy, and Other Activities

Cycle 3: Dawn of the Gods, Children of the Wind, The Emerald Empire

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fanficmemes

Anybody else got that Evergiven sized writers block

“Where’s the next chapter?!” Well buddy you’re never gonna guess

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callmebliss

What’s the comic sans trick?

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buc-eebarnes

wingdings' true purpose as a font

Wingdings holy shit some of y'all are on a whole different level of galaxy wizard brain batshittery and I am in awe.

Exciting. When I don't want to see what I'm writing I just make the font color almost indistinguishable from the background color. (Do not do this.)

(I don't think the secret to the comic sans hack is comic sans itself; I think it's any deflation of being intimidated by your canvas.)

Hold on I need to go look something up immediately.

... you can't say that and not give the link.

Looks like you can even make it something other than kittens, by appending ?search=dinosaur (that's the example the page gives) to the end of the URL.

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jadefyre

I made something inspired by Written Kitten where you can set a goal word count for your session and grow a plant while you’re at it. It’s not perfect yet but it’s good enough to share if anyone’s interested :) I call it wordsprout.(works best on desktop. I’m currently working on a mobile-friendly version. Make sure to back up your writing frequently!)

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hyba

@jadefyre I just used wordsprout for a daily snippet and I really love the concept! 🤩 Thank you so much for sharing it! Another great tool to add to my writer's toolbox 🌱

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faeriekit

Also:

  • Making someone listen to us (and then not taking their advice)
  • Procrastinating during job/school
  • Floor Time™️
  • Imaginary AMV to song you're currently listening to
  • Spin wheel of random prompts

Aaaaaaaand

  • Staring into the far distance during car rides/public transit!
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drtanner

Also consider:

  • Going for a walk!
  • Cooking a dinner!
  • Watching a video that you're only kind of interested in!
  • Having an extremely important conversation with someone where you're supposed to be listening to them the whole time!
  • Going to bed and trying to fall asleep!

And!

  • Being really busy and having no time to write until hours later!
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niobiumao3

I've never been able to determine the provenance of this one, but regardless:

"The best time for planning a book is when you’re doing the dishes" - Agatha Christie

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tlbodine

For the last goddamn time...

"Kill your darlings" means "if something is holding you back, get rid of it, even if it sounds pretty."

That's it! That's all it means! It means if you're stuck and stalled out on your story and you could fix the whole block by removing something but you're avoiding removing that thing because it's good, you remove that thing. That's the darling.

It does NOT mean

  • That you have to get rid of your self-indulgent writing
  • That you should delete something just because you like it (?wtf?)
  • That you need to kill off characters (??? what)
  • That you have to pare your story down to the absolute bare bones
  • That you have to delete anything whatsoever if you don't want to

The POINT is that you STOP FEELING GUILTY for throwing out good writing that isn't SERVING THE STORY.

The POINT is that you don't get so HUNG UP on the details that you lose sight of the BIG PICTURE.

Good grief....

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boreal-sea

Also, you don't have to like, delete it from existence. Keep a second document full of the Darlings. You never know when you'll need it later.

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jewfrogs

this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about

I have a friend who is an editor, and gets submissions of mostly poetry and short stories.

I have had a glimpse into her slush pile, and let me tell you, the contents were unbelievable and immediately disabused me of the notion that reading through submissions is in any way glamorous. People have the nerve to submit unhinged paranoid ramblings, fetish porn, and a seemingly endless supply of poems about masturbation.

I no longer feel like my fiction is somehow an imposition on the people who read it. It may be forgettable, but at least it isn't typeset to look like sperm.

Do not be afraid to submit your work. Your competition is not only worse than you think, it's worse than you ever imagined.

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silverhand

Do these three things to get to the top of the slush pile:

  1. The place has a style sheet. Use it. They say they want your MS in 16.5 point Papyrus italic with 0.8 inch margins all around, guess what you're doing before you send it off? Save As, reformat, send it. In the absence of a specific guide: Courier 12 pt (Times New Roman if you must), double spaced, align left, tab 0.5 at each new paragraph.
  2. Check the word count. Don't submit novellas to 2500 word short story venues. BTW, you format the MS in that old style above because the question isn't literal words. Courier 12pt double spaced gives you 250 words per page for typesetting purposes. 2500 words is 10 ms pages, 5000 is 20 pages, etc.
  3. Don't send your romance to Analog or your war story to Harlequin. If it's a cross-genre story, be sure there's enough of what the publication is focused on to interest them, but breaking through is hard if that's not something they usually do.

That's basically what every single editors' panel at every con I've ever been to has boiled down to. And invariably, someone tries to get up and argue with them, not realizing it's not a discussion.

Bonus tip: Don't be in any way cute in your cover letter. Just the facts/Luke Skywalker's message to Jabba the Hut in ROTJ.

Enclosed/attached is my story <Title> for your publication <Magazine>. It is x (rounded to the nearest 500) words. I can be reached at <email> (that you check regularly and isn't likely to dump things into spam) and <phone>.
(If submitting a hard copy: The manuscript is disposable. A SASE is enclosed for your response./A SASE is included for return of the manuscript and your response.)
Thank you for your consideration.

If submitting a novella length piece or greater, a brief and complete summary is appropriate.

In the midst of an interstellar revolt against an evil galactic Empire, vital weapon plans fall into the hands of a farm boy on the edges of the galaxy. With the help of an aging warrior from the Old Republic, and a smuggler with a dark past and his imposing alien copilot, the four set out to deliver them to the rebel forces but are instead flung into a rescue mission to save the beautiful princess who stole the plans as worlds are destroyed by the might of the Empire's weapon, the Death Star.
Captured by the Death Star on route to deliver the plans, they manage to escape the base with the princess, the old warrior sacrificing himself to make this possible. As the Death Star approaches the rebel base, they use the captured plans to stage a desperate final stand. In a fierce space battle of single-pilot ships over the surface of the moon-sized weapon, the farm boy manages to make the critical shot with an unexpected assist from the smuggler, destroying it.

Never under any circumstance put a cliffhanger into a query letter summary. There is no faster way to get the entire MS binned than doing that.

Happy writing.

PS "Top of the slush pile" means into the top 25% of manuscripts received. Three quarters of the submissions don't take the trouble to do even those three basic steps.

Now, that still means 25/100 submissions or 250/1000 submissions, but it still improves your odds and forms the basis for starting a relationship with the publisher for the next piece you send them.

PPS This is obviously about prose. Poetry certainly has its own submission rules, and I know none of them. If you're writing poetry, find out what they are.

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dduane

@silverhand's reply is right on.

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jeanjauthor

Same for screenwriting. Find out what the requirements are for writing & submitting a script, and follow them. (Do not ask me what those are! My great-uncle was a screenwriter, but I assure you that I am not.)

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Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

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So, there's a dirty little secret in indie publishing a lot of people won't tell you, and if you aren't aware of it, self-publishing feels even scarier than it actually is.

There's a subset of self-published indie authors who write a ludicrous number of books a year, we're talking double digit releases of full novels, and these folks make a lot of money telling you how you can do the same thing. A lot of them feature in breathless puff pieces about how "competitive" self-publishing is as an industry now.

A lot of these authors aren't being completely honest with you, though. They'll give you secrets for time management and plotting and outlining and marketing and what have you. But the way they're able to write, edit, and publish 10+ books a year, by and large, is that they're hiring ghostwriters.

They're using upwork or fiverr to find people to outline, draft, edit, and market their books. Most of them, presumably, do write some of their own stuff! But many "prolific" indie writers are absolutely using ghostwriters to speed up their process, get higher Amazon best-seller ratings, and, bluntly, make more money faster.

When you see some godawful puff piece floating around about how some indie writer is thinking about having to start using AI to "stay competitive in self-publishing", the part the journalist isn't telling you is that the 'indie writer' in question is planning to use AI instead of paying some guy on Upwork to do the drafting.

If you are writing your books the old fashioned way and are trying to build a readerbase who cares about your work, you don't need to use AI to 'stay competitive', because you're not competing with these people. You're playing an entirely different game.

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Y’ALL I JUST HAD IDEAS FOR A WIP I HAVEN’T WORKED ON IN FOREVER AND THEN I SAT DOWN AND WROTE THOSE IDEAS INTO A MAJOR SCENE AND I HAVE A PLAN FOR WRITING THE SCENES LEADING UP TO IT

THIS IS

Magical

IF YOU SEE THIS POST I AM BOOPING YOU WITH INSPIRATION IN MY HEART AND MIND AND PAWS

WRITER’S AND ARTIST’S BLOCK BEGONE

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19 Most Common Character Flaws in Horror Fiction

  1. Curiosity: Characters who are overly curious may investigate dangerous situations or places, leading to their downfall.
  2. Arrogance: Arrogant characters may underestimate threats or refuse to heed warnings, putting themselves in danger.
  3. Recklessness: Characters who act impulsively or without considering the consequences may find themselves in perilous situations.
  4. Naivety: Naive characters may be easily deceived or manipulated by villains or supernatural forces.
  5. Overconfidence: Overconfident characters may believe they can handle any situation, leading them to take unnecessary risks.
  6. Stubbornness: Stubborn characters may refuse to listen to advice or change their course of action, even when it's clear they're in danger.
  7. Greed: Greedy characters may prioritize personal gain over safety, leading them to make unethical or dangerous choices.
  8. Distrust: Characters who are overly distrustful may alienate allies or miss crucial information, making them more vulnerable.
  9. Cowardice: Cowardly characters may abandon others in dangerous situations or fail to confront threats when necessary.
  10. Impulsiveness: Impulsive characters may act without thinking, leading to mistakes or putting themselves in harm's way.
  11. Lack of Empathy: Characters who lack empathy may disregard the well-being of others, making them more susceptible to manipulation or isolation.
  12. Overprotectiveness: Overprotective characters may prioritize the safety of loved ones to the detriment of their own safety or the safety of others.
  13. Addiction: Characters who are addicted to substances or behaviors may make irrational decisions or be more easily controlled by external forces.
  14. Obsession: Characters who are obsessed with a goal or idea may pursue it at any cost, even endangering themselves or others.
  15. Paranoia: Paranoid characters may see threats where none exist, leading them to take extreme measures or isolate themselves unnecessarily.
  16. Lack of Self-awareness: Characters who lack self-awareness may fail to recognize their own limitations or the impact of their actions on others.
  17. Insecurity: Insecure characters may doubt their own abilities or judgment, making them more susceptible to manipulation or self-destructive behavior.
  18. Ignorance: Characters who are ignorant of the true nature of the threats around them may underestimate their danger or fail to take necessary precautions.
  19. Desperation: Characters who are desperate may make rash decisions or ally themselves with dangerous individuals or entities in hopes of achieving their goals.
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Some of my writer’s block cures:

  • Handwrite. (If you already are, write in a different coloured pen.)
  • Write outside or at a different location.
  • Read.
  • Look up some writing prompts.
  • Take a break. Do something different. Comeback to it later.
  • Write something else. (A different WIP, a poem, a quick short story, etc.)
  • Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)
  • Do some character or story prompts/questions to get a better idea of who or what you’re writing.
  • Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.
  • Set your own goals and deadlines.
  • Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)
  • Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.
  • Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.
  • Change the weather (in the story of course.)

Feel free to add your own.

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