@hollyashes / hollyashes.tumblr.com
The haunting ancient Celtic carnyx being played for an audience. This is the sound Roman soldiers would have heard their Celtic enemies make.
Man if I heard that shit while descending upon a strange land with my brethren I'd straight up dig a hole to die in right the and there, fuck the emperor fuck the gods that's a warning straight from the bones of an older evil and whatever is coming is worse than death
do you ever see a piece of ancient roman art so perfect you feel an immediate need to display it on your wall? anyway. roman mosaic of two funky octopi.
Sorry to medievalpost, but I’ve been reading a really interesting book and this just really stood out to me as something incredibly human?
University students in the 1300s pressed flowers in their books and doodled in margins and ate while they studied exactly like the rest of us, and i just think that’s Nice.
(The book is Chaucer’s People: Everyday Lives In The Middle Ages by Liza Picard)
1 Pride and Prejudice - Jane Austen 2 Lord of the Rings - J. R. R. Tolkein 3 Jane Eyre – Charlotte Bronte 4 Harry Potter series 5 To Kill a Mockingbird - Harper Lee 6 The Bible 7 Wuthering Heights – Emily Bronte 8 Nineteen Eighty Four – George Orwell 9 His Dark Materials – Philip Pullman 10 Great Expectations – Charles Dickens 11 Little Women – Louisa M Alcott 12 Tess of the D’Urbervilles – Thomas Hardy 13 Catch 22 – Joseph Heller 14 Complete Works of Shakespeare 15 Rebecca – Daphne Du Maurier 16 The Hobbit – JRR Tolkien 17 Birdsong – Sebastian Faulks 18 Catcher in the Rye 19 The Time Traveller’s Wife - Audrey Niffeneger 20 Middlemarch – George Eliot 21 Gone With The Wind – Margaret Mitchell 22 The Great Gatsby – F Scott Fitzgerald 23 Bleak House – Charles Dickens 24 War and Peace – Leo Tolstoy 25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams 26 Brideshead Revisited – Evelyn Waugh 27 Crime and Punishment – Fyodor Dostoyevsky 28 Grapes of Wrath – John Steinbeck 29 Alice in Wonderland – Lewis Carroll 30 The Wind in the Willows – Kenneth Grahame 31 Anna Karenina – Leo Tolstoy 32 David Copperfield – Charles Dickens 33 Chronicles of Narnia – CS Lewis 34 Emma – Jane Austen 35 Persuasion – Jane Austen 36 The Lion, The Witch and The Wardrobe – CS Lewis 37 The Kite Runner - Khaled Hosseini 38 Captain Corelli’s Mandolin - Louis De Bernieres 39 Memoirs of a Geisha – Arthur Golden 40 Winnie the Pooh – AA Milne 41 Animal Farm – George Orwell 42 The Da Vinci Code – Dan Brown 43 One Hundred Years of Solitude – Gabriel Garcia Marquez 44 A Prayer for Owen Meaney – John Irving 45 The Woman in White – Wilkie Collins 46 Anne of Green Gables – LM Montgomery 47 Far From The Madding Crowd – Thomas Hardy 48 The Handmaid’s Tale – Margaret Atwood 49 Lord of the Flies – William Golding 50 Atonement – Ian McEwan
51 Life of Pi – Yann Martel 52 Dune – Frank Herbert 53 Cold Comfort Farm – Stella Gibbons 54 Sense and Sensibility – Jane Austen 55 A Suitable Boy – Vikram Seth 56 The Shadow of the Wind – Carlos Ruiz Zafon 57 A Tale Of Two Cities – Charles Dickens 58 Brave New World – Aldous Huxley 59 The Curious Incident of the Dog in the Night-time – Mark Haddon 60 Love In The Time Of Cholera – Gabriel Garcia Marquez 61 Of Mice and Men – John Steinbeck 62 Lolita – Vladimir Nabokov 63 The Secret History – Donna Tartt 64 The Lovely Bones - Alice Sebold 65 Count of Monte Cristo – Alexandre Dumas 66 On The Road – Jack Kerouac 67 Jude the Obscure – Thomas Hardy 68 Bridget Jones’s Diary – Helen Fielding 69 Midnight’s Children – Salman Rushdie 70 Moby Dick – Herman Melville 71 Oliver Twist – Charles Dickens 72 Dracula – Bram Stoker 73 The Secret Garden – Frances Hodgson Burnett 74 Notes From A Small Island – Bill Bryson 75 Ulysses – James Joyce 76 The Bell Jar – Sylvia Plath 77 Swallows and Amazons - Arthur Ransome 78 Germinal – Emile Zola 79 Vanity Fair – William Makepeace Thackeray 80 Possession – AS Byatt 81 A Christmas Carol – Charles Dickens 82 Cloud Atlas – David Mitchel 83 The Color Purple – Alice Walker 84 The Remains of the Day – Kazuo Ishiguro 85 Madame Bovary – Gustave Flaubert 86 A Fine Balance – Rohinton Mistry 87 Charlotte’s Web – EB White 88 The Five People You Meet In Heaven – Mitch Albom 89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle 90 The Faraway Tree Collection – Enid Blyton 91 Heart of Darkness – Joseph Conrad 92 The Little Prince – Antoine De Saint-Exupery 93 The Wasp Factory – Iain Banks 94 Watership Down – Richard Adams 95 A Confederacy of Dunces – John Kennedy Toole 96 A Town Like Alice – Nevil Shute 97 The Three Musketeers – Alexandre Dumas 98 Hamlet – William Shakespeare 99 Charlie and the Chocolate Factory – Roald Dahl 100 Les Miserables – Victor Hugo
5 i am a disgrace im calling bs on anyone who claims they read ulysses tbh
22 full reads. I have read more, but I just didn’t finish them, ex. Dracula and Count of Monte Cristo
I’ve read 13 so far
I’ve read 10
14 for me, some on my own and some because of school
Exciting news!
I’m proud to say that I’m selling a booklet that combines my ineffable wives comics: “But it’s Pretty” and “Playing Pretend” on Etsy 😄🩷
This comic is 42 pages long and printed on high quality silk paper.
The story centers around Aziraphale and Crowley meeting in the court of Henry the 8th and having to navigate their fond, yet forbidden feelings for each other, during a troubled time in human history.
Hope you guys will check it out 🫶
Some extra special Aziraphale and Crowley dolls! Made by The Stitchy Button on etsy, home of collectible character bunnies and dolls, dragons, unicorns, merbunnies, and much more! Get coupon codes and monthly mailbags by joining my Patreon
I’m trying out a special listing for custom made dolls that happen to be more simply dressed. 👔 (Think: suits, button down shirts, tee shirts, hoodies. Modern street wear! Get in touch with an image on etsy if you’re unsure)
Get ✨$40 off✨ the usual price for taking your character to my tiny tailor shop! 😱
There are 10 slots available while I road test this new tier of pricing. Visit The Stitchy Button while the getting’s good!
These eyeglasses are also known by the name "Astaneh-e ferdaws," meaning "Gate of Paradise," based on the perception of the color green as a symbol for spiritual salvation/Paradise. This was a common belief in Mughal-era India, where the spectacles were made.
The lenses were crafted from two thin slices of the same emerald. Together, the lenses have a combined weight of about 27 carats, but given the precision, size, and shape of each lens, experts believe that the original emerald likely weighed in excess of 300 carats (more than sixty grams) before it was cleaved down in order to produce the lenses. The emerald was sourced from a mine in Muzo, Colombia, and it was then transported across the Atlantic by Spanish or Portuguese merchants.
Each lens is encircled by a series of rose-cut diamonds, which run along an ornate frame made of gold and silver. The diamond-studded frame was added in the 1890s, when the original prince-nez design was fitted with more modern frames.
The emerald eyeglasses have long been paired with a second set of spectacles, and they were almost certainly commissioned by the same patron. This second pair is known as Halqeh-e nur, or the "Halo of Light."
The Halo of Light features lenses that were made from slices of diamond. The diamond lenses were cleaved from a single stone, just like the emerald lenses, with the diamond itself being sourced from a mine in Southern India. It's estimated that the original, uncut diamond would have weighed about 200-300 carats, which would make it one of the largest uncut diamonds ever found.
These lenses are so clear and so smoothly cut that it sometimes looks like they're not even there
Both sets of spectacles date back to the mid-1600s, and it's generally believed that they were commissioned by a Mughal emperor or prince. The identity of that person is still a bit of a mystery, but it has been widely speculated that the patron was Shah Jahan -- the Mughal ruler who famously commissioned the Taj Mahal after the death of his wife, Mumtaz Mahal. Shah Jahan did rule as the Mughal emperor from about 1628 to 1658.
The emerald and diamond lenses may have been chosen for symbolic/cultural reasons, or they may have been chosen simply because they're pretty and extravagant; their meaning/purpose is unclear. Experts do believe that the eyeglasses were designed to be worn by someone, though.
It was believed that the spectacles had spiritual properties, like the ability to promote healing, ward off evil, impart wisdom, and bring the wearer closer to enlightenment. Those beliefs are often related to Indic and Islamic traditions, some of which ascribe spiritual and/or symbolic traits to emeralds and diamonds. Emeralds can be viewed as an emblem of Paradise, divine salvation, healing, cleansing, and eternal life; diamonds are similarly associated with enlightenment, wisdom, celestial light, and mysticism.
The Gate of Paradise and the Halo of Light were both kept in the collections of a wealthy Indian family until 1980, when they were sold to private collectors, before going on auction once again back in 2021. They were valued at about $2 million to $3.4 million per pair.
Sources & More Info:
Whats the prescription tho
PLEASE I need to see them on a person's face.
Here’s the WHOLE drunk conversation. Pg61-65 in my copy of the book
View it here X on tapas for better quality
date a selkie, but don’t hide her cloak. let her go home and visit her family now and then, knowing that she’ll come back and hang her seal cloak in the closet like she always does. trust is important.
The first time she lets the redhead take her home, she’s diligent about hiding her cloak. She folds it carefully against tears and rips and abrasions, and hides it in a sea cave whose entrance is concealed by the tide.
She does the same, the second and third and fourth times, careful, wary, mindful of her mother’s lessons. Remembers the way her mother’s hands had chafed on her soft cheeks, rough with cooking and cleaning for her fisherman husband, the way her mother’s peat-dark eyes had been tense and harsh with the lesson.
“Mind me, Niahm. Never let them find your cloak.”
The way her mother’s mouth had curved, a sickle of dissatisfaction and relief and envy, as she had escaped into the waves.
So she minds her mother’s lesson, and she takes care with her cloak.
Would that she had taken as much care with her heart.
The fifth time, she wears the cloak to the girl’s door, clutched about her throat, dripping along the darkened lanes.
She enters the home, welcomed with soft kisses and gentle touches and kindling passion. She drapes the cloak, artful in her carelessness, across an old wooden chair, the one that creaks and tilts slightly if you don’t sit just right.
When she wakes, in the wee hours of the morning, even before her lover, the cloak still rests, supple and dappled by the sea, on the back of the chair.
She frowns into the softening dawn, dons the cloak, and returns to the sea.
And again, the sixth time. And the seventh.
The eighth time, she finally breaks, prickling and hurt with longing, gripping a handful of russet hair in her hand, firm with emphasis.
“Surely you know what I am,” she says to her lover, the cool froth of sea foam and the call of gulls curling around her voice.
“Of course,” her lover responds, soft and tender in the dawnlight, throat arched willingly, pale as the inner whorls of a shell. “You taste of the sea,” the girl whispers, reverently.
She shakes her lover’s head gently, fingers tangled still in russet locks. “Why?” she demands. “Why won’t you keep me?”
A long silence that waits and fills, like a tidepool, stretches between them. Cool as a current. Deep as the Channel.
Her lover’s eyes are dark and tender. “Must I trap you to keep you, my heart? Is that the shape of love that you desire?”
She sinks into the thought, struck and stymied, remembering her mother’s harsh hands, her cold eyes. Her hand eases into russet waves, caresses where her grip had punished. Her lips press cool and damp as the sea against the arching curve of her lover’s shoulder. “What shape of love will you give to me?”
The answer is easy, quick, certain. “Myself. Only myself, whenever you should wish it. Your cloak by the door, your body in my bed, and the freedom to go, whenever you must. As long as you wish.”
It’s not an answer a fisherman could ever give, nor would think to.
The ninth time, she hangs her cloak by the door, draped in careful dappled folds next to a drying oilskin jacket.
i say this every time it crosses my dash but i’m so freaking happy someone liked my submission and Wrote Stuff and it’s so good!!! i love these girls so so so so much
This post is like the only Worthy Thing i have ever done on this website and you made that possible, you rock <3
~ Helmingham herbal and bestiary.
Place oforigin/Published: Helmingham, Suffolk
Date: ca. 1500
Chapters: 1/? Rating: Explicit Relationships: Aziraphale/Crowley Additional Tags: Alternate Universe - Human, Writer Aziraphale (Good Omens), Gardener Crowley (Good Omens), Fake Marriage, Fake/Pretend Relationship, Eden!Crowley Elements, Aziraphale is “just enough of a bastard to be worth knowing” (Good Omens), Soft Aziraphale/Crowley (Good Omens), Slow Burn, And I mean Really Slow Burn, Protective Aziraphale (Good Omens), Angst and Fluff and Smut, Chubby Aziraphale (Good Omens), Nice Crowley (Good Omens), Demisexual Crowley (Good Omens)
Summary:
Popular queer romance author, A.Z. Fell, has been lying about having a husband and a happy marriage for years. Longing to escape a string of failed relationships and looking for a fresh start, Aziraphale moves into the cottage left to him by his Great Aunt Agnes. When a TV adaptation of one of his books leads to sudden popularity and throws him into the limelight, his fans (and the press) are eager to catch a glimpse of Aziraphale’s own mysterious leading man. Unfortunately, he still has to cast someone for that role. Enter the handsome gardener…
Under Crowley’s meticulous care the cottage’s neglected garden slowly comes back to life, and Aziraphale finds himself writing the most important love story he’ll ever write: his own
***
FIC REC FIC REC FIC REC
I’ve been privileged to have been working on this fic with Blue since about January and I’m so excited to see her finally starting to post. If you like human AUs, the fake married trope, exquisite prose, gentle humour, friends to lovers, a dash of light angst, and a novel within the novel (which I wrote wheee!) then pleeeease go check this out, and then go scream about it with me in the comments
♥️♥️♥️♥️
I know this is a long shot, but if anyone in the fandot or wider John Finnemore fandom is going to the JFSP tryouts on Sunday March 31st, I'd love to meetup before hand. If that's you, drop me a message.
So, an idea for a Good Omens Human AU hit me and, in true me fashion, it just refuses to leave my brain.
SO
If I were to write a silly, fluffy, strangers-to-friends-to-lovers human AU where Serpent a.k.a Crowley is a rock/pop singer (I was thinking like a cover artist, because I can't go writing thousands of original songs for this guy, that would require too many of my braincells. Though there would be an explanation as to why Crowley doesn't sing original stuff, eventually) and Aziraphale is a much less-known, very shy and private, but jaw-droppingly talented opera singer, known as the "Angel of Eden" given his tendency to perform in said theater; and in which they meet because Aziraphale is dragged to one of Serpent's concerts by his best friend Anathema....
...would...would anybody object to that?...
