R E V O L U T I O N

HAMILTON: AN AMERICAN MUSICAL (2020)

REBECCA FERGUSON — Dune: Part One (2021) dir. Denis Villeneuve — Dune: Part Two (2024) dir. Denis Villeneuve

Rebecca Ferguson as Lady Jessica in Dune:Part Two

Lady Jessica + Litany against Fear

DUNE (2021) | DUNE: PART TWO (2024)

apparently i’m a millennial woman

I mean, yeah, valid! but but but I also want to add on the fact that lotr AGGRESSIVELY rejects the “grimdark” and “gritty” settings that is so prevalent in fantasy (and also in general) right now, because I physically can not shut up about it

It is hope and love and compassion that saves each character individually, and because of that, the world. Frodo fails in the end, but his acts of compassion from earlier in the story save the day. And even as the world is saved, it is acknowledged that Frodo failed—without judgement, without blame. He fails, and he is still loved.

And like what can happen in the real world, he is still irrevocably changed by his trauma. But there is still hope—he has to leave, but he leaves with the promise of healing, and the promise that his ever-faithful Sam will follow.

Aragorn, Boromir, Frodo, Sam; each and every one of the characters are driven by their love of the people around them and their hope for the future. They cling to that love and hope throughout their trials, and that bears them through.

Of course people are watching it for comfort!!!! Lotr is eternally consistent in its promise, which Sam articulates so clearly in The Two Towers: “Even darkness must pass. A new day will come. And when the sun shines, it’ll shine out the clearer.”

Things are dark and awful and terrible, but it will not be that way forever. That is the promise of LOTR. A promise of hope, and the reminder that it is love and compassion—for our friends, for our families, for the strangers we’ve never even met—that will save us in the end.

Nesta Archeron by renata_watsonn [instagram]

“But I still don’t know how to fix myself.” “There’s nothing broken to be fixed,” he said fiercely.” ― Sarah J. Maas, A ​Court of Silver Flames

you ppl love villains/morally grey characters UNTIL they're a woman, then all of a sudden they are annoying, evil and irredeemable

oceanic prisms 🌈✨ buy a wallpaper or leave a tip / twitter / instagram / shop 

Chanel - Fall 1991 RTW

“slut era” i whisper to myself as i rot in my bed, sick like a frail victorian child

"What’s really interesting is that Rhaenyra has grown up with an expectation that there will be, at some point, a brother who will take on the heirdom and carry the lineage forward. She’s grown up always knowing that it’s not her destiny and that she will always be, to some extent, set aside as an aside." — Emma D'Arcy

I always thought Buffy switched networks after season 5 because WB didn't want it anymore, but turns out it was because WB wouldn't go higher than a $40 million budget and UPN swooped in and offered them $50 million, so now I'm picturing this

UPN: Welcome to our network! What are you going to do with the extra $10 million? Marti Noxon: I'm gonna make Buffy and Spike fuck a house down