taylor: wow he’s evil we should get married
he's soooo evil and i only deserve evil people and evil things. it's a match!
@asthelightsgoxdown / asthelightsgoxdown.tumblr.com
taylor: wow he’s evil we should get married
he's soooo evil and i only deserve evil people and evil things. it's a match!
The main critiques I’m seeing are that it needs some editing but I’m kinda 🤷🏼♀️ like I think it SHOULD be messy because she was in such a messy place when she wrote it!
the thing is that it absolutely needs some editing but she chose not to edit it because she needed to put every part of this into the world to be free of it forever
I don’t say this lightly I can do it with a broken heart is a kunty mirrorball
i can do it with a broken heart is the cuntiest song she has ever released
go here and let me know what your short term top artists from spotify (within the last 4 weeks) are in the tags!
it’s very interesting how preoccupied everyone is with muse discourse when i’m like well if these songs aren’t about my life
Help someone predicted the smallest man who ever lived
thinking about the ask you got that was like “is matty this love or getaway car” or something like that and you said taylor thinks he’s this love but he’s somewhere in between AND YOU WERE SO RIGHT
oh my god i forgot that i said this
“This dorm was once a madhouse” I made a joke, “Well, it’s made for me” champagne problems – t.s.
me this entire time: maybe guilty as sin? will be about joe cheating
taylor: this is a song about masturbation
PLEASEEEE I KNOW I LITERALLLLY KNOW
the manuscript is so genius especially as the closer — a nod to the song that is widely considered her magnum opus, written about her first major heartbreak and the first time she was promised the world and had it ripped out from under her, how she periodically “returns to the manuscript” to look back and reflect, and then referencing the experience of directing actors to tell the story in the short film, and concluding that the story isn’t hers anymore — just like she says in the prologue that the events that are written about in TTPD are no longer her reality, just a snapshot of a moment in time, her “tears made sacred” by processing them through her art.
what’s interesting about this album is that she seems to explore every type of lyricism that she’s ever tried. there’s pop. there’s weird. there are folkmore style metaphors. there’s intensely diaristic writing. there are larger stories carefully placed between the lines of specific short narratives. there’s a lot of everything. she is in the weeds and pulled back at the same time. jaime had a lot of discourse about the betty speeches last year and wondered if taylor might’ve chosen a middle ground between fictional narratives and live-streamed public autopsies, and the middle ground turned out to be all of it all the time.
I’m too tired to do this but How Did It End really is the story from beginning to end. The mutual suffering from mental illness, her retreat from the spotlight, trying to make themselves fit into each other’s lives, the attempts to play grown up, the intrusion of fame/celebrity, the breaks, the insinuation of infidelity, the gossip, the maybe allusion to a certain life event, the pulling away from each other, the prying eyes all around hunting for all the details…
the 5 stages of grief