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they who watch over the woodlands
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Cottagecore but make it dark
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historyarchaeologyartefacts
The details of decorations Galileo’s first telescopes; 17th century, in the Institute and Museum of the History of Science, Florence. [1280x853]
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The Dora Milaje, Black Panther’s Female Wakandan Bodyguards
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naznemati-deactivated20181005
Akasha.
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crypticdatesuggestions
date the liminal being wandering the woods. they are calling out to anyone whk may listen. their head is adorned antlers and artifacts and their hands are wrapped in forgotten scarves. they move softly, singing at dawn. they love you and want you to be safe
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I would die for her
edit: for those wondering, the instrument is a nyckelharpa! Her name is Myrkur and she’s a Danish metal musician. The song is a traditional Swedish folk song called Två Konungabarn
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lesbian maiden + knight
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anotherfsblog
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Oskar Schlemmer. Bauhaus 1-3 1927, 4 “diagramm zu ‘gestentanz’ - das diagramm, die lineare darstellung der bewegungs wege, die projektion der fortbewegung auf die grundfläche des schauplatzes, ist das eine hilfsmittel, einen bewegungsablauf grafisch zu fixieren”
Source: rndrd.com
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Liar!
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derwandelndegeist-deactivated20
Corsican vendetta knife with floral detail
“may all your wounds be mortal”
Source: e-uropean
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Decor aesthetic goal for my future home: “the village witch lives here, but she’s a good witch. probably. we think.”
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Je ne comprends que l’amour et la liberté. // I only understand love and liberty.
-From the original manuscript of Les Misérables by Victor Hugo
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ODE TO MY sadness. by Alex Dang!
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A sheep in the role of Cordelia in “King Lear With Sheep.”Credit” Nick Morris.
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A witch is, actually, a successful (in the sense of surviving) deviant. You have a cultural, ideological, social, what-not pattern which is, for that society in question, normal (and, importantly, this is understood as a synonym for natural). Most people survive because they conform to these patterns, because they behave normally. […] But then suddenly you get a deviant which survives, and since it does not draw its support from the normal pattern, […] that deviant is understood as drawing its support from “unknown,” “supernatural” sources. […] If we cannot survive without our order, how can she [the witch] survive in solitude? Hers must be indeed a very powerful order to exist so independently, without all the inter cooperation and individual compromise which we have to go through to survive. And if it is so powerful, then it could destroy us. We must try to destroy it first.
Maya Deren, “From the Notebook of Maya Deren”, c.October 1947, vol. 14: pages 21–45. (via maddiviner)