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Super Secret Records

@supersecretrecords / supersecretrecords.tumblr.com

Https://supersecretrecords.bigcartel.com
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We still have vinyl copies of the remastered, reissued debut record by Knife In The Water Plays One Sound and Others from our sister label Sonic Surgery Records. You can order it at the link below for only $11 + shipping!

Overwhelmingly well received upon its initial release, this remastered version sounds better than ever. 

“In the Nineties when grunge and hardcore reigned in Austin's clubs, Knife in the Water pushed back against that with quiet audacity.” - (The Austin Chronicle)

Link to order:

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LIMIT ONE VINYL RECORD PER BUYER

For a limited time you can get the widely-praised debut album Complexion by Tunic from our sister label Self Sabotage Records for only $8 on vinyl, that’s a savings over 5 dollars! (Also available in CD).

“After releasing several DIY singles and playing a range of gigs in unusual locations like disused prisons, Winnipeg noise punk trio Tunic are releasing their debut album, Complexion. The album is great, making the listener sit up and pay attention to its 11 tracks of rage and fury. In terms of their noise rock countrymen, the band sound like a faster METZ or a less metallic KEN mode.” (Echoes and Dust)

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For those of you that collect vinyl test pressings, we have a few for sale at very reasonable prices (most are only $8 for the 7” test pressings & $15 for the 12” test pressings) on our online store linked below from various releases we’ve put out over the years, and we will be adding more to the site in the near future.

Currently available test pressings are for records by James Chance & The Contortions, The Moles, Suspirians, OBN IIIs, and more.

As usual with test pressings, there are extremely limited quantities; in most cases only 1 copy available.

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“Code Word” is a double album on vinyl released in 2018 by The Moles, and available for $15 plus shipping at our online store here:

A review in Brooklyn Vegan sums it up:

“The record's 16 tracks are nearly as disparate, from the Flying Nun style indie rock which typified The Moles' classic Untune the Sky, to southern-fried boogie, bluesy garage rock, power-pop, jazz, psych folk, and everything in between, while Davies' unique approach and distinctive vocals tie everything together. Like his pal Robert Pollard, Richard is a one-of-a-kind.”

Listen to the lead track “Moon In the Daytime “ here:

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