u-t-o-p-e reblogged
u-t-o-p-e reblogged
tanxxx-deactivated20221025
u-t-o-p-e reblogged
tanxxx-deactivated20221025
sans titre (couple) linogravure 3 couleurs sur papier wenzhou >>> http://tanx.free-h.fr/shop/GRAVURES/GRAVURES/20180325-couple1.jpg.php
u-t-o-p-e reblogged
klarozipton
An efficient successful person… If you want to be an icon you have to accept to be an object, just like a robot, but never forget the spiritual lyrics.
Rashomon (1950) -Akira Kurosawa-
u-t-o-p-e reblogged
“I can’t stand it! I want to see the world I knew again!”
u-t-o-p-e reblogged
A young woman stands in front of a novelty mirror at Southend-on-Sea in England, C.1930’s
Source: sharontates
#Surgissement
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sinead-o-finn
Quand parfois heureusement, les biscuits sont là.
#PasD'amoureuxMaisDesBiscuits #TendresseEtSexe #BeaucoupPlusSimple
u-t-o-p-e reblogged
sinead-o-finn
Quand c'est pas bien vu d'avoir plusieurs biscuits.
#EtantCélibataireJeFaisCeQueJeVeux #PlusDeBiscuitsPlusDePlaisir #AToutMomentDeLaJournée
u-t-o-p-e reblogged
u-t-o-p-e reblogged
decadentiacoprofaga-deactivated
De El Hombre sin talento por Yoshiharu Tsuge.
u-t-o-p-e reblogged
Delighted to see that Lucile Hadžihalilović will have a new film out this year; she’s probably best known as a Gaspar Noé cohort (producer, I Stand Alone; co-writer, Enter the Void), but her 2004 feature Innocence is a truly unique allegory of adolescent reverie/dread. This is a panel from the official manga adaptation(!!!!!) of her first film, 1996′s La Bouche de Jean-Pierre, drawn by Robot Okuda, who pairs full-page images (such as this) on right-facing pages with text and photography on left-facing pages, leaving only crucial scenes to appear as ‘full’ comics… (Mimi - La Bouche de Jean-Pierre, Robot Okuda c. 1998)
u-t-o-p-e reblogged