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SIR PENTIOUS SWEEP

@trepanationgecko / trepanationgecko.tumblr.com

26, lesbian, AUDHD. Multi fandom. Art tag is knuxknuxknuxart. Dating All-Hail-The-Water-God.
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I think as a retrospective for myself that there are complications on “this show handled queerness as well as it could” vs “this show pretended to have any idea how to handle queerness and used the fantasy of queer romances to bait in audiences then shame them.”

Let us start with Hannibal which falls into the category of handling it as well as it could with the era and the network tv factor. We got to see a lesbian romance between Alana and Margo which is already a plus above some other shows. The relationship between Will and Hannibal is deep and complex and coded with the word friend as we see in shows like Our Flag Means Death, Good Omens, and Righteous Gemstones. The word “friend” does not ever deny or negate the intimacy or queerness between two men, because with Hannibal we constantly get blatantly romantic dialogue between the two men, their final moments are spent in a romantic embrace with Will’s head resting against Hannibal’s chest. They constantly refer to loving each other and outside characters state that they are in love with each other.

The show did not have a faux promise of a gay romance. The romance was there.

Gotham is a cluster fuck. Gotham on the other hand was the network show where two women are making out and having sex and you assume they are a couple, but the show itself and most promotion for it claims they have an almost sibling bond. They are just friends waiting for men they love. Then the other “queer” rep of the show comes primarily in the form of Oswald, a heavily gay coded male character with no romantic interest, until falling openly and loudly in love with his male friend, Ed. Of course this doesn’t play out but the interviews and social media team fucking went into over kill cramming the idea of these two men becoming a couple down your throat….until they stopped. Suddenly the actors back pedal claiming Oswald isn’t even gay, he’s a virgin so he doesn’t know what he is. Both men are given female interests who act like them and its awkward and forced and dies fast. The show’s final season introduces a bizarre homoerotic relationship between Oswald and an older man…. The showrunners proclaim that Oswald and Mr.Penn have a father/son bond, that Penn is like a father to him…..despite the fact Oswald literally has this man on leash and collar and yknow already has a dad.

The show returns to teasing an idea of Ed and Oswald and a romance only to find them awkwardly embracing and claiming a sibling bond instead as if two seasons ago Oswald didn’t want to fuck his brains out. Allegedly the network is the cause of all this, but I don’t accept that. You would learn quickly if the network would not allow gay romances and work accordingly with that instead of pushing some of the worst handled non romances I have seen in modern TV.

What We Do in the Shadows I still clump with Gotham because I see and have seen the exact same tactics with both shows. The poor handling of queer love is at this point the least of my issues with What We Do in the Shadows, at this point finding out the chairman of FX wanted the sixth season to be the end because Paul Simms fucked himself by turning Guillermo into a vampire for one second then undoing it because Simms wanted to just “get it over with” is hilarious to me at this point. waikiki was open about Guillermo’s final choice as either slayer or vampire would be the story’s end and Simms somehow translated it to mean “get this shit out of the way so we can write jokes about ball hair”. The show had potential overall and was heading in a good direction. Season four was so fucking beautiful I can write a ton of pieces on the beauty and tragedy of it and I despise Simms with an intense passion for spitting on that.

In terms of queerness and romance….Guillermo and Nandor as friends or platonic or family or lovers all work fine narratively. I just despise how the show always promoted the idea and tease of romantic love, only to eventually get to the point of Simms joking or not to ask “who wants to see that?” In response to the idea of two men kissing, treating a kiss or exchange of love confessions as if it is obscene and repulsive.

I think the wildest thing for me is when shows are more and more current and still fall into this pattern of promoting a gay romance that was never truly intended in the first place. Mostly I despise this because shows end up wasting a lot of fucking time they could spend on actual plot and character development instead of polls on twitter about if in this new episode a kiss may happen when they know it never will.

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Favorite aspect of Alastor revealed in the show has gotta be that he loves being the center of attention. He's said to be an enigma, yet he thrives on people being curious about him. He wants to know what people think of his deal with Charlie. He wants people to wonder why he has been missing for seven years. And the majority of the few times we see his smile grow tense is when his mystery is disregarded.

Which explains why he enjoys his rivalry with Vox. Vox's obsession is a reliable source of attention for him. No matter what Alastor does, Vox will be there trying to undermine him. And watching him try is a dual source of enjoyment: it is fun to see his enemy stumble and glitch in frustration, but damn does Alastor also enjoy being in the spotlight, even if in the mind of just one person.

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My fav part in Stayed Gone is when Al is bullying him, Vox tries to physically block Al's radio

And then the next scene it shows that Vox didn't block shit and just recreated Alastor's radio on his TVs to rp himself doing literally anything to effect the situation meanwhile in reality nothing has actually changed

Which is??? Honestly???? So embarrassing for him. Why do you have Al's radio room saved like a fucking screensaver you absolute gay loser

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