i think the thing i liked the least about this comic was the font i used for the OFF voice... page 6/6
page 5/6 ....BOOM
page 3/6 i remenber this comic as the closest one i had on entervoid
welp, decided to do the whole thing, comparing each BW pages with its colored version. page 2/6
i actually prefer the BW version.... page 1/6
drawing facepalming is an art
i need to post more of my work in progress
vive le Roy
Armageddon 2017 art on ENTERVOID
i hope my boi get chosen
A bunch of silly stupid three panels comics with Voiders all Oc not mine © to thair owners.
A bunch of silly stupid three panels comics with Voiders all Oc not mine (C) to thair owners.
Arena’s sick of playing pickup with the constant string of city-wrecking events and wants in on Armageddon 2017 against the King of Robots King of Robots is © @monday-destroy
I kind of wish disney’s ~weird period~ had lasted longer. Like all of a sudden we were getting these films like lilo & stitch and Atlantis and the emperor’s new groove and treasure planet and they were so fun and DIFFERENT. Just thinking about what the pitches for those movies had to have been like is so surreal?? A little blue criminal alien crash lands on a Hawaiian island and gets adopted by two sisters dealing with social services that teach him about the value of family. An Inca emperor gets turned into a llama and john goodman helps him get back to his palace and one of the bad guys talks to squirrels. Treasure island but in SPACE. Like, on the surface, the premise for these films seem so random but they all TOTALLY WORKED IN REALLY GREAT WAYS??? idk I just really miss that early 2000s spark of offbeat creativity in Disney’s timeline.
Okay but the history behind this is so interesting?
All these movies came from the Florida studio, which for a long time was a backup animation studio that did work the main Burbank studio didn’t have time for.
Then in 1996 Disney decided to focus all their energy on transitioning to 3D animation. They acquired Pixar and started working on A Bug’s Life.
They basically told the Florida studio (their only remaining full-time 2D animation studio) – “Eeeeeeh, do what you want.”
And the Florida studio, for the first time, got to produce feature films:
- Mulan (1998)[27]
- Tarzan (1999)[28]
- John Henry (2000)[29]
- The Emperor’s New Groove (2000)[30]
- Atlantis: The Lost Empire (2001)[31]
- Lilo & Stitch (2002)
- Brother Bear (2003)
Then in 2004 Disney decided to stop producing 2-D feature films altogether. They closed down the Florida studio and laid off all the Florida Studio animators.
Many of whom then got hired by Dreamworks.
That. Explains. Everything.
Dude..
....OK just...OK info of the year