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AsterBella

@sad-weiying / sad-weiying.tumblr.com

Bella/30/Lesbian. Art @bella-makes-art. Wei ying deserved better. JC stans DNI. Here we clown the purple genocider.
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In hindsight the popularity of using “demonic cultivation” for what Wei Wuxian uses is running counter to what is actually in MDZS being used. It is resulting in a lot of fandom confusion, particularly since demonic cultivation is a xianxia genre standard. But that’s not what is going on in MDZS. The genre standard demonic cultivation revolves around stealing qi, absorbing life energy from others, possessing others to get access to their greater cultivation abilities, and in general much more assholery than what Wei Wuxian does. The actual term used by Wei Wuxian and most of the narration in the novel is Guǐdào; aka Ghost Cultivation. It revolves around manipulating the dead, using resentful energy as a power source, and to be absolutely blunt it is a form of necromancy. It is the “redirection” option in dealing with the dead; drain away resentful energy so that you can convince the dead to finally let go and be liberated. Either by getting the justice they were denied in life or having lifted the worst of their anger and attachment so they can think clearer. Not demonic cultivation. The very title “Mo Dao Zu Shi” is part of the subversion element and part of setting in motion assumptions about the story for the original Chinese readers who know the genre and what the usual tropes are. Because calling it “Gui Dao Zu Shi” would give away too much from the start of what is actually going on. Also per MXTX, Lan Wangji and Wei Wuxian are “morally perfect” and as that is the intention given by the author herself, that means nothing Wei Wuxian does with ghost cultivation has to actually harm the ghosts in a way that would be morally wrong. Like destroying them, preventing them from reincarnating, that kind of thing. He does not hurt the dead. He’s honestly shown to be more friendly with the undead; he is endlessly kind to them in fact and even gentle. Polite too and that deserves marking because Wei Wuxian ignores most manners because he generally doesn’t care. But he puts that care into how he treats the gui (undead) he commands and works with. He gives them rewards for a job well done as shown in the Yi City arc! The one who does use ghost cultivation to hurt both the living and dead is Xue Yang who is repudiated by Wei Wuxian; “Xue Yang has to die” is what he says and that is what he helps Lan Wangji do. But the actual founder? The guy who made it and is the absolute master of it? Rejects that kind of thinking all the way through the story, even at his lowest.

written by lovepsychothefirst on pillowfort

the tag on ao3 is Demonic Cultivation (Modao Zushi) when it should really be Ghost Cultivation | Guidao (Modao Zushi) or something similar, and there should also be specification on which canon is being used, bc in CQL, the manhua, and the donghua, Guidao has adverse affects when in the novel it doesn't do shit to the practitioner.

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lancabbage

Very interesting and for the most part, complete spot on. But one tiny point I think is definitely worth clarifying - XY is not using guidao at all. He can't.

He is so inept at it he thinks that Chenqing must hold some special secret power that helped WWX use it. What XY is doing is using living humans and is therefore more closely aligned with modao. XY is the one and only, demonic cultivator of the novel.

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reblogged

Love and peace but I am totally too much of a main character/secondary character person to care for the actual side characters of anything

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tv shows with time travel organizations/bureaus/police/agencies/whatever should have a department with instead of a tech genius eating candy, it’s a harried seamstress or fashion designer who is like

“1450 italy? does it look like I have the time to dye you wool? nO. YOU’RE GOING TO THE 1980s”

and throws shoulder pads at the hapless time agent

“I literally made three- THREE- 18th century corsets last week. You can wait until one of them gets back, or you can go sometime post-1920s, because if I have to sew one more god damn channel I will literally lose my mind.”

“Upper middle class?!?!? You told me upper class! FUCK YEAH THERE’S A DIFFERENCE!!!

“How about kimoNO.”

“Look me in the eyes. I do not care what you want. This is the 1500s. You absolutely cannot wear trousers.”

“Another court gown?? Here’s a novel idea: go as a peasant for once in your life. Why do you do this to me? You’re fucking sadists that’s why.”

“Don’t mind me, I’ll just be up all night hand painting silk.”

“THE POLICY IS ONE MONTH’S ADVANCE NOTICE ON PRE-1900s WOMEN’S FASHION FOR A REASON, DEBRA.”

“Upper middle class?!?!?

You told me upper class! FUCK

YEAH THERE’S A DIFFERENCE!!!”

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

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ikarakie

if a character means enough to me i will truly never stop thinking about them. i just retire them into a little back room in my brain and periodically bring them out to stare at them under a little light

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ysolt

kitten i have to be honest your misunderstanding of what 'death of the author' actually means is getting embarassing and mommy would prefer if you posted less or maybe attended some classes on literary analysis

kitten i think you might be stupid

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im totally not thinking about wei wuxian humming wangxian to himself at the bottom of the burial mounds, half dead

because that would mean im crying and im DEFINITELY NOT

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I love modern Wei Wuxian with long hair, using earrings, and wearing crop tops. He is the smartest person in the room but always gets underestimated. "Hey I'm looking for Doctor Wei" and there is a sexy man, with skinny jeans, a fat ass, looking like a wet dream, but also the best teacher and investigator at the university.

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zykamiliah

girl it's not that shen yuan forgives the atrocities, the atrocities were part of the enjoyment while luo binghe was a fictional character, the atrocities gave the fans a hard on because it was a dark power fantasy. but when luo binghe became a REAL person it turned into a REAL issue that's what half the novel is about

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