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now i'm covered in you

@nocturnalms

fangirling more in my 20s than i did when i was fourteen | you can call me 'c' | tom holland • taylor swift • tv shows • movies • disney
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i can't read anything that isn't purely HEAVY everlark. even though they are endgame, but she kiss gale at some point? pass! peeta from the past having a girlfriend? i won't read! threesome? never in a million years!!!!!!! i get physically sick, i'm NOT exaggerating

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"The crown is stained but you're the real queen Flesh and blood amongst war machines You're the new god we're worshipping Promise to be dazzling"
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Anonymous asked:

I know we all love talking about jealous Katniss but I want to talk about jealous Peeta because reading the books now as an adult makes me realize how obvious he was about being jealous, he’s just not possessive or a jerk. Because it’s hilarious to me that he just keeps bringing stuff up that he’s jealous about but trying to be subtle. “I thought he was your cousin””she’s just mad because of her boyfriend” “is that really the only time you’ve kissed Gale”. Good grief, he brings up Gale more than Katniss ever does. But it also matches his character that uses words for everything. He just keeps bringing up stuff while Katniss is like WTF. Post marriage he doesn’t really get jealous but once in a while I’m sure there may be a minor thing here or there that makes him jealous and he brings it up during dinner to Katniss who is just focused on the food

Jealous Peeta absolutely FED me, It was NOT SUBTLE.

and we know there were a LOT more moments of jealousy than he let on. he makes a point of telling Caesar that he knew other boys liked her - so i imagine there was a bit of locker room talk and a LOT of Peeta biting his tongue and taking his frustration out on the mat instead.

(Once, he got a record-breaking - and SLIGHTLY arm-fracturing - win when one of the guys on the team talked, in detail, about what he wanted to offer Katniss as a trade the next time she came by his parents' shop.)

I fully imagine that Peeta was aware of, and HAAAAATED the fact that the two went out to the woods together. He NEEDED to believe they were cousins. Like, for his sanity. because he can't IMAGINE that Gale would actually fumble the bag by being alone with Katniss every single morning for 4 years and NOT making a move.

And Peeta was trying to undermine Gale, too. "I hear the girls talk about him a lot - baby girl, that man is a whore, i wouldn't do you like that."

no and then the HIJACKED jealousy???? UNFUCKING REAL. Every single barrier that boy put up for himself was GONE. ERADICATED. He was SEETHING with a jealousy he couldn't even really understand and just sitting at that table like:

So of COURSE he has to turn it around and try to make HER jealous. Make her realize how unimportant she is. He could have anyone. He could even take Annie.

"Fuck Everthorne and their star-crossed bullshit." (because he TOTALLY viewed them as star-crossed. Nobody believes in the existence of Everthorne more than Peeta Mellark)

"And fuck Katniss too, and NOT sexually (unless?...) No, FUCK HER (biblically???) NO."

Honestly, I personally don't see him getting jealous at all after "so after". Once she gives him the security and peace of saying the words - he'll never doubt her. Not once. And Katniss loves in an all or nothing way. And with Peeta, it's ALL.

If anything? It's Katniss. Post-marriage Katniss has a bow with the words "for trifling hoes that wish they could" etched into it. It's specifically her "that's my WIFE" bow and she's just ITCHING to use it.

That being said, while he may not be jealous Peeta is VERY competitive whenever Gale is visiting the district. For, like, the stupidest shit. Gale comes to town carrying a buck so he'll just go and move bags of flour, one in each arm, like it's nothing. (He's actually sweating HARD but he refuses to admit it)

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venushyn

“If only one of us can be a parent, anyone can see it should be Peeta. As I drift off, I try to imagine that world… A place like the meadow in the song I sang... Where Peeta’s child could be safe.”

Catching Fire, page 354

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atelierlili
The promise that life can go on, no matter how bad our losses. That it can be good again. Only Peeta can give me that. ~ Mockingjay p. 260

I was having a bad day with another piece of work so I went back to fix an old one I had lying around.

I don’t care if you think Katniss grinning widely and happy is OOC Peeta makes her happy and she does the same for him ok 😭❤️❤️

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THE GOOD PLACE_3.06 "A Fractured Inheritance"

I'm going to hug you because I love you. And because you feel just as alone as I do. I'm sorry our parents were such wankers. And I understand that you can't accept my apology because that would quench your creative thirst. They forced us to compete, and that competition has fuelled your art for decades. It's so awful, and I'm so sorry.

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Something I love about The Good Place is that there are so so many false starts.

Someone will start a plan, and then the plan immediately falls apart. This is particularly evident in season 3 when they're all on Earth (the perfect setting for plans to fall apart). At one point we think that Michael is going to "reboot" them, but instead the humans see him. They take the soul squad to the "next level" only to die shortly after because of the demons. (Not to mention Doug Forcett was a non-starter anyway).

The narrative makes you think they're about to start some new undertaking only to rip the rug out from under them. It's so human, so real, and it is a great twist on some of the supernatural shenanigans they've been getting into. Rather than watch the heroes build up some great new direction, they're just thwarted when their foot is barely out the door.

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Imagine:

Being the Frey girl betrothed to Robb Stark

Request: Yes or No

Did not intend for this to be long

~~~

It was supposed to be the perfect day. Many little ladies dreamt of their weddings, dreamily wondering about their future husbands and the family they'd create together. Your dreams of the perfect wedding had been brief, crushed quickly under the boot of your father, Walder Frey, and you were forced to accept that you'd be marrying out of duty rather than true love.

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the manuscript ending the album on the utter jawdrop moment that neither of the muses of the actual album were the first men to fuck her up with promises of marriage and babies, and that first heartbreak so long ago laid the scene for the woman she would become and the ways she would approach love and how we all watched her life like scenes in a show but she kept coming back to the manuscript of the first torrid affair that ruined her, to bookend an album about two love affairs that destroyed her utterly in almost the exact same way, because all her muses are acquired like bruises........ it's bone-chilling

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The Manuscript isn’t just about ATW10, I think it represents her entire music catalogue. How she creates art out of her most painful experiences, art that people take and make their own through their own experiences, and suddenly, it gives the pain some kind of purpose.

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religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.

taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.

the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.

when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.

side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?

the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.

the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.

ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.

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