Hulton Archive. A young woman lighting a cigarette as she sits on a park bench at night. New York City. 1957.
GEMMA ARTERTON as Clara Webb BYZANTIUM dir. Neil Jordan, 2012
Cate Blanchett by Robin Sellick, 1994
Norman Jewison directing MOONSTRUCK (1987)
Wings of Desire (Der Himmel über Berlin) 1987
“Must I give up now? If I do give up, then mankind will lose its storyteller. And if mankind once loses its storyteller, then it will lose its childhood.”
What would it be like to look down on the world, to be able to read minds and to encourage people with an invisible pat on the shoulder? In short, what would it be like to be an angel? This is an interesting question. However, in Der Himmel Über Berlin the main role is played by two angels, who wonder what it would be like to be human, even for a day.
Although they are omniscient as angels - they can read the minds of anyone near them - and immortal, they do not seem entirely happy. Damiel, played by Bruno Ganz, longs to roam the city as a human being, to drink a cup of coffee, to go to the hairdresser, to be able to talk to others.
WINGS OF DESIRE (1987) dir. Wim Wenders
Sometimes I’m fed up with my spiritual existence. Instead of forever hovering above I’d like to feel a weight…to tie me to Earth. I’d like, at each step, each gust of wind, to be able to say, ‘now’…and no longer ‘forever’ and ‘for eternity.’
Paris Texas (1984) dir. Wim Wenders
“I was hoping to show you that I was your father. You showed me I was. But the biggest thing I hoped for, can’t come true. I know that now. You belong together with your mother. It was me that tore you apart. And I owe it to you to bring you back together. But I can’t stay with you. I can never heal up what happened. That’s just the way it is. I can’t even hardly remember what happened. It’s like a gap. But it left me alone in a way that I haven’t gotten over. And right now, I’m afraid. I’m afraid of walking away again. I’m afraid of what I might find. But I’m even more afraid of not facing this fear. I love you, Hunter. I love you more than my life.”
Film History: Pre-code films
The pre-code era represented a radical change in the role of women in cinema. Undoubtedly, the new female protagonism was not attributable to a sudden interest in the figure of women in society, nor by the search for equality, not even by a current of socio-cultural thought that sought renewal, in this regard , of the American arts.
The studios simply used women to find enough sensationalism, morbidity and scandal to bring more audiences to theaters. It is evident that, despite the fact that economic gain was sought more than artistic quality, the end result was that many actresses became real movie stars, gaining a prominence, in many cases, greater than that given to male roles , and even, as we will see later, an actress even saved a major studio from bankruptcy.
RYAN GOSLING "I'm Just Ken" wins Best Original Song at the 29th Annual Critics' Choice Awards (January 14, 2024)
The greatest overacting meets the greatest underacting.
"I am well aware of the hardship I will be facing. I am the first to admit I'm remarkably unqualified for such a hazardous undertaking. But this is precisely the point of my journey. I'd like to think an ordinary person is capable of anything."
Tracks (2013) by John Curran
I think if you’ve logged a movie enough times in your Letterboxd diary they should give you the director’s email.
Asteroid City (2023) dir. Wes Anderson
priscilla (2023) behind the scenes photos, part one
the movie was so bad but cailee made up for it