Novel aesthetics made for me by the lovely @kgtellsstories
<3
Novel aesthetics made for me by the lovely @kgtellsstories
<3
Welcome again to another episode of UpvoteYA. Today we explore what we do – and what we should be doing – when we polish up our drafts. Join us for the discussion!
Episode 14: Tackling Revisions (Air Time 37:03)
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SHOW NOTES
I LOVE REVISING!
*flails*
I HAVE A BOOK DEAL WHAT IS EVEN HAPPENING?!?!?!?
*flails more*
Welcome again to another episode of UpvoteYA. This week we tackle the topic of what it’s like to write with a 9-to-5 day job (or 8-to-5, or 11-7, or whatever it is you do). We dream about hitting the big time as successful novelists, and we ask ourselves: what would it take to quit?
Also, guest author Shaun David Hutchinson chimes in with an interview! Don’t miss it!
Episode 13: Writing With a Day Job (and Shaun David Hutchinson) (Air Time 35:24)
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SHOW NOTES
Welcome to the episode two of the UpvoteYA podcast! In this episode we explore genre in the YA marketplace. We also discuss resources and tools for discovering trends, word count targets for various genres of YA, and a few different approaches to drafting and revision. Thanks for joining us!
Episode 2: All About Genre and Process (Air Time 33:12)
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SHOW NOTES:
Author Mentor Match round 2 launches April 13!
Aspiring writers with completed YA or MG manuscripts can apply to be mentored by agented/published authors.
Oh, hey, look, I remembered I have a Tumblr! Sigh.
I have a newsletter now! I’m giving writing/publishing advice & other neato stuff. Next issue out Tuesday/Wednesday.
Welcome to the first episode of the UpvoteYA podcast! We’re here to talk about all things related to writing and reading young adult literature. Today, we introduce ourselves and explore what makes these books different, as well as what draws us toward writing for teens.
Episode 1: What is YA? (Air Time 28:45)
So I started a podcast...
Reblog if you’re coming to Leviosa! (so all your friends will see and then they’ll decide to come, obviously) #PartyAtLeviosa
It honestly blows my mind when I see adult writers and journalists talking about how fanfiction is “ruining fiction” because “kids are investing all their time and talent into something that doesn’t matter instead of applying their skills to creating something original that they could actually make money off of.”
Like, imagine if people had that attitude toward other things - it’d be completely ridiculous:
“I can’t believe my sixth grader would rather use the basketball hoop to play Knockout instead of organizing competitive games and striving to join the NBA. What a lazy, unmotivated kid.”
“YouTube videos? Just making free videos on the internet for anyone to see whenever they want? Why don’t you just produce a movie? A whole fucking movie. You’re in high school, you can figure it out.”
“Are you really so uncreative that the only songs you can play on the piano are ones other people wrote? The only real piano players are the ones who write their own music, I’m just saying. People like you are the reason originality is dead.”
SOMETIMES PEOPLE DO THINGS BECAUSE THEY’RE FUN! MAKING THINGS AND SHARING THEM WITH OTHER PEOPLE IS FUCKING FUN! NOT EVERYTHING IS ABOUT MAKING MONEY!!!
Also writing fan fiction is great practice for writing original stories, plots, editing, time management, grammar, sentence structure, etc. so don’t hate those who are practicing something.
Dante’s Inferno is self-insert Bible fanfiction. Most Renaissance and Medieval art that isn’t portraiture is Bible fanart. Lord of the Flies is a dark, AU fanfic of a previous book that had a bunch of English boys getting stranded on an island where everything turned out just hunky dory. Shakespeare’s Julius Caesar is fanfiction. Lancelot and Guinevere are French fanfiction additions to the King Arthur myth.
90% of all Disney movies ever made are fanfiction. In Hans Christian Anderson’s The Little Mermaid? The little mermaid DIES. In Beauty and the Beast, Beauty has two sisters, and her father is a merchant, not an inventor. The villagers never storm the castle. The Disney movies are reinterpretations of pre-existing stories aka fanfiction. Is anyone shitting on Disney for writing ‘fanfiction’?
BBC’s Sherlock is modernAU fanfiction. Elementary is modernAU always-a-girl!John fanfiction. BBC’s Merlin is fanfiction.
Age of Ultron is fanfiction.
Fanfiction is natural and has happened since the dawn of time. Stop looking down on people (and I gotta say, a lot of the people writing fanfic that I know are female) who write fanfiction for fun and their own enjoyment.
Cut my teeth on fanfiction. I didn’t have access to creative writing classes and playing in someone else’s sandbox was perfect practice for creating my own.
Anyone who tells you fanfiction isn’t worth anything can kick rocks.
I want to start this by saying I have NOTHING against self-publishing. Some authors SHOULD self-publish and they do it well because they’ve done the research, they’ve gotten their work copy-edited, they know how to market the book, they brand themselves. But, I’ve been seeing a lot of young writers (teens and twenty-somethings) who came from fanfiction writing and want to try their hand at writing original work. They write their first original novel… and then they put it up on amazon for the hell of it. They think it doesn’t matter if they sell a few copies, that’s a few dollars, right? DON’T DO THIS.
The problem with this is that later down the road, if those same authors want to explore traditional publishing… it will be harder because they now have sales baggage. Agents will ask about what work they’ve previously published and that self-pubbed book they posted up late one night on a whim and got maybe a handful of sales? That counts. And that means they’ve debuted as a self-pubbed author, which makes launching them through a traditional publisher will be much more different than if they had a completely clean slate. It makes agents and publishers more wary about picking them up.
A while ago there had been a self-publishing bubble where traditional publishes snapped up a lot of original self-pubbed books, but that has since more or less burst. Why? Well because in most cases the publisher discovered that quite a few of those self-pubbed books already maxed out their audience or reached their peak. Making it not so lucrative for them to relaunch the books. Not everyone is going to buy the new version if they already bought an older version unless the story has drastically changed.
Another thing to consider is that most often, self-pubbed pricing is considerably less than the list pricing of traditionally published books. Selling a thousand copies at $0.99 is very different from selling a thousand copies at $9.99 or higher. Less people are going to buy that same book if the pricing is higher. And very few traditional publishers are going to sell books consistently at $0.99. Maybe the occasional promo to mark the e-book down, but they won’t sell a paperback or hardcover at that price point. They need to cover their expenses to create those. Most successful self-pubbed authors sell a LOT of copies, thousands, hundreds of thousands, more even. They’ve reached non-Amazon bestseller lists (i.e. USA Today). They have legions of loyal fans who will buy anything they write because they know how to brand themselves and market their books. If your self-pubbed book isn’t hitting those numbers and that kind of audience, then it’s going to be very hard to convince a publisher to invest money in you.
So, as an agent, if someone approaches me with a book they already self-published, the first thing I ask is what were the sales and at what price point. And those numbers… that weighs in on my decision to take them on or not, because I know those same numbers are going to be something a publisher will have to overcome. It also makes me assume certain things about the author, like are they going to be impatient with me because they’re used to doing everything themselves? Traditional publishing works slowly and if they are used to just clicking a few buttons and having their work up, then they might get frustrated with the entire process. Or I might be wondering why they would want to move their book from self-pubbed to traditional publishing, could it be because the self-pubbing didn’t work out for them? That may mean they don’t know how to market themselves or there is no audience there. A million different questions arises and I start thinking they might simply be not worth the trouble. Especially if my inbox is already filled with fresh writers whose first book has NOT been previously published and the writing is just as strong.
So my advice to young writers: DO YOUR RESEARCH. Learn about what it takes to publish a book. If you decide that self-publishing is the way to go for you then do it, but do it right. Invest in copy-editing, cover design, marketing. A traditional book usually goes through at least 10 different people before it releases. If you are self-pubbing, YOU are doing all those 10 different jobs. So think critically before you just post it up. I know a lot of young writers don’t even know what the publishing process looks like, so consider this a PSA. Don’t jeopardize your chances just because you didn’t know better or because you are impatient. If being an author is really the career path you want for yourself then do your homework. People will expect you to be mature and professional.
CHRISTOPHE JOSSE Couture Spring/Summer 2013
Pride and Prejudice 2005 + Onion Headlines, part 1/3
A sneak peek of some of the programming sessions we’ve accepted so far:
& more! Our schedule announcement will go live next week, so you can read more about these panels/workshops/lectures and more. We’re announcing approximately 25% of our formal programming content, to give everyone a firm sense of how INSANELY AWESOME Leviosa’s programming is going to be.
There is also a panel called “Ravenclaw Your Writing” that I came up with and I don’t even know who will be on it but I’M SO EXCITED.
No. Hollywood has an older man problem.
this is so gross
By Anonymous
In first grade, a boy named John— a notorious troublemaker—systematically chased every girl in our class during recess trying to kiss her on the lips. Most gave in eventually. It was easier to give in than keep running. When it was my turn, I turned and faced him, grabbed his glasses off his weasel face, and stomped on them on the hard blacktop. He ran to the principal’s office and cried.
In fifth grade, I was asked to be a boy’s girlfriend over email. It was the first email I ever received. He actually told me he wanted to send me an email, so I went home and made an AOL account. We went to a carnival and he won me a Garfield stuffed animal, and then he gave me a 3 Doors Down CD. A few days later, he broke up with me, and asked for Garfield and the CD back. I said no.
In sixth grade, a girl in my year gave head to an eighth grader in the back of the school bus while playing Truth or Dare.
In the summer after sixth grade, I kissed a boy for the first time at sleep away camp. He was my summer love. During the end-of-the-summer dining hall announcements, where kids usually announced lost sweatshirts and Walkmen, an older girl stepped up to the microphone, tossed her hair behind her shoulders, and proudly stated, “I lost something very precious to me last night. My virginity. If anyone finds it, please let me know.” The dining hall erupted into laughter and cheers. She was barred from ever coming back to the camp again, and wasn’t allowed to say goodbye to anyone.
In seventh grade, I told my brother I decided when I was older wanted a Hummer. What I really meant was I wanted a Jeep, but I didn’t know a lot about cars. My mother overheard and screamed at me for “wanting a Hummer.”
In the summer after freshman year of high school, I went to sleepaway field hockey camp with many of my close friends. One of them, named Megan, I had been friends with since kindergarten. One night when I was showering, she ripped open the curtain and snapped a photo of me on her disposable camera. I screamed. She laughed. We both laughed when I got out of the shower a few minutes later. After camp was over, her father took the camera to the convenience store to get it developed. When he gave the finished photos back to her, he said, “Your friend [Anonymous] has grown up.”
Sophomore year of high school, one of my best friends Hilary had a party in her basement while her mom was away. We invited some of the guys in our grade and someone’s older brother bought us a handle of vodka. One of the boys who came sat next to me in Spanish class. His name was Thomas. I remember playing a simple game, where we passed the bottle of vodka around in a circle and drank. I remember being happily tipsy and having fun, to suddenly being very drunk. Thomas and I started chanting numbers in Spanish, and he leaned towards me and kissed me. We kissed in the middle of the party, with all of our friends cheering. Then we went into Hilary’s bedroom.
Hilary’s bedroom was in the basement, on the ground floor, with a large window next to her bed. When someone went outside to smoke a cigarette, they realized it was a front row seat to what was happening in the bedroom. It was dark outside, and the light on was in the bedroom. They called everyone outside to watch. I don’t remember getting undressed, but apparently we were both completely naked in Hilary’s bed. A friend of mine told me later she tried to open the door and stop what was happening, but Thomas must have locked it. They said they pounded on the door. I don’t remember hearing them pounding. I don’t remember seeing everyone’s faces outside the window. I remember Thomas holding my head down, and shoving his penis into my mouth. I remember trying to resist, pulling back, but he held his hands firmly on my head, pushing my face up and down. That’s all that I remember.
The next day, my friends and I went out to dinner at one of our favorite local restaurants. I couldn’t eat anything, and it wasn’t because I was hung over. Every time I tried to put food in my mouth, I felt like I was choking. Anytime a flash of the night before appeared in my mind, I felt like vomiting. My friends sat with me in silence. Then they told me a girl named Lindsey, who had briefly dated Thomas freshman year, had stood outside and watched the entire time. Even after everyone else stopped watching. My friends said they didn’t watch.
On Monday, Thomas and I sat next to each other in Spanish. We didn’t speak. We didn’t make eye contact. I went to the girls bathroom and threw up. I hear Lindsey and Thomas live together, now, ten years later.
Junior year of high school, my teacher for Honors Spanish was named Señor Gonzales. Señor Gonzales had all of the girls sit in the front row. Señor Gonzales called on any girl who was wearing a skirt to write on the chalkboard. Señor Gonzales asked a friend of mine, who had broken her finger playing an after school sport, if she broke her finger because “she liked it rough.” Señor Gonzales was a tenured teacher.
Senior year of high school, I got my first real boyfriend. His name was Colin. He was on the lacrosse team with Thomas. He told me that sophomore year, Thomas told everyone on the team what happened that night at Hilary’s. Everyone cheered. Colin said that, even then, he had a crush on me. Even then, he wanted to punch Thomas.
Colin and I lost our virginities to each other. Colin said if I got pregnant, he would make me have the baby. He didn’t believe in abortion. Colin said if I got pregnant, he would make me have a C-section. Colin said that if I didn’t have a C-section, my vagina would be too loose for him to ever enjoy having sex with me again. Colin said that he wouldn’t let our child breastfeed. He said his mother gave him formula, and that he turned out just fine. I didn’t get pregnant.
Junior year of college, I lived in Denmark for the spring semester and studied at the University of Copenhagen. Copenhagen is one of the safest cities in the world. Guns are illegal there. Pepper spray is illegal there. One night, my friends and I went to a concert at a crowded club in a part of the city I didn’t know very well. I brought a tiny purse with money, my apartment key, and my international cell phone. For some reason it made sense at the time to put my purse inside my friend’s purse. Maybe I didn’t feel like carrying it. We were both drinking. My friend left the concert to go home with her boyfriend. One by one, everyone I was there with left the concert, until I was suddenly alone and I realized I didn’t have my purse, or any money for a cab ride home.
I started walking in the direction that felt right. I walked for a long time. I had no idea where I was, and didn’t recognize the area. It was almost 4 am. I was on a residential street when a cab pulled up next to me. I asked the driver if he could drive me to an intersection down the street from my apartment.
I don’t have any money, I said.
I really need your help, I said.
I will do it for free, he said.
Sit in the front, he said.
I sat in the front. We drove in silence for some time, until he pulled over on the side of a dark street.
I don’t want to do it for free anymore, he said.
He locked the car doors and reached across the center console and slipped his hand up my skirt. He grabbed my vagina. Hard. I pushed his hand away and unlocked the door. I ran down the street and realized he had taken me a block away from the intersection I wanted. I walked to my apartment and threw rocks at my roommate’s window until she let me inside. She yelled at me for waking her up. I escaped. Nothing happened. I was fine.
The summer after I graduated college I helped Hilary find an internship. She was an art major and wanted something for her resume besides waitressing. We found a posting on Craigslist to be a studio assistant for a painter in the Bronx. It was listed as an unpaid internship. The toll for the George Washington Bridge was twelve dollars, plus gas, but she got the internship anyway. She wanted the experience.
The artist was a 38-year-old Canadian painter named Bradley. Hilary was 22.There was another intern there, an art student from Manhattan named Stella. Bradley needed assistants to help him make bubble wrap paintings. Stella and Hilary would take a syringe and fill the tiny bubbles with different color paints until it formed a mosaic. Bradley always had Hilary stay after Stella left to clean the paintbrushes and syringes. He told Hilary she was beautiful. More beautiful than his wife, who he only married for citizenship. He told Hilary they had a loveless marriage. He told Hilary he wanted to have her beautiful children. They began an affair. He told Hilary has wife knew and didn’t care. He told Hilary he was going to leave his wife soon.
Everyday Hilary drove to the Bronx, cleaned Bradley’s paintbrushes, and had sex on the studio floor. Everyday she went home with no money, and everyday she paid the toll at the George Washington Bridge. She needed the internship for her resume, she said. It was too late to find a new job, she said.
I could go on. I could tell you a lot more. About the whistles on the sidewalk, the kids who sat at the bottom of the stairs in high school to look up our skirts, my friend who was a prostitute in South Carolina, the men who’ve cornered me in parking lots and bars calling me a tease, the unwanted grabbing on the subway, the many times my father has called me fat, the time I traveled to the Philippines and discovered Western men pay preteen locals to spend the week in their hotel, the messages on OKCupid asking to “fart in my mouth.” About how I wasn’t sure if I had been raped because I was drunk and kissed Thomas back. How he raped my mouth and not my vagina, so that must not be rape. How easy it was for me to escape the dark street in Copenhagen, and how that made it not matter since “it could’ve been worse.”
Men have no idea what it takes to be a woman. To grin and bear it and persevere. The constant state of war, navigating the relentless obstacle course of testosterone and misogyny, where they think we are property to be owned and plowed. But we’re not. We are people, just like them. Equals, in fact, or at least that’s the core of what feminism is still trying to achieve. The job is not over. We’ve made great progress. There are female CEOs, though not very many. There are females writing for the New York Times and winning Pulitzer prizes, though not very many. There are female politicians, though not very many. But these advances are only on paper. The job won’t be over until equality permeates the air we breathe, the streets we walk and the homes we live in.
I think back to how easy it was for me, in first grade, to feel fearless and strong in my conviction to stomp on John’s glasses. I felt right in reacting how I did, because John’s behavior was wrong. But his was an elementary learning of the wide boundaries his gender would go on to afford him. For me, it would never again be so easy.
- Anonymous, age 25