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There's something to be said for girlhood being lost and taken so young (the manuscript) and boyhood being clung to until the end of forever (Peter)

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cant believe i accurately predicted that Fresh Out The Slammer would be one of my faves on the album. this might be the first time ive ever predicted that right

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ending midnights with “is that your key in the door? Is it okay? Is it you? Or have them come to take me away?” and then immediately starting ttpd with “I was supposed to be sent away but they forgot to come and get me” we never stood a chance

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it’s just that like. it’s so frustrating a year later for people in this fandom to still refuse to understand the matty criticism in good faith. & but daddy i love him has just fed into that. but whatever! i remember what happened. i remember how hard it was for everyone who stepped away. i remember how hard it was for anyone to come back. everyone’s talking about how we should’ve given her grace because she’s human and then turning around and refusing to give grace to anyone who was understandably horrified at what was happening. a lot of people have never really reconciled with the matty of it all and their relationship with taylor is tainted, and that’s not because they’re sexist and blame women for men’s mistakes. it’s because they understood that what someone says in public they must also say in private. & they - we - weren’t fans of his, so of course we wouldn’t care what he does. we’re fans of her. god, after all this time you guys still refuse to consider that maybe “it makes sense to question the morals of someone willing to spend their time with someone with no morals” is a fair point. obviously?

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reasons why TTPD is actually about Kendall Roy:

1. “I loved your hostile takeovers”

2. “You are a poet trapped inside of a finance guy”

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