Most Classical Music of All Time tourney
Mozart’s Queen of the Night aria Prokofiev's Dance of the Knights from Romeo and Juliet
@omg-horns / omg-horns.tumblr.com
Mozart’s Queen of the Night aria Prokofiev's Dance of the Knights from Romeo and Juliet
Holy shit I’m fucking crying
leitmotifs never get old to me like holy shit dude there’s this melody that corresponds to this one guy and if you hear the melody it means the guy is there. holy shit. and sometimes it refers to ideas too not just guys. has anyone heard about this
Sometimes something fucked up happens to the guy and their melody gets fucked up too. Sometimes the thing that fucked them up also has its own melody and when the first melody gets fucked up the second melody gets mixed in
no fucking way dude. are you serious
Produced, filmed and featured in a silly lil "(Un)hlepful Guide to Classical Music" for all my k-pop loving besties who are open to learning more about classical music.
Inspired by Cunk on Earth (& Between Two Ferns thanks to all the shade my friends threw at me).
Made in partnership with Apple Music Classical! Download for free here~ https://apple.co/ReactToTheK
the real forbidden snack
"Ugh I just don't like rap/hip-hop music I just find it boring and can't get into it 😔"
Shut the fuck up and listen to juvenile perform back that azz up at the npr tiny desk rn
idk I just personally think that getting chills from music is the best part of being alive. like when a song is so good you can feel it in your whole body. that's why I'm here.
Not gonna pretend I totally get this. But I thought it was interesting.
[video description: a man playing saxophone in front of a large pipe. everything he plays echoes back through the pipe, resulting in a call-and-response type song. the person behind the camera claps along to the beat. end description.]
a reasonable society would base their entire economy around this
GUY BUILDING THE OTHER END OF THE PIPE: the jazz ghost is back
Yall just ignoring that he set the tempo so perfect that the echo comes back ON TEMPO!!!
Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”
Our Band Director then informed us we sounded perfect.
To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.
I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…
Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
This is the best band post
Everyone else go home
Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this
which is 8 fortes. We were shocked until,
that is 24 fortes who the fuck does that
Who does that?
This guy. Take a good look - that is the moustache of a man with nothing to lose.
Julius IdontgivaFucik
More like Julius Fuckit
Pyrozod’s tags for this were too hilarious not to share
I haven’t been in band for years but this made me laugh so hard
I haven’t seen this post in ages and I’m dying of laughter
I didn’t think it could get better after The Foghorn Tuba Story, but it did. It got better. Bless you, MusicTumblr.
as far as I can translate it, the German notes at the octuple forte mean something roughly like “You want the instrument to cough… this is not for wimps”
this man was a menace
Yeah I need to join another brass band
Getting Tuba feels.
My favorite band post
One of the most appraised historical recording of all time; Johannes Brahms plays an excerpt from one of his most famous piece, Hungarian Dance No.1. Recorded on December 2nd, 1889, on a Edison wax cylinder.