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Loopy

@loopy777 / loopy777.tumblr.com

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Loopy777: A Summary

Since tumblr allows pinned posts now for free, I suppose I should put something together so that everyone knows what I’m about.

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bloomedwings

Ugh, was having a great time mocking my recently imprisoned rival when I noticed the camera positioning makes it so that I appear behind the bars, thus framing me as trapped in a metaphorical prison of the narrative, now my whole day is ruined. Fuck.

I get it, man. The other day, I survived a shootout, only to realize that a stray bullet went through a mirror in such a way as to look from the camera's perspective like I got shot in the head through the mirror, so now I have to acknowledge that something that could be reasonably referred to as "me" really did die that day, and it's just like "jfc, gimme a BREAK"

ugh dont even get me started on how the other day i tried to sit on the throne of my conquered foe and light a cigar to celebrate my victory but the lighter wouldnt work and it had to be lighted by the vizier who used to work for my enemy but that i enlisted to work as a double agent and help me in my coup. that jerk afterwards said with a devilish smile "ill always be at your service my liege" and i just KNOW that he said that exact same thing to the previous ruler. signifying that my victory was phyrric since i am still caught in an endless cycle of violence and betrayal. that really spoiled the whole mood

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I mostly like the visuals. The quality and style is good, but I personally am not fond of organic life, such as plants, on Cybertron.

I'm left cold by the non-stop joking. The only time I like frequent joking is in Lord & Miller cartoons. Usually, I think it creates a barrage which actually lessens the humor of the good gags by burying them beneath a mound of non-jokes. Hopefully, the final movie will be more balanced than this trailer.

Bumblebee being cowardly? Ugh.

I'm not seeing any characteristics of Prime and Megatron in Prime or Megatron. Again, hopefully it's just that their characters are not being well showcased in this trailer.

I'm not feeling the song choice at all.

Overall: I'm expecting aggressive mediocrity in the final movie, which will still put it in the upper tier of theatrically-released Transformers content.

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Half Goblin, half Hobbit.

Goblit.

God dammit I did this just for a pun but now I’m imagining this whole backstory where a wounded female goblin flees from some battle and winds up on the edges of the Shire and she’s gonna jump some Hobbit dude named Blinko Tumbrush but Blinko’s so unfailingly polite that his first reaction on seeing someone in a rough situation is to invite them in to dinner and gobbo chick is just like “… uh… ‘kay.”

And then she has dinner and it’s the best thing she’s ever eaten and even her little green brain is able to put together “If I knife this guy so I can take his stuff he can’t cook more of this” so when he asks her to stay the night she’s just like “Fuck yeah breakfast”.

And all the other Hobbits in the area are staring at this new arrival who starts begrudgingly working in the garden (she can pull out the weeds they’d normally have to hitch livestock to) and they’re all thinking “Uhhhhh that’s a fucking Goblin there, chief” except if they actually acknowledge that she’s a goblin then it’s a huge to-do and a lot of excitement and possibly there would be adventure involved in chasing her off. So they just sort of silently, collectively decide they’re going to ignore it and all go “Oh, Blinko finally found himself a lady, how nice, she must be one of the Glumbrushes from over the far side of West Farthing, I always did hear they were on the homely side, not much hair on their feet you know.”

And eventually in due time along comes Korbo Tumbrush and decently cute Hobbit baby but the biggest fucking ears you ever saw on a Hobbit and he’s a bit green and everyone is thinking “That’s a fucking half-Goblin you’ve got there, chief, you fucked a fucking Goblin, you made a baby with a damn Goblin my guy” but this would be an immensely rude thing to say to someone so they’re just like “Oh how nice, Blinko, he looks just like you, has those Glumbrush eyes though.”

And Korbo the Goblit grows up a proper little man in his waistcoat and pipe and every so often someone visits from a different part of the shire and sees this plump green dude with massive flappy pointed ears and they start to open their mouth only for a local to leap right in and go “HAHA YES THAT IS KORBO TUMBRUSH A VERY UPRIGHT HOBBIT WE ALL LOVE KORBO HE’S GLUMBRUSH ON HIS MOTHER’S SIDE (WE THINK) THAT EXPLAINS EVERYTHING!!!” and the visitor just starts nodding along emphatically because this is clearly something that is Not Spoken Of.

I fuckin love it

I. I have to know …

Does Korbo know!? Like is the Gobit aware his momma is a goblin? Or does he just grow up like

“yup us Glumbrushes sure do look different”

He leaves home on an adventure and stumbles n a hoard of goblins marches right up like

“how do ya do fellow hobbits? You know I’m half Glumbrush myself”

Alright, so, Korbo got in a fight once.

Once.

The Tumbrushes are, as a family trade, purveyors of fine pieces of wood. Not of large amounts of lumber, for which Hobbits don’t have a particular lot of call save occasionally, but rather of particularly nice pieces suitable for the making of fine window trimmings, floors, or the occasional carved bit of artwork to be given at a fancy event. Obviously for this one doesn’t go cutting down any tree willy-nilly, and Korbo had spent most of the day out and about looking for suitable trees.

(Korbo also personally assisted in cutting them down, being rather well known as on the strong side for a Hobbit, wink wink, nudge nudge.)

Having put in a genuine hard day’s work and rather pleased with himself, Korbo retired to the local bar to have a few beers and a smoke and to partake in good company, all of whom had gotten so used to pretending there was nothing odd about him that it was almost as if there was genuinely nothing odd about him.

Until along comes Humdil Thumbletoe.

Now the Thumbletoes were what was known in the Shire as “experts on genealogy”. This might sound like quite a good thing when you consider how well-versed most Hobbits are in their family lines, until you consider that most Hobbits are already well-versed in their family lines. A Hobbit being thoroughly knowledgeable of their family tree is not much to be remarked upon, so when it is remarked upon it is more to mean that the Hobbits in question are such tremendous mooches that they have had to dive far more deeply into their bloodlines looking for more relatives to leech off of than any Hobbit would generally consider polite.

Humdil was fairly brawny as Hobbits go, which was about all you could say for him. In fact Humdil had realized that was really all that could be said for him and had become a bit of a bully. And so it was he entered the bar that night with a very put-upon third cousin twice removed (by marriage) and caught sight of Korbo for the first time.

“Why, look at that one!” he bellowed, guffawing. “He’s so ugly his mother had to have been a Goblin, ey!”

The whole bar goes quiet. Aside from the obvious abominable rudeness of this, Humdil has said the thing that is never supposed to be said, and is clearly too stupid to realize he’s right. All heads slowly turn to Korbo.

Now, it is well known that Korbo has inherited his father’s tendency to never give a single solitary hairy-toed fuck about anything. He has currently been in the running to be at least the second most chill dude to ever be born in the Shire. And indeed, right now he’s still looking perfectly calm, puffing on his pipe. He sets the pipe aside, finishes off the last of his beer, and stands up.

“Sir, we’ll be needing to step outside.”

Now Hobbits are mostly a peaceable lot, not given to wars or fighting for any old thing, but a bit of fisticuffs outside the bar is hardly unheard of. Mostly everyone is kind of nervous about this because they’re still not sure how Korbo is reacting to this whole Goblin thing. So someone takes Korbo’s jacket and Humdil’s third cousin twice removed (by marriage) grudgingly takes his, and the two square off.

Now, Humdil was a big Hobbit, it was true, but there were a few things that, being a moron who didn’t realize he was right, and who had never been outside the Shire or seen a Goblin anyway, he could not possibly know.

For one, Goblins have long, spindly arms, giving them a surprisingly good reach for their size… not abominably long, certainly not in the case of a half-Goblin, and certainly not above being concealed by the cut of a well-tailored shirt. Second, they are compact, wiry creatures, with dense muscle over their otherwise lanky forms, and given to that a Hobbit’s already greater mass and the anchoring benefit of large, wide feet, well.

The moment Humdil stepped forward and started to swing, Korbo’s fist shot out like one of Gandalf’s better rockets and struck him directly in the nose. His flight was also, for some weeks after, compared to one of Gandalf’s rockets, though not quite as far and the explosion at the end was mostly him laying on the ground cursing wetly due to all the blood streaming from his nose.

Korbo apologizes profusely to all and sundry for the disturbance, collected his jacket, and goes home. Honey is out picking mushrooms (still being of the more nocturnal persuasion after all these years), but Blinko’s sitting by the fire reading a book. Korbo sees that there’s a newspaper (full of lots of extremely important things like how the pipeweed was growing and which barrels of beer were going to be uncasked that month), so picks it up and sits down to read.

“Evening, Da.”

“Evening, son. Pleasant evening out?”

“Oh, fine. Save for I broke Humdil Thumbletoes’s nose for him.”

“Hm, hm, I see. Why did you feel the need to do that?”

“Well, he called Ma a Goblin, you see.”

Blinko slowly lowers his book, and slowly raises his head. Looks at Korbo for long moments. Raises one eyebrow a little.

“Son. You know full well your mother is a Goblin.”

“Well, yes, but he didn’t know that, and he said it as an insult anyway so it being true or not doesn’t really matter that much, does it?“

“Hm, hm. I suppose that’s true at the end of the day, isn’t it?”

Blinko goes back to reading his book. Korbo continues reading the paper.

“You could have stabbed him,” Blinko eventually notes.

“Aye, could have stabbed him,” Korbo agrees easily enough. “But it’s a bit of a mess, isn’t it?”

“True, true, probably would have been a bit of a mess in the road, not very thoughtful to the community,” Blinko allows.

And that was the end of it.

I love all of this so much. Also-

“Sir, we’ll be needing to step outside.”

The power. I set down my drink after that one.

Oddly enough, one might expect Korbo to have trouble finding a lady hobbit. He’s not given to being as plump as his fellows, and his feet are a bit small, and he’s rather, well, tall for a hobbit, isn’t he. And green. Always looks a bit like he’s eaten something that didn’t agree with him.

But he runs into Hilda Greebrook one day in town, and she’s lost her favorite pipe, which is of course a tragedy of the highest order. It’s not unheard of for a lady to smoke, but it isn’t particularly encouraged, either, and so the general reaction is “you poor dear, perhaps it’ll turn up, hadn’t you best be getting home for luncheon?”

Korbo, however, stops to help her look for the pipe, and when it’s nowhere to be found he offers to make her another just like it, if she can tell him what precisely made it so special that it was a favorite, for after all a favorite must be distinguishable by something.

Unfortunately the thing that distinguishes it is that she got it from Gandalf and it’s quite unlike most pipes in the Shire, so recreating it is quite the task. But Korbo sets himself to it anyway, working a bit each night and handing it to Hilda daily to see if it feels quite right, and six months later he’s done it—recreated a pipe that came from the world of men, or perhaps elves, but certainly not that of hobbits.

Hilda for her part discovers Korbo quite likes to read, and though he’s from a reasonably well-to-do family—for hobbits are always in need of new toys and fancy party decorations after all—can’t get his hands on books fast enough to satisfy himself, and, well, her da’s a transcriber, someone’s got to write out the papers after all, and she’s got access to practically every book in the Shire, and ways to make copies besides.

At first people think it’s odd, a hobbit who can’t see asking to borrow books, but then they find out Korbo is involved and asking questions could lead to excitement and so they absolutely do not ask and simply offer up their histories and books of poetry and hobbit folklore (for even without want for excitement there are things it’s good to remember, and things every hobbit child should know so they, too, can grow up properly plump and staying well away from adventure), and resign themselves to never seeing their books again.

And then they find that far from their books quite disappearing, they return in fine form—albeit usually in a timeframe rather too long to be polite—but oddly quite a lot seem to have tiny bits of wood shavings in, although one wouldn’t expect it in a hobbit home? And THEN Hoptus Redbranch finds Korbo one day in his workshop, he’s just stopped by for the wood to repair a door after an unfortunate incident with attempting to remove a colony of bees and rather too much smoke for the moving of bees, and Korbo is simply. Pressing small pieces of hot iron into a very thin piece of wood, making small triangle patterns like no hobbit decoration Hoptus has ever seen, and he’s quite frequently checking into a book on his left that turns out to be one of Hoptus’ own books, and very carefully turning the pages with a cloth so as to not get oil from the hot iron all over the pages—

—and THEN, not long after the news of Korbo’s strange woodburning activities have spread across most of the Shire (and caused no small amount of consternation, because goblins are clever but so often the things they make are cruel and the cause of ever so much unpleasantness), Hilda is seen in her own garden with Korbo with a stack of these thin pieces of wood all carefully hinged together, running her fingers over carefully sanded and varnished pieces and feeling the triangles and reciting a hobbit tale.

For all those months of strangely disappeared books, Korbo has been translating Westron into an alphabet that can be read with one’s fingers, and making Hilda books, and teaching her to read them.

Nobody is entirely surprised, after about three years, when the two of them vanish for a few months, and come back quite married.

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limnaia

Within a few generations, this is absolutely going to be a thing Not Worth Remarking Upon. So when a young hobbit finds themselves accidentally ripping the knobs off doors when they’re cross, their parents will sigh and the elder hobbits in the village will remark that ‘that’ll be the Glumbrush in ‘im coming through, I told you his ears were a little bigger than his siblings, didn’t I?’ much the same as they always did on Bilbo and Frodo’s Took relations and the resulting hankering for adventure.

Were anyone from the outside to visit the Shire, they’d find a small colony of goblins thoroughly intermarried and also avoiding the usual goblin tendencies towards stabbing, so long as no one is so gauche as to insult them for being goblins.

(Sooner or later, one very flustered hobbit is going to accidentally do the same thing with an orc.)

The Tumbrushes, as with all Hobbits, were quite proud of their work, and rightly so. Their works are fine, of the highest quality, and they fetch the appropriate price for their labors, making them quite well-to-do. In the Shire, wealth breeds respect, of course, and so the Tumbrushes are quite well respected.

And yet there’s a difference between “well to do” and “scandalously wealthy.”

So when, when Blinko Tumbrush recieved a letter inviting them to the Baggins residence for tea, he of course brought his wife and son along.

Now, Korbo had crossed paths with Bilbo Baggins a time or two in the market, never for much longer than the time required for Polite Conversation, and so wasn’t expecting much. Sure, everyone knew Bilbo was odd, and were willing to talk about it, since Bilbo made no effort to hide his adventures and had, on numerous occasions, commented on visiting the elves or poking around the mountains, but they were in the Shire, no adventure in sight, and so this should be a normal, proper visit between client and craftsman.

And then Bilbo opened the door, pipe in hand, took the three of them in, and said, quite out of nowhere, “Ah, Shoebiter clan.”

Honey Tumbrush, late of the Shoebiter clan of the Misty Mountains, smiled with all her teeth and replied “Dragon thief!”

Bilbo guffawed and waved them inside, offering them hospitality in the goblin tongue, with the guarantee of safety and threat of violence that implied. They had arrived in time for second breakfast, and didn’t leave until past dinner, having hammered out a contract and shared many a story.

Blinko Tumbrush had only one thing to say as he walked home, arm in arm with his wife and son trailing behind. “He’s an odd fellow, that Bilbo, but nice enough. Yes, nice enough indeed.”

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mrkida-art

I love them

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peaceheather

Gets better and better every time I see it

What was removed?! Which guidelines did it violate? This post was complete last time I saw it.

Here’s my art that apparently was too much for tumblr!

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sesamenom

so i firmly believe that Bandobras (and his brother ferumbras II, grandfather of the old took) are half-numenorean and that’s why the Tooks are Like That (and also unusually tall and old).

anyways. Bilbo and Korbo solidarity. someone makes a snide comment about some goblit kid who accidentally broke a doorframe in the Green Dragon, and Bilbo promptly corrects them with a “you know, folks said the same about Bandobras until he saved the Shire in the Greenfields!”

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reblogged

people should never trust zuko as an authority on katara’s feelings, for many reasons, but simply because his claim that her disdain for him is irrational and the only reason she doesn’t trust him is because she arbitrarily conflated him with her mother’s killer is so blatantly erroneous on its face. the reason katara associates zuko with her mother’s death, even though he obviously was a child and nowhere near the scene of the crime, is because the thing that made katara trust him in the first place was due to bonding over their mothers. and katara didn’t even know it at the time, but they had both lost their mothers due to the sacrifices they made to save them (them, personally!) so the potency of their bond was such an undeniably precious and beautiful thing, and zuko didn’t understand its importance.

he squandered her precarious trust and sided with azula in what was one of the absolute worst moments of katara’s entire life. aang died and she was responsible for literally resurrecting him (for a second time). she spent weeks doing nothing but tirelessly healing him in a desperate attempt to bring him back, not knowing if it would work but knowing she had to try regardless. zuko’s blunder in the catacombs directly led to the darkest period of katara’s entire life, at least since her mother was murdered. and that grief, over her mother, still hasn’t faded, because how could it? and in her eyes, zuko exploited that grief, “made” her trust him, and then broke her heart in a matter of hours.

she’s not irrational in her anger towards him, and she’s not conflating his crimes with anyone else’s. she knows exactly what his crimes are, and that’s exactly why she’s so angry. he wants to ignore that aang died, and the part he played in it. he wants to joke about the months he spent tormenting them as if it’s funny now, and not a source of actual trauma. like he didn’t invade their village; like he didn’t tie her to a tree, using her as bait while tauntingly lording her only relic of the mother who died to save her over her head; like he didn’t hunt them across the entire globe in an attempt to kidnap her best friend. katara had every right to resent zuko, and the fact that she doesn’t is a testament to her compassionate, open-hearted nature and her pervading love for all of humanity. and a testament to the power of undergoing mutual catharsis in a journey to avenge one’s mother, and, perhaps, to alleviate some of the guilt, shame, rage and grief of only being alive due to your favorite person’s sacrifice.

when katara forgives zuko, it is not because she “realizes” that she was meant to forgive him all along, like zuko (initially and fallaciously) assumes. it’s because she realizes that the ways in which they are the same outweigh the very real and devastating wrongs he has committed against her. her misgivings are perfectly logical, because who would want to be played for a fool twice by the same person? but her forgiveness speaks to the strength of her character, and her ability to recognize when friendship is more valuable than hostility. because, in katara’s own words, as the one true authority of her own emotions, it is the strength of her heart that makes her who she is.

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loopy777
Anonymous asked:

So it’s implied at this point that mai and Zuko got back together 3 years after smoke and shadow… how do you think that happened?

Has it been implied somewhere? The only thing I know of is a statement made by Gene Yang at a panel at a comicon, but I looked up the original statement and I agree with this person's interpretation of his wording. Even then, he doesn't write comics anymore, so things are sadly wide open for the franchise to take Zuko and Mai in any direction.

Anyway, I wrote a whole rom-com about how I think it would have to basically go, plus or minus an assassination attempt. I also think @privatefire's Matters of the Heart narrows in the exact conversation that Maiko need to have.

Essentially, Zuko not only needs to apologize for what he did, but understand the root of why he feels the need to keep secrets from Mai, and also figure out a path to getting over that problem. Mai, in turn, doesn't have as much to do, but she does need to heal from the hurt before she can give Zuko an honest chance, otherwise even his best efforts won't be able to get things to work between them.

As for the inciting incident to get them talking, I think it would have to come from mutual friends. And not their mutual friends pushing them together, but their mutual friends being a link that they both value and enjoy having in their lives. That can lead to meeting through happenstance, which is probably the best method. We infamously don't know how Maiko got together in the first place, but I think it would be best for them if they can make use of an convenient opportunity rather than plan out a whole invasion of each other's lives.

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A relatively recent reblog brought this post back to my attention, and apparently the original link and post is dead. So, here's the video, and the interpretation is that Gene Yang was just talking about having Zuko and Mai meet again in Smoke & Shadow.

As I've mentioned previously, I got to talk to both Gene Yang and Faith Erin Hicks at NYCC 2023. I mentioned (in a laughing, good-humored way) that I've been waiting a decade for Mai and Zuko to get back together, but I admitted I suspect Avatar Studios isn't letting the comics address that. Faith Erin Hicks indicated that she couldn't talk about any future plans, again in a good-humored way.

Also note that the last update on Mai and Zuko was 8 years ago today, when part 3 of Smoke & Shadow was published. A baby born when that comic was published is now old enough to watch AtLA and read the comics.

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I don't know if anyone has a problem with my updating the Mai's Ramblings as I post them to AO3, but I don't often get a chance to exercise the wicked part of my sense of humor, and I just added a couple of really great gags to the Ty Luko rambling.

So I guess I'm saying I care about as much as Mai would.

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So in regards to the benders vs non-benders conflict of season 1 of korra, im of the opinion that for the entire thing to work as a plot, it needed to fully embrace it's inspiration from Soviet communism, and ultimately crash and burn.

One of Communisms biggest problems, that in turn lead to all the soviet famines post ww1(Which the holodomor was but one, where stalin deliberately made everything worse than elsewhere to kill as many ukrainians as possible), is that because something not being perfect has to be someones fault, they created the boogeyman of the Kulak, an evil, cruel, greedy rich land owner who was hoarding all the good stuff for themselves while the rest starved.

The reality was that the Kulaks were the farmers who actually knew what they were doing, because they, or their parents or grandparents had been successfull enough to actually save up for a successfull Farming business because through innovation, planning, and hard work, they managed to outcompete the rest of the russian serf community.

Which in turn meant that they were the class of people who actually produced most of the food society needed to run, and one they were liquidated in the name of "Equality" millions of people starved to death in a totally avoidable catastrophy, and in turn obliterated the soviet Farm industry and economy in the vision for "utopia".

But in regards to the equalists, the answer as I see it is obvious. Have them achieve their goals, depower all the benders and take control over the state... Only for reality to set in HARD. Their society is built on bending.

Despite all the machinery and tech advances, this is not 1920 new york.

All electricity is made by lightning benders, and after removing them, the lights begin to literarily go out.

Now i dont actually recall just how deep this goes, but you see how the writers could easily have used this idea to just have ALL of society go down.

Waterbenders cleanse their drinking water to make it safe to conaume, the sewers are upheld by waterbenders, building materials are made by earthbenders, etc, etc.

The best way to essentially destroy Amon's entire ideology, just like Communism that inspired it, is to ironically let it run it's course and be exposed for what it was. A self destructive push for a never achievable utopia, that blames all the worlds problems on someone else, and in the process destroys the very people it claims to want to help by tearing down the very basics they need to live.

But what do you think? Is it worth trying to reimagine the Equalists into a villain force that actually had a thematic point for Korra's growth into a more "actually have a plan" avatar, or are they sinply too flawed of a concept to work in your opinion?

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Maybe I'm misunderstanding how you want the presentation to be, but I think this directly addresses the Equalist ideology in a powerful way while being completely inappropriate for any kind of storytelling for the Avatar franchise. It directly illustrates why I'm so disinterested in LoK's attempts to make villains out of political ideologies (if that is indeed what they wanted to do and didn't just stumble into it) and would rather focus on the villains' characterization. There's no plot in this idea, no character, no confrontation, no adventure, no thrills. It's something for a history book, not an action-adventure cartoon. Never mind that no Avatar could allow this and be considered a heroic protagonist, or that it would essentially be writing the United Republic off when making it work is one of LoK's big themes.

Now, maybe you're simply using this as a general illustration of how and why the Equalists' agenda is self-defeating, and not as the actual plot you'd want to see.

But even so, I think this does prove how flawed the whole concept of the Bender Vs NonBender idea is- this solution is the exact template for proving the self-defeating nature of any political movement based on bigotry. It's not about Communism at all, it just so happens that a lot of corrupt and oppressive regimes -- the Soviet Union among them -- use bigotry to fuel their populism. Bigotry is never rational and it always weakens the people/society who practice it. Disproving bigotry doesn't solve bigotry, it simply leaves room for a new group of bigots to eventually rise up. LoK could have been about anti-(INSERT ONE OF THE THREE SURVIVING NATIONS HERE) bigotry instead and make just as much (or little) sense. You wouldn't need to introduce and justify the idea of bigotry against Benders if you just pick a nation and say that the end of the war led a new surge in bigotry against them.

And I don't think you need to operate on such a grand scale to prove that bigotry is self-defeating.

As wonky as the X-Men sometimes are as a metaphor for various disadvantaged groups, I think what what they get right is that it's never a problem that can be completely solved or disproven. Individuals can be made to give up their bigotry, and individual movements can have the wind taken out of their sails, but new versions of the movement will rise up again, perhaps sometimes going after a slightly altered version of the target. Of course, it helps that X-Men is an ongoing comic book that just changes creative teams and will never end, but the idea that mutant bigotry is eternal has still been carried over its more limited media. Compare that to Gargoyles where that (admittedly terrible) third season tried to finish the saga by claiming that anti-gargoyle prejudice had been solved.

So I think that with the whole Equalist thing, LoK bit off way more than it could chew. It would have been much better to either focus harder on Amon's character as a foil to Korra and not strangle the whole thing with a Mystery Box and last-minute infodump, or do what AtLA did and make the whole metaphor more philosophical and stick to very high-level messages like "Imperialism/Violence/ToxicMasculinity is bad and Diversity/Peace/EmotionalMaturity is good."

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