tarmac-like-arteries reblogged
tarmac-like-arteries reblogged
cloud double exposures on portra 160 + i am realising how many photos i take of. trains
tarmac-like-arteries reblogged
Yeah quiet quitting is great and all but have you tried chaotic working?
Like. I remember back in my grocery store cashier days I did so much crazy shit.
When WIC (Women, infants, and children voucher program to help low income mothers/families with children) people were in my line I would pretty much know who they were. Before the cards they had to tell us upfront they were WIC and show us their vouchers for what they were allowed to get (it was awful some times. Like. 2 gallons of milk. $4 worth of vegetables etc etc). They’d always have items hanging back, waiting to see what the total was and if they would have to take it off the belt.
I began to place the fruits/vegetables a certain way on the register scale so that like 1/2lbs of grapes read as like .28lbs or something. Then act shocked when I said that they still had X amount of lbs left. They got all their fruit and vegetables.
I think it started to kinda? Catch on to the women? Because I would have the same moms in my line month after month. And even after they switched to the cards (they worked like food stamp cards?) I’d still do the same thing. They were able to get more produce for whatever shitty max amount Indiana gave them.
Anyways. Be chaotic. It’s more fun that way.
tarmac-like-arteries reblogged
Wow, my quality of life just skyrocketed looking at those well organized quails
tarmac-like-arteries reblogged
It’s time again
“Tunak Tunak Tun” (Punjabi: ਤੁਣਕ ਤੁਣਕ ਤੁਣ) or “Tunak”, is a bhangra/pop love song by Indian artist Daler Mehndi released in 1998. At the time, critics complained that Mehndi’s music was only popular due to his videos that featured beautiful women dancing. Mehndi’s response was to create a video that featured only himself.
also gosh the lyrics to this are actually really sweet & great i never realised
happy tunak tunak tun tuesday
tarmac-like-arteries reblogged
Love when men order a "small black coffee." And I bet you wanna get fucked in the ass too huh
tarmac-like-arteries reblogged
Truth emerging from the dirt to shame mankind
tarmac-like-arteries reblogged
fUCK I had a customer just now who had cute pride flag shoelaces and I almost SAID IT
my brain formed the words “I like your shoelaces” and then immediately did 4d6 of psychic damage to itself. AUGH
Daily affirmations
tarmac-like-arteries reblogged
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, I’m not done feeling about this.
If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.
Then she puts her hair up, and her face lights up.
“Ready or not,” she says. “Here comes Mama.”
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:
And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
impossiblemonsters
the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesn’t meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once
darkshrimpemotions
This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasn’t constituted a radical and potentially dangerous act, you don’t have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.
You don’t have to like it. You probably aren’t capable of “getting” it. And to be honest, I don’t want you to! I am glad that young queer people will never know exactly what it was like “back then.” But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.
On Wesley Snipes’s role Noxeema and John Leguizamo as Chi-Chi Rodriguez.
“I grew up in the ‘70s and even within the street culture, there was a lot of flamboyancy,” Snipes told TODAY of his perception of drag before filming. “Pimps wore the same furs as theprostitutes wore.
“Some of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasn’t really new for me to see men dressed as women or men dressed as drag queens.”
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasn’t a dance major, but most of his friends were. “That exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ… but it wasn’t in fashion those days. But it existed and I was around it.”
Not only did “Priscilla, Queen of the Desert” pave the way for “To Wong Foo,” so did films like the 1968 documentary “The Queen” and “Paris Is Burning,” the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipes’ portrayal of Noxeema wasn’t the first time he played a drag queen. In 1986, he made his Broadway debut in the play “Execution of Justice,” playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the show’s voice of conscience. Snipes pointed out, “Sister Boom Boom did not have Noxeema’s makeup kit.”
On whether he got any pushback for stepping into Noxeema’s pumps, he said, “Not so much professionally but the streets weren’t feeling it, and there were certain community circles. The martial arts community… they were not feeling it at all.”
“In fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, ‘Now you don’t got the full count!’”
Lesser-known than his co-stars at the time, Lequizamo didn’t really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
“Drag didn’t really exist in movies,” Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. “There were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.” Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late ‘90s as trans representation in media was limited.
“Chi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,” Cayne explained.
“It was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,” Leguizamo said. “They didn’t feel like they were seen, so that was a beautiful gift from the movie.”
Lequizamo also articulates that if “To Wong Foo” were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.) “Anybody can play anything, but the playing field is not fair that way,” he said. “Not everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they don’t. In the project I’m doing, I’m making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.”
a monumental film in the library of queer history.
it was formative for modern society, too.
there are a lot of action fans out there who learned from their idols that respect doesn’t cost a damn thing to give. i know plenty of people who aren’t queer saw trans women and drag queens presented as people to them for the first time in wong fu. suddenly, strange and foreign queer identities that had only been presented to them as jokes if they’d even heard of them, seemed a little more relatable, and very human.
we’re all just people.
snipes, swayze, and leguizamo were willing to play people a lot of their fans didn’t respect yet or didn’t even know how to respect and demand they figure it the fuck out.
It’s also worth noting Leguizamo has gone on the record to say he brought his own experiences to the role; Chichi is wearing makeup too light for her natural skin tone through most of the movie, and swearing to stop doing so is part of her growth. Leguizamo based this on observation of his own female family members growing up.
“It was all about accepting my ethnicity in it. I had my face done really light all the time. I have family members who have issues with self-hate and race and so their skin will be five times lighter than the color of their neck, and that always tripped me out, so I wanted to put a little bit of that into it,” he said. “At the end of the movie, my neck and my face matched. My face is much darker. So that was the arc. Chi Chi becomes polished but accepting of herself, mature, romantically grows. Instead of a taker, she becomes a giver.”
sleepwithgiggli
Important tags:
Dec 16, 2023
I stumbled across this movie on TV one day years ago and was fascinated by it. By the sincerity of it to the love within it to the story itself, every part if it was imbedded in my brain. I’m cisgender, but I think this was the first time I’d seen a drag or a trans character in any media where 1) they were the main characters, and 2) they weren’t there to set up some sort of ‘oh my god, you actually dated a man!’ punchline/reveal. And that alone is something that stuck with me.
I haven’t seen the movie since that one time, but it’s one I’ve always wanted to revisit and I recently bought it on DVD and can’t wait to watch it again.
That’s exactly it. This was a mainstream movie, released nationwide, and it was the first time most people– queer or not– got to see that. Straight people (even most queer people hadn’t heard the term “cisgendger” yet, as it had been coined on a usenet newsgroup only a year before– and if you need me to explain what a usenet newsgroup is, no you don’t, because that’s my point) went to the see this movie because it was a comedy starring Patrick Fucking Swayze and Wesley Goddamn Snipes (John Leguizamo was great, but he wasn’t a draw yet), and came out with a little perspective that they’d never been exposed to before.
tarmac-like-arteries reblogged
Further Americanisms that tell you to check on your American:
been better = in hell
doin’ alright = sad, needs hug
pretty great! = genuine actual baseline. Anything else ranks beneath this. Be Aware.
I’m here, ain’t I? = Defcon 5
Because someone asked, indications that an American is actually Having A Good Day include:
- Awesome
- Fantastic
- Damn Good Day
- Great Day to Be Alive
- Dude You’re Never Gonna Believe This
"Livin' the Dream!" - actively daydreaming about swandiving into a woodchipper
throwing corn at a mountain face would fix me I think
tarmac-like-arteries reblogged
tarmac-like-arteries reblogged
Alpine lotus leaf flower
tarmac-like-arteries reblogged
If you get a captcha asking you to identify the tents or the RV's, request a new captcha. Stop snitching now includes making sure you're logging in online ethically I guess?