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Curly Straws & Metaphors

@mr-zippy

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Teen Movies for the Masses

70s:

- American Graffiti (1973)

- Texas Chainsaw Massacre (1974)

- Saturday Night Fever (1977)

- Animal House (1978)

- Grease (1978)

80s:

- Fast Times at Ridgemont High (1982)

- Footloose (1984)

- The Breakfast Club (1985)

- Ferris Bueller’s Day Off (1986)

- Heathers (1988)

90s:

- Empire Records (1995)

- Clueless (1995)

- The Craft (1996)

- Drive me Crazy (1999)

- Cruel Intentions (1999)

00s:

- Mean Girls (2004)

- Saved! (2004)

- Juno (2007)

- Superbad (2007)

- Nick and Norah’s Infinite Playlist (2008)

10s:

- Easy A (2010)

- Pitch Perfect (2012)

- The DUFF (2015)

- Ladybird (2017)

(this will probably be part 1 of many)

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hirxeth

Dazed and Confused (1993) dir. Richard Linklater

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Image

That look in her eyes. Bro, she is getting her guts rearranged on an everyday basis. Thats the look you give when hes dicking you down right dont argue

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All of the albums in the style of all the albums

via AndreaScandurra on reddit (x)

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Outfits Julia Roberts wore in Pretty Woman (1990)

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flowersiren
People think there’s only one reality, but there’s loads of them, all snaking off, like roots. And what we do on one path affects what happens on the other paths. Time is a construct. People think you can’t go back and change things, but you can, that’s what flashbacks are, they’re invitations to go back and make
different choices. When you make a decision, you think it’s you doing it, but it’s not. It’s the spirit out there that’s connected to our world that decides what we do and we just have to go along for the ride. Mirrors let you move through time. The goverment monitors people, they pay people to pretend to be your relatives and they put drugs in your food and they film you. There’s a message in every game. Like Pac-man. Do you know what PAC stands for? P-A-C: “Program and control.” He’s Program and Control Man, the whole thing’s a metaphor, he think he’s got free will, but really he’s trapped in a maze, in a system, all he can do is consume, he’s pursued by demons that are probably just in his own head, and even if he does manage to escape by slipping out one side of the maze, what happens? He comes right back in the other side. People think it’s a happy game. It’s not a happy game, it’s a fucking nightmare world and the worst thing is it’s real and we live in it. It’s all code. If you listen closely, you can hear the numbers. There’s a cosmic flowchart that dictates where you can and where you can’t go. I’ve given you the knowledge. I’ve set you free. Do you understand?

Colin Ritman’s monologue from Black Mirror: Bandersnatch (2018)

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