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like ships need the sea

@alivingfire / alivingfire.tumblr.com

i read a lot & write a little. do one thing today that would make carrie fisher proud.
icon made in ummmandy's girl maker
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a @steddiebang story

author: alivingfire artist: sierra (@knitsforthetrail) betas: hibiscus and mae (@hamiltonsteele)

150k | 10 chapters | explicit | posting nov. 21-dec. 2

When Steve gets trapped in the Upside Down, Vecna offers him a deal: become lieutenant of the monster armies and gain some of Vecna’s power, in exchange for being the bait to lure his friends back to rescue him. Steve takes the deal, believing wholeheartedly in the Party’s ability to save him and finally kill Vecna, but discovers quickly that his power to infiltrate the memories and dreams of people in the real world is very limited; in fact, he can only visit one person in his new monster form.

Thus begins Steve’s haunting of Eddie Munson, who, coincidentally, has been in love with Steve since they started secretly hooking up after a Halloween party in 1984.

Or: Steve is Kas, and also Eddie's secret boyfriend.

NOW COMPLETE.

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@timetravellingcactus cause for some reason I’m not able to send this to you

the goog drive directory titled “the library” is transferring to a different platform soon so hustle on that one!

And they absolutely arent up to date as of 2020 :) nope no sir

👀

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dietspam16

DONT share this

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misstextures

It would be such a shame if someone reblogged this. Whoops my fingers slipped

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reblogged
It's illogical to deprive the body of necessary nutrition, but old habits can be hard to break.

Before I left for the holidays back in Dec, I made a whole bunch of books, and four of them were for and in-person meet-up for a class with other Renegaders!

I bound "Like a Wildfire Burning" (on Ao3) for @pleasantboatpress since they love Star Trek & Spock. It's a Spock-centric fic, focused on his struggle with an eating disorder and being caught between two cultures.

For design, I researched to translate "Wildfire burning" into Vulcan and then how to write it in Vulcan calligraphy (back). The fabric is Colibri copper, and the endpapers are a chiyogami I picked up down in Kyoto. I found a great smoke vector that I was able to play with for the title and first pages. I went for a gold splatter on the edges.

Honestly though the best part of making this book has been being able to meet and hang out with manda in person!!

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brainstatic

A little advice from someone studying extremist groups: if you’re in a social media environment where the daily ubiquitous message is that you have no hope of any kind of future and you can’t possibly achieve anything without a violent overthrow of society, you’re being radicalized, and not in the good way.

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embervoices

If the solution to your problems sounds like “we need a blank slate” it’s a lie. There are no blank slates, and the closest approximation people can generally imagine is “burn it all down and let God/fate/history sort it out”.

That’s not problem solving. It’s barely catharsis, in practice. It doesn’t just create more problems than it solves, it destroys more solutions than it creates.

Put the apocalypse down, and back away slowly.

Real solutions to complex, systemic problems are not so easily reduced to “us good, them evil; kill them.”

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flower-crow

[image transcript:

Voting as Fire Extinguisher

When the haunted house catches fire: a moment of indecision.

The house was, after all, built on bones, and blood, and bad intentions.

Everyone who enters the house feels that overwhelming dread, the evil that perhaps only fire can purge.

It’s tempting to just let it burn.

And then I remember:

there are children inside.

—Kyle Tran Myhre. end id]

When the haunted house

catches fire: a moment

of indecision.

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

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reblogged

Dracula voice: I would have gotten away with it if it weren’t for my lawyer, his wife, his wife’s girlfriend, his wife’s girlfriend’s fiancé and their extra boyfriends the Cowboy and the doctor and the doctor’s thesis advisor who knows how to kill vampires for some reason!

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Tracy Chapman - Fast Car
Live at Wembley 1988
"I adore Tracy Chapman. So much. And this gives me a chance to once again share my favorite "sometimes it's just the one thing" music history story about how Fast Car rose to prominence. It involves Stevie Wonder and Nelson Mandela (Mandela mostly peripherally.) … and it also involves Prince and Bono. So, the Nelson Mandela 70th birthday celebration concert, June 1988. Producer Tony Hollingsworth had called Stevie Wonder every Friday for months, trying to get him to commit to doing the concert. Stevie ducked his calls until the Wednesday before the show, when he called Hollingsworth and asked if there was any time for him. Miraculously, there were 25 minutes after UB40. It had been saved for a Bono and Prince duet that both singers backed out of at the last minute, so Hollingsworth had to frantically fill the slot. Stevie's call was a godsend. [...] Stevie flew into Wembley Saturday morning, and was set to play Saturday evening. When UB40 finished playing their tunes (btw playing Red Red Wine at the Nelson Mandela concert is v funny to me Imao) Stevie Wonder stood sidestage while his equipment was set up. Right when he went to take the stage, he noticed that in his haste to get to London, he'd forgotten to bring his synclavier, which had all of the synthesized music for his set. He ran down the ramp in tears, and refused to take the stage (he eventually returned later that night, playing with Whitney's band). Tracy Chapman's debut album had been out for about two months, and had performed less than modestly, as had its lead single, a tune called Fast Car. Fast Car had performed so modestly that Chapman, who played a small set earlier in the day to a smaller crowd, didn't even play it. She was given time for three songs and she played "Why?" "Behind The Wall," and "Talkin 'Bout A Revolution." But then, Stevie Wonder vanished, there was empty time to fill, a much bigger crowd was growing restless later in the day, and Tracy Chapman was close to the stage. Someone saw her, put her guitar in her hand, and sent her back out to do two songs to fill the time. And so it was 24 year old Tracy Chapman with an acoustic guitar vs. a crowd of 75000 agitated and chanting concert goers who were...not expecting Tracy Chapman. She decides to play Fast Car. Within 30 seconds, the audience is stunned to near-silence. It's an unbelievable moment. From where I sit, this is one of the greatest single-song performances in music history. She has sounded better and less nervous performing it, but the stakes and context of the moment, the degree of difficulty. This is just an impossible throw for a 24 year old debut artist to make, entirely unexpectedly. Listen to how silent it is! Fucking Wembley! 75 THOUSAND people! [...] I have a long list of "sometimes it's just the one thing" stories that I love and this is among my favorite. A couple of Just The One Things. Maybe Bono and Prince decide to do the duet after all, and there's no time for Stevie Wonder, and he never gets on the plane in the first place. Or maybe Stevie Wonder slows down just a step while packing and doesn't forget his synclavier, and goes on and does his set as planned. Maybe Tracy Chapman isn't lingering close to the stage when everything fell apart. If just any small piece goes differently, we almost certainly do not understand Tracy Chapman in the same way. Fast Car maybe isn't the standard. What a series of miracles. Anyway, I am so thankful for Tracy Chapman. One of the defining artists of my life. I see a gap between what she deserves and what she has gotten, and I hope a generous and thoughtful deep dive of her life and work arrives sometime soon, in whatever shape that takes. I think many people could learn from it. I admire her so deeply as a writer of language, a teller of stories, someone who sees the scene beyond the scene, the heartbreak beyond the heartbreak, and the love that is maybe waiting for you right around the corner." — Hanif Abdurraqib on his instagram story
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