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Down to the Kitchens

@theticklishpear / theticklishpear.tumblr.com

Original writing advice on indefinite hiatus | Pear | writer | active projects: once in royal dreaming city, the moonwater series & murder in saint salma parish
“Not all writing is cursed, but surely all of it is haunted. Literature is a catacomb of past readers, past writers, past books. Traces of those who are responsible for creation linger among the words on a page; Shakespeare can’t hear us, but we can still hear him (and don’t ghosts wander through those estate houses upon the moors unaware that they’ve died?). […] Of all of the forms of expression that humanity has worked with—painting, music, sculpture—literature is the eeriest. Poetry and fiction are both incantation and conjuration, the spinning of specters and the invoking of ghosts; it is very literally listening to somebody who isn’t there, and might not have been for a long while. All writing is occult, because it’s the creation of something from ether, and magic is simply a way of acknowledging that—a linguistic practice, an attitude, a critical method more than a body of spells. We should be disquieted by literature; we should be unnerved.”

— Ed Simon, from his essay “Who’s There?: Every Story Is a Ghost Story”, published in The Millions, August 18, 2021

Can't be sincerely dark without being called edgy, can't be sincerely emotional without being called melodramatic, can't be sincerely silly without being called stupid. They're gonna hate every emotion you put in your art no matter what so make it anyway and be as sincere as you can be

I’ve wanted to try my hand at creating a lectern book basically since the moment I saw one, and what fic could fit the bill better than the most epic work in a very much epic fandom?

✨ Sansûkh retells the entire story of the Lord of the Rings and then some, so fitting all of it into a single volume was the kind of fuck around and find out idea that is common among ficbinders.

✨ So, I typeset the text in a two-column style, made it way smaller than what I usually go for (but still very much readable!), added footnotes (as opposed the original endnotes) with translation. It turned out to be 1200 pages, which I printed out twice (remember the fuck around and find out part? Textblocks over 10 cm thick do not fit into the guillotine I have access to, and using 70 gsm paper led to a textblock of just over 10 cm. So I had to scrap those 300 sheets of paper and start again with my trusty 60 gsm Ekko paper).

✨ So then, I painted the edges black, sewn 14 cm of endbands, and took a long hard look at my life and my choices. The lecterb case was only made possible thanks to this fantastic doc by @spockandawe and @lootthecoyote's excellent mathing. I’m honestly amazed it turned out so great on the first try (ok, we did construct a mock-up first, but even it only had one mismeasured part and that 100% on me). I also made an inner cover so no parts of the textblock would show indecently. Also! The case even has inner endpapers (all theoretically visible parts are lined with the same paper I used for the actual endpapers, but taking picture of this whole Object was super awkward.)

✨ Not only did I foil the spine, there’s even a foiled design (matching the one on every spread of the pages) inside the Oxford hollow (that’s the creepy black tunnel between the textblock spine and the spine of the inner cover, you can see it in the first photo).

✨ And the most amazing part: it does the thing! Stands on its own, opens nicely and all that. (Though the pages are a bit too light to want to stay put, and you have to hold it open a bit).

I’m very happy with how this turned out!

Some of the biggest fantasy worldbuilding fails that I see, in no particular order

  • Gods without religion. The Gods are real and a known historical fact, but virtually nobody is religious.
  • Cultural racism/discrimination without structural racism/discrimination. Discrimination that exists only in microagressions or mean comments, without existing in any sort of structural way.
  • Secret history with no clear reason for it to be secret and no clear method for maintaining that secrecy. Major parts of the world's history are kept entirely secret, even though there's not an obvious reason to do so and even when history has shown this is virtually impossible to enforce (especially in a world with any movement or communication across borders).
  • Large, homogeneous countries. Even without immigration, virtually no country larger than the Vatican will be fully homogeneous in terms of culture, dialect, beliefs, traditions, etc., much less a large one with limited communication technology as is often seen in fantasy. The Planet of Hats problem.

@cuteykitsune asked in a reply: How do you show religion in your story? Prayer? Chuch? Holidays? Traditions?

I wanted to actually give a full response to this, because I think it's a great question.

Religions consist of a few things:

  • Stories
  • Beliefs/creeds
  • Rules/norms
  • Traditions

These aren't quite collectively exhaustive, and they're certainly not mutually exclusive (they are closely tied to each other), but they encompass the vast majority of what makes up a religion.

Stories are probably the simplest part of a religion: the written or oral tales passed down in the religion that tie to its beliefs, teachings, and/or origins. The Bible, the Torah, the Quran, stories about pantheons, creation stories, etc. all serve to both explain the world and provide guidance on how to live a proper religious life. These stories don't need to be part of the official canon of the religion and can be about historical figures tied to the religion (e.g., Catholic saints).

In stories, this may show by through people telling or referencing stories, through art or architecture depicting those stories, or through references to holy books, as some examples.

Beliefs are about the shared ideological viewpoints of the religion. These are often documented in the religious stories, but don't necessarily have to be. They can be as formal as the Nicene Creed or as informal as just a general shared understanding.

Theism is a major belief for the vast majority of religions, though it is not necessary. It also includes belief in what is sacred, what is acceptable, whether there is an afterlife, what good or bad traits are, etc.

If the religion is a theistic one, this belief would also include one about how the god(s) engage with the world and with people. Do they believe there is direct physical engagement (see: Zeus and the many mortal women he sleeps with) or that guidance is provided spiritually? Do they believe that there may be intervention in times of crisis? Do they believe that the god(s)'s hands are shaping the world constantly or that they created the world and then stopped? Do they believe that the god(s) listen to direct prayer from anyone or that specific locations, objects, rituals, or qualifications are required? Are the god(s) benevolent? Omniscient? Omnipresent? Do they care about humans?

In stories, this can show up any way you show the character thinking about the religion or gods. Do they think that the god(s) support their actions or if their actions follow their religious teachings? Do they care if that's the case? Do they always wash their hands carefully because their religion teaches cleanliness is important? Do they believe that certain things are good or evil?

Rules/Norms cover the institution/enforcement of those beliefs. These may be strict laws outlined in religious texts or by religious institutions (e.g., dietary restrictions) or general norms (e.g., dressing up for church). This may dictate how someone can engage with the religion or how religious people can engage with the broader world.

This is also where two religions or sects with similar beliefs really start to differentiate from each other. One might explicitly disallow something that a different one begrudgingly tolerates, even if both believe that it's bad

The structure of the religion also starts to come into play here. If a religion says only men can serve certain roles, for example, men will then be the ones playing those roles in the religious institution.

In stories, this is shown the same way any other rules or norms are.

Traditions, in my view, cover a wide range of things, from big societal traditions like holidays or rest days to small personal traditions like prayer. This is what you do as part of a religion--the actual actions taken by individuals or groups to participate in the religion.

Do people go to a physical location on a regular basis? Are all locations equal or can a person only go to certain ones? Is there someone who leads services? If people congregate for worship or other religious practice, how often? What does it look like?

Do people pray individually? What does that look like? Do houses have shrines or other dedicated areas for worship, or is it only conducted in congregate areas?

Do religious practices include specific rituals? Specific objects? Specific clothing?

This is also where the structure of the organization really shows up. Is there an organized structure (a la the Catholic Church) or is it religional? Local? Individual?

In stories, this can look like any physical practice of the religion.

Been chipping away at this in my free time - sort of a redo of a comm I did a while back. I haven't been satisfied with most of my art for almost two years straight and never felt I quite did the character design justice, so I wanted to redraw her to test out style stuff and also as a sort of thank-you to the commissioner, because another comm I did for them has been really helpful for rebuilding a following after ditching twitter. I think I'm pretty happy with the result, plus I actually enjoyed the process too which I've also been struggling with ᕕ( ᐛ )ᕗ

I haven't heard back from the previous client the character belongs to, but I hope they see it someday and it's maybe a fun little surprise for them :')

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