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The Snicket Sleuth

@snicketsleuth / snicketsleuth.tumblr.com

A compendium of Snicket-related minutiae
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Jan 11, 2022 - Daniel Handler joined the Beyond the Trope podcast to chat about writing, humor, kissing, and Poison for Breakfast (interview recorded Oct 2021). Starts at 1m30s, and the first 15 minutes offer some topics not extensively covered before.

“This is the big difference between digital culture and analogue culture: Digital is good for searching, and analogue is good for wandering. So when you’re on your way looking up a word [in the dictionary], you see other words, which is sometimes what you really meant. (…) Whereas Google will find only exactly what you said, but you can’t really wander.” - Daniel Handler (22 min)
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Hello, may I have permission to use some of your insights from several of your theories for my fanfiction? I'll give credit for the insights used. The fanfiction is set after 9 years of the events of "The End" and is a reader-insert type of story. If it's not okay with you, it's totally understandable. Your theories are extremely detailed and helpful, thank you for your efforts <3

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Hello @celestionyx, this blog is on indefinite hold due to other projects on my part. As to the hypotheses/theories mentioned on this blog, reusing their general ideas and arguments for a fanfiction is completely fair game. Thank you for your interest and good luck with writing your fanfic!

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Duality in The Beatrice Letters

Beatrice Letters was precisely designed to present several possible interpretations.

Unfortunately, the tendency of some fans to accept the most obvious interpretation as the only possible interpretation has overshadowed the beauty of the work for many people. The best known case of this is the question of whether the Baudelaires died shortly after leaving the island or not. For a long time, I argued that the only possible interpretation for what is written in TBL is that the Baudelaires survived long after leaving the island, as Beatrice claims that she remembers Sunny on a radio show. However, Dante showed me that there is another way to interpret this: the fact that Beatrice Jr may be mistaken. I have to admit that I really like this type of argument, because that is exactly what I say (now) about Beatrice's death. Assuming this possibility, we are saying that Daniel Handler planned the existence of characters who are mistaken about facts in ASOUE.

Thus, we cannot fully rely on Lemony Snicket's claim in some books about Beatrice's death for the simple fact that Lemony may be mistaken about her death. (Similarly, we cannot rely on the Baudelaires' survival on the island, because Beatrice Jr may be mistaken about this).

And as I have previously published, Daniel Handler left tips that indicate that Beatrice may have survived the fire at her home, and that he decided that Beatrice survived at some point between the publication of TAA and TPP. These tips were left in LSTUA and the Snicket File. 

I also believe that in TSS, Daniel Handler used a resource used by Agatha Christie in her books: disappointment about a prime suspect due to forged clues or coincidences, so that in the end Agatha would reveal to the reader that the prime suspect was really the murder . It would be a very specific type of Red Haring. I'm going to call this feature "Smoke Cloud". From my point of view, Quigley's TSS revelation is a well-planned Smoke Cloud, made to hide the revelation (which was already becoming very obvious since the publication of LSTUA) that Beatrice had survived her house fire. We found evidence that Quigley's revelation was a Smoke Cloud when we realized that Daniel Handler was keen to point out that Olaf was surprised to find that Quigley was alive after Olaf had read the Snicket File. If Daniel Handler's intention was to confirm that the fire survivor named in the Snicket File was Quigley, this scene would not make sense.

As Hermes and Dante explained, perhaps that was left as it was so that some plot change or new ideas were possible in the next books. I remember this feature being used at the end of the second season of Prision Break, where a scene is shown in which a major character is being taken inside a truck surrounded by police, and then a group of armed men assault the truck and the camera shows them shooting. But the camera angle does not show whether they shot the prisoner or the police. Evidently, it was recorded that way, so that both realities could be used in a possible future season. I will call this feature "Flexible Roadmaps". The use of "Flexible Roadmaps" allows the author to write a story without knowing exactly all the details of the sequel. The existence of an intensional Flexible Roadmap in ASOUE is the fact that the bodies of Beatrice and Bertrand have never been described as being found by anyone. Someone (Dante) can argue that describing the bodies of the parents of the main characters would be too shocking for readers who are children (and I agree). But not even a funeral? Furthermore, in LSTUA it was clear that Daniel Handler resorted to this aspect of the Flexible Roadmap by stating that the bodies of the Baudelaires' parents were not buried in two of the places where photos are displayed. The Flexible Roadmap exists due to the fact that the reality in which the bodies turned to ash and the reality that they survived co-exist at the same time.

And then we come to the end of TPP full of Flexible Roadmap spread throughout the work. A conventional author would choose some of the possibilities of his Flexible Roadmaps and present them to the reader. But I think we all agree that Daniel Handler is not a conventional author. Instead of clarifying the truth about Beatrice's survival or not, he publishes TBL and then TE. I think we all agree that at least TBL and TE were written together. It is important to understand that one of the goals of TBL is to leave some of the Flexible Roadmaps open.

I disagree with the statement that all the mysteries contained in TBL have been solved, because I see evidence that the mysteries contained in TBL were not created to be solved, but to be identified.

To refuse the existence of these unsolved mysteries is actually to overlook the hidden beauty that TBL possesses. I will try to publish some texts indicating the existence of these mysteries, and of course I know that solutions to these mysteries have been proposed over the years. But none of these solutions are really definitive, because TBL was designed to be a great anagram. Just as you can form multiple words from a set of letters, and each word will have a different meaning, TBL was designed to be understood in different ways depending on the premises adopted by the reader when reading each letter.

@snicketstrange​ provides another good article.

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Literal and conceptual anagram in TBL

This is the great theme of Beatrice's letters and it is clear that this derives from the multiple meanings of the word "letter".

The two main meanings are:

1 - a symbol usually written or printed representing a speech sound and constituting a unit of an alphabet

2 - a direct or personal written or printed message addressed to a person or organization

Daniel Handler's idea was to create a work in which these two meanings of the word letters could be used to form anagrams, literal and conceptual anagrams. We see that this was his idea when we read BB to LS # 2:

"The wooden box on your desk marked" letters "is full of letters. But all the letters are jumbled together, and I cannot determinie what the letters would spell if I put them in the proper order. The only letter missing is the one I sent you. Either it never arrived or you took it with you. "

I think these are one of the coolest parts of TBL. Beatrice Jr logically uses and takes advantage of the multiple meaning of the word "spell" in line with the multiple meaning of the word "letter". This is beautiful. Note these two definitions of "spell" that I would like to highlight:

1 - to make up (a word).: What word do these letters spell?

2 -: to add up to: mean; to communicate or convey (as an idea) to the mind. .: "Crop failure was likely to spell stark famine." .: "That summertime combination of hot temperatures and equally hot tempers can spell trouble."

In other words, Beatrice could be saying that she was unable to spell out the different possible literal anagrams formed by a set of letters (A - Z) in a box, or she could be saying that there were several messages written in a box, which could mean several different things depending on the order and premises you decide to adopt. And the fact that Daniel Handler chose these words for Beatrice Jr to write, only highlights his intention to create multiple meanings for TBL.

Now, note Lemony's letter to the Editor. Lemony wrote:

"... The Beatrice letters could explain the beatrice letters and even the letters of Beatrice, no matter which letters they are, and no matter what order the letters are in. I immediately began work on the file."

When quoting the order of letters, Daniel Handler makes a clear allusion here to anagrams. After that, Lemony wrote:

"For many years I thought if I collected all thesse letters and their accompanying ephemera - a phrase witch here means" documents and items which I feared had vanished, and may soon vanish again "- I could put all of them in the proper order, as if solving anagram by putting all of the letters in the right order.But letters are not letters, so the arrangement of letters is not as simple as the arrangement of letters, and even if it were, the arrangement of these letters could spell more than one thing, just as there is more than one Beatrice, and so the mystey could become two mysteries, and each of these mysteries could become two mysteries, until the wole world is engulfed in mysteries, as it is now. "

(It is interesting that after this passage I found a message from Daniel Handler for me. He said to me:

"No matter what documents you investigate, and what objects you retrieve, you NEVER ANSWER THE QUESTIONS THAT ARE MOST IMORTANT TO YOU." )

This consideration shows that the beauty of TBL is to try to form literal and conceptual anagrams, and not to discover which of the meanings is right.

A good symbolism analysis by @snicketstrange​.

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A chronology/reading order of Lemony Snicket’s works

The works of Lemony Snicket are often a conglomeration of documents from various sources and authors, frequently presented out of order. The following article intends to better classify the aforementioned documents by determining when they were written, forwarded, read and later made available to the general public (e.g. “us”, the readers).

This list has two purposes:

  • it can be used as a reading order suggestion for people who may want to experience the narrative in a more chronological manner
  • it is an attempt to put various events in relation to one another and create a more coherent picture of Lemony’s life, particularly regarding the various documents scattered across Lemony Snicket’s un-Authorized Autobiography and The Beatrice Letters.

This list is neither official nor to be taken as granted. In order to make sense of the chronology, some arbitrary decisions and interpretations had to be made. If you do not agree with the logic of the chronology, please feel free to express your views in the comments.

A quick reminder on the abbreviations used within this article:

  • LSUA = Lemony Snicket’s un-Authorized Autobiography
  • TBL = The Beatrice Letters
  • FU:13SI = File Under: 13 Suspicious Incidents

For futher references, please also refer to the timeline (Link) whose purpose is to classify events within the series which do not match the creation/publication of a particular document.

More after the cut.

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What is “The Great Unknown”?

Who is it? What is it? Does it even matter? There is no greater mystery than the nature of the unknowable.

"We saw that on a radar screen," Violet remembered. "Captain Widdershins refused to tell us what it was." "My brother used to call it 'The Great Unknown,'" Kit said, clasping her belly as the baby kicked violently. "I was terrified, Baudelaires.” [The End, Chapter Thirteen]

The basis of the theory rests on a Doylist perspective as it tries to rationalize the relevance of “All the Wrong Questions” pertaining to “A Series Of Unfortunate Events”. Daniel Handler had to be careful while writing the second series as he was juggling with two conflicting goals:

  • The nature of the question-mark was a symbolic representation of Death and the Unknowable, and had to remain that way in order for “A Series Of Unfortunate Events” not to be ruined,
  • Fans were disappointed by the number of unresolved plotholes in “A Series Of Unfortunate Events” and Daniel Handler wanted to throw them a bone by expanding the lore and providing more hints to these mysteries.

So there was only one compromise possible: add more details to the lore of the Great Unknown but in a way which would leave the final fate of the characters in “The End” still very ambiguous. That was the mission “All The Wrong Questions” had to accomplish. Yet it’s still very ambiguous whether the infamous Bombinating Beast really is the question-mark which shows up on the sonar screens of the submarine in “The Grim Grotto” and “The End”. So why write “All The Wrong Questions” at all?

This article posits that there are more connections between the plot of both series than initially believed, if one digs hard enough. We just have to follow the clues to paint a more global picture. Here are all the smaller mysteries we have to investigate before rendering our final verdict:

  • How many question marks are in “The Grim Grotto” and “The End”?
  • Why are Ellington’s eyebrows shaped like question marks?
  • Was the question-mark-shaped entity a submarine or an animal?
  • To whom did the Carmelita octopus-shaped submarine belong?
  • What exactly happened to Fernald and Fiona?

More after the cut.

NB : This article is dedicated to @snicketstrange (a.k.a. Jean Lúcio). Please check out his Tumblr page for more amazing theories about the mind of Daniel Handler (and incidentally Lemony Snicket). There’s also a Youtube page (Link) if you speak Portuguese. Jean, thank you for your invaluable help in researching this topic, particularly regarding the nature of sonars.

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Whatever happened to Mrs Widdershins?

Fiona Widdershins' life was plagued with abandonment issues. Her birth father is unaccounted for, her mother died when she was very young, her only sibling disappeared and her stepather left her stranded on the Queequeg without so much as an explanation. It's no wonder that Fiona snapped when she finally got her brother back and decided to stay with him at all costs. It's the tragic tale of a broken childhood, and a broken family.

But the topic of Mrs Widdershins' untimely demise is interesting from a narrative point of view. Why did Daniel Handler decide to make Fiona and Fernald's mother such a big deal in the first place? Surely the tension between the Captain and Fernald was enough to explain the trauma inherent to the Widdershins family drama. Adding a mysteriously departed mom on top of it is kind of overkill.

The Netflix adaptation attempted to give us some resolution by turning Fernald into a lab assistant at Anwhistle Aquatics and giving the Captain the subplot of his wife's disappareance. That's all well and good, and satisfying from a narrative perspective, but the books have their own separate canon.

Surely there's a reason why this subplot was included in the books. Daniel Handler probably had a resolution in mind but decided not to include it (just like he never confirmed that Lemony was the taxi driver from "The Penultimate Peril", for example). So why did he think Mrs. Widdershins was important? What's the missing story behind her death? Her demise looms in the background of the Widdershins family dynamic like the missing piece of a very important puzzle. It seems inoccuous, but it's probably the key to understanding everything. So what really happened to her? And how would it help us rationalizing the actions of Fernald and his stepfather?

Although the following hypothesis will mostly focus on Mrs. Widdershins, we will also try to answer a number of burning questions regarding the Widdershins family, including but not limited to:

  • How did Fernald lose his hands?
  • Who killed Gregor Anwhistle?
  • Who burned down Anwhistle Aquatics?
  • Why did Fernald betray his stepfather and join Olaf's troupe?

More after the cut.

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Hello. On of of your posts i saw someone mentioned "Baudelaire brothers" implying that one of the siblings is trans(pre-transition FtM from what i could tell. Is it Violet?). This theory is new to me and i'd like to know where it comes from and what hints the books give about it. I have not finished ATWQ, The Beatrice Letters and other side works, so i never noticed any hints but i am very interested to know if there are any. Thank you very much for all the awesome posts!

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Hello, @g-octavius. I think you’re referencing this Q&A:

But this “Baudelaire brother” business is not a theory per se. The person who asked me this question clearly meant “Baudelaire siblings” but I didn’t have the heart to correct him/her.

Canonically there are 0 hints that one of the Baudelaire siblings is transgender. There is, however, an amusing typo in “The Penultimate Peril”:

“Please,” Sunny said, joining her sisters.[The Penultimate Peril, Chapter Nine]

Gasp! Klaus was transgender all along! Just kidding, the author made a mistake writing this. Thank you very much for your support, have a good night (wherever you are)!

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I read your post on when/where VFD was created, and I was wondering about what Lemony Snicket said on page 208 of "shouldn't you be in school?" about disappearing and reappearing due to schisms and arguments, doesn't that mean that even before the schism there had already been multiple VFDs and that therefore the fire-fighting and fire-starting sides are only branches of one of the VFDs? Could there be many different VFDs all around the world, without knowledge of each other?

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There are indeed several schisms mentioned in the series. Schism is accepted by volunteers in the plural sense.

“Exactly,” I said,watching Ellington frown out of the corner of my eye. “We represent the true humantradition, the one permanent victory over cruelty and chaos. We’re aninvincible army, but not a victorious one. We’ve had different names throughouthistory, but all the words that describe us are false and all attempts toorganize us fail. Right now we’re called V.F.D., but all our schisms andarguments might cause us to disappear. It won’t matter. People like us alwaysslip through the net. Our true home is the imagination, and our kingdom is thewide-open world.”[Shouldn’t You Be In School?, Chapter Nine]
“I could tell you stories, Baudelaires,” Count Olaf said in a muffledwheeze. “I could tell you secrets about people and places that you’dnever dream of. I could tell you about arguments and schisms thatstarted before you were born. I could even tell you things aboutyourselves that you could never imagine.[The End, Chapter Seven]

So it seems that volunteers and villains alike use the word “schism” to describe any argument which tears the organization apart, forcing people to choose sides. It’s part of the traditional V.F.D. slang. This is confusing because there’s clearly a difference between THE Schism™ and a schism. This confusion might explain why Jacques tells Jerome that Olaf is responsible for a schism:

For years this organization has behaved in ways that were as noble as they were secret, but recently this organization has experienced a schism, a word which here means “a member suddenly behaving in a greedy and violent manner thus dividing the organization into two arguing groups”. The member I am speaking of—I will just call him O, though currently he prefers S—has recently done a great deal of vicious, unfair and impolite acts that I shudder to describe.[The un-Authorized Autobiography, p.123]

He carefully “a” schism, not THE schism. The original schism happened when Kit and Dewey were four years old, so it’s extremely unlikely that Olaf (who was also a child at a time) had anything to do with it.

“So I’m told,” Kit said. “I was four years old when everything changed. Our organization shattered, and it was as if the world shattered, too, and one by one the safe places were destroyed. There was a large scientific laboratory, but the volunteer who owned the place was murdered. There was an enormous cavern, but a treacherous team of realtors claimed it for themselves. And there was an immense headquarters high in the Mortmain Mountains , but-”[The Penultimate Peril, Chapter Two]
“I scarcely remember it,” Dewey said. “I was four years old when the schism began. I was scarcely tall enough to reach my favorite shelf in the family library-the books labeled 020. But one night, just as our parents were hanging balloons for our fifth birthday party, my brothers and I were taken.”[The Penultimate Peril, Chapter Eight]

Other events which have been referred to as schisms include:

  • The feud between Ishmael and the Baudelaire parents while they were on the Island
  • The mutiny started by some of the Islanders against Ishmael’s regime while the Baudelaire orphans were on the Island
  • Fiona’s betrayal at the end of “The Grim Grotto”
“That’s probably true,” Kit said thoughtfully. “Thursday did say that thecolony had suffered a schism, just as V.F.D. did.”“Another schism?” Violet asked.“Countless schisms have divided the world over the years,” Kit replied in the darkness. “Do you think the history of V.F.D. is the only story in the world? But let’s not talk of the past, Baudelaires. Tell me how you made your way to these shores.”[The End, Chapter Eight]
Finn had said that they needed to make a choice, but choosingbetween living alone on a coastal shelf, endangering themselves andtheir injured friend, and participating in the island’s mutinous plan, didnot feel like much of a choice at all, and they wondered how many other people had felt this way, during the countless schisms that had divided the world over the years.[The End, Chapter Eight]
Only Violet felt asif their friendship were more volatile, as if Fionafit her like the wrong glove, or as if their friendship had a tiny flaw – aflaw that might turn into a schism.[The Grim Grotto, Chapter Seven]

That being said, all the smaller schisms mentioned clearly happen AFTER the original schism. So even if some passages may be confusing as to whether the schism mentioned is the original one or one of the later ones, pretty much every character agrees that the original Schism™ is the one which happened when Kit and Dewey were four years old. It was also the most important as it split the organization into a fire-starting “villainous” side and a fire-fighting “noble” side. Interestingly it’s always the “noble” side which seemed to suffer internal schisms after that, while the “villainous” side remained united and homogenous. It’s possible that the fire-starting side was at a significant numerical disadvantage originally but grew stronger and bigger as the fire-fighting side split apart.

“It was not always this way, Baudelaires,” Dewey said. “Once there were safe places scattered across the globe, and so orphans like yourselves did not have to wander from place to place, trying to find noble people who could be of assistance. With each generation, the schism gets worse. If justice does not prevail, soon there will be no safe places left, and nobody left to remember how the world ought to be.”[The Penultimate Peril, Chapter Eight]

Were they schisms before the Schism™? Perhaps. But we have very little information on what the organization was like before that. Most of it comes from Lemony’s and Kit’s mouth, and they’re consumate liars who use the V.F.D. propaganda to their own ends. It’s likely that V.F.D. was pretty shady and corrupt to begin with and that the schism was inevitable, with one wanting to reform the organization’s horrible policies and the other side wanting to turn it into a straight-up crime syndicate.

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I don't think you've answered this (so if you have I am sorry) but why is Olaf so open with the Quagmires? I feel like in E.E they say that they've learned so many terrible things and they were successfully able to research VFD -- why did Olaf keep the Baudelaires in the dark?

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Good question. Olaf indeed shared a lot more with Isadora and Duncan than he ever did with the Baudelaire orphans. However I think the information Isadora doesn’t want Duncan to reveal is just examples of threats Olaf made to them. He promised the Quagmires he would do terrible things to them and Isadora doesn’t want to verbalize them. It would make them real.

“How will he do that?” Violet asked.“The police have been informed of your kidnapping, and are on the lookout.”
“I know,” Duncan said. “Gunther wants tosmuggle us out of the city, and hide us away on some island where the police won’t find us. He’ll keep us on theisland until we come of age and he can steal the Quagmire sapphires. Once he has our fortune, he says,he’ll take us and–”
“Don’t say it,” Isadora cried, covering herears. “He’s told us so many horrible things. I can’t stand to hear them again.”
[…]
Duncan flipped the pages of his notebook, and his eyeswidened as he reread some of the wretched thingsGunther had said. “I don’t know,” he said.“He’s told us so many haunting secrets, Violet. So many awfulschemes–all the treachery he has done in the past, andall he’s planning to do in the future. It’s all here in this notebook–from V.F.D. all the way to thisterrible auction plan.”
[The Ersatz Elevator, Chapter Eight]

This passage is important as it basically explains how Olaf plans to really get his hands on the fortunes once he gets custody of the orphans. Basically his only option is to engineer Stockholm Syndrome: weaken his captives’ will little by little and brainwash them until they begin to act as his minions and obey his orders. This is definitely what he and Esme were trying to achieve with Carmelita Spats. The idea is that by the time she came of age she’d be so fanatically devoted to Olaf that she would just hand over her fortune to the troupe.

The trouble is that Olaf WANTS to enact this plan but is just too emotional to get through with it. The orphans remind him too much of himself when he was younger, so he lashes out at them constantly. This is why Esme and Olaf broke up. Esme was 100% committed to pretending being good parents to Carmelita while Olaf found the entire ordeal insufferable. Parenthood is his trigger. It’s ironic because Olaf, by treating the Baudelaire orphans so terribly in “The Bad Beginning”, might have done them a favor. He was so mean and brutal that brainwashing them was impossible. They saw right though him immediately.

I think the reason that Olaf shared these things with Isadora and Duncan is that he doesn’t feel so intense a connection with them as he does with the Baudelaire orphans. It was the Baudelaire parents who destroyed Olaf’s family, not the Quagmire parents. Olaf gets defensive and tight-lipped around the Baudelaire orphans because he’s feeling too many emotions.

Another reason Olaf disclosed so much to Duncan and Isadora is that he was underestimating them. They were simply less resourceful orphans than the Baudelaires. He didn’t think there was much risk in revealing so much about himself.

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Hey! Love your blog. I was wondering if you had any idea if the Baudelaire's were home-schooled before the fire? If not, why hadn't anyone from their past life come to help them? Okay, thanks so much!!

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From the way they speak about Prufrock, Violet and Klaus definitely went to school at one point.

“Maybe I don’t knowwhat ‘cakesniffer’ means,” Klaus said, “but I think I can translateour new school’s motto.”
[The Austere Academy, Chapter One]
Klaus gave his baby sister a little kiss on the top ofher head. “At least we get to go to school,” he pointed out.“I’ve missed being in a real classroom.”“Me too,” Violet agreed. “And at leastwe’ll meet some people our own age. We’ve only had the company of adults forquite some time.”“Wonic,” Sunny said, which probably meant“And learning secretarial skills is an exciting opportunity for me,although I should really be in nursery school instead.”
[The Austere Academy, Chapter Three]

So I don’t know whether they were homeschooled at one point, but Prufrock definitely wasn’t the first school they attended. Sunny, however, is a more complicated case. She’s very young, so it’s ambiguous whether she attended nursery school before “The Bad Beginning” or not. Probably not.

As to the other people in the Baudelaire orphans’ lives, this is handwaved in the first book:

In the time since the Baudelaire parents’ death, mostof the Baudelaire orphans’ friends had fallen by the wayside, an expressionwhich here means “they stopped calling, writing, and stopping by to seeany of the Baudelaires, making them very lonely.” You and I, of course, wouldnever do this to any of our grieving acquaintances, but it is a sad truth inlife that when someone has lost a loved one, friends sometimes avoid theperson, just when the presence of friends is most needed.
[The Bad Beginning, Chapter Three]

Depressingly realistic: people hate misery. The people who were not part of V.F.D. just dropped them out of sheer indifference, and the people part of V.F.D., well… had everything to do with the Baudelaire orphans being put in Olaf’s care:

“Once there were safe places scattered across the globe, and so orphans like yourselves did not have to wander from place to place, trying to find noble people who could be of assistance. With each generation, the schism gets worse. If justice does not prevail, soon there will be no safe places left, and nobody left to remember how theworld ought to be.”“I don’t understand,” Violet said. “Why weren’t we taken, like you?”“You were,” Dewey said. “You were taken into the custody of Count Olaf.
[The Penultimate Peril, Chapter Eight]
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Hi! (I apologize for how speculative this question is but I'm too curious about it) Not sure if you talked about this already but the last question you answered got me thinking: from what we already know about it, what's your opinion about "Poison For Breakfast"? The format seems a bit different from the other Lemony Snicket books so what do you think we can expect from it?

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For one thing, it seems to be a one-shot rather than a series, which is a new direction for books set in the Snicketverse. The synopsis sounds very original (it’s like a future murder victim investigating his own demise), so I’m excited for it. I’m glad Daniel Handler doesn’t feel pressured to release a series just for the sake of it. He’s been careful not to milk his own cash-cow franchise and only releases books set in the Snicketverse when he has good ideas for it.

However I don’t except “Poison for breakfast” to contain many references to ASOUE and ATWQ. The book is perhaps too short for cameos/allusions. I do think that V.F.D. will have something to do with the reasons behind the poisoning, though, on the simple basis that V.F.D. is behind everything and has been known to deal with poisons before.

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